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Set of four oriental columns with modern bases. Carved wood. Twentieth century. Four carved wooden columns with modern bases that have a faceted shaft and bands with fine reliefs at the top, and are topped by capitals with simple decoration and square boards. They present a similarity in some details of the shaft and the bands of reliefs under the capitals with the columns of the Haveli of the known Neasden Temple in London, and it is possible to find others from Gujarat (India) with similarities in shafts and the bands of the upper part of them.
· Size: 41x35x248 cms.
DECORATIVE ANTIQUES
Ref.: Z0985
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Marble and hard stone tabletop in console format. Empire style. The shape of the board makes it more suitable for use on a console, while the simple decoration based on geometric shapes and marked symmetry can be considered influenced by the French Empire style and is reminiscent of the sample books that were sometimes made by the main European workshops working with hard stones to show the veins and colors of the materials they used, following a technique very similar to wood inlay, in their work since the 16th century.
· Size: 125x55 cms.
DECORATION
HARD STONE
Ref.: AM-221 1...
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Florentine base carved in stone. Base formed by three volutes joined together on one of its longest sides with vegetal and floral elements carved into the stone. To highlight them, they have been placed between two moldings; The upper one is straight to give an appropriate base to the table.
· Size: 75x75x74 cms.
DECORATION
DECORATION COMPLEMENTS
Ref.: AMT01
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Ark. Carved wood, iron. XIX century. Rectangular carved wooden ark with front access through doors (which have locks), four simple legs and carved finishes on the top. The decoration, with simplified and geometric plant motifs.
· Size: 157x69x110 cms.
DECORATION
FURNITURE;RUSTIC
Ref.: AB030
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Columns. Carved stone. 19th-20th centuries. Carved stone columns symmetrical in their bases and capitals (formed by different smooth moldings), with grooved shafts and decorated at their ends with shapes that resemble leaves, resembling certain elements of ancient Egyptian architecture. These types of elements were highly appreciated for notable houses. 4 units available.
· Size: 51x51x199 cms, / 46x46x188 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: AC051
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Sofa set and two armchairs. Carved and gilded wood, textile. Twentieth century. Set consisting of two high-backed armchairs with arms and a sofa similar to the other two pieces, all three upholstered in red. The carved and gilded wood shows a series of elements (dice with flowers, architectural details, volutes...) that are reminiscent of examples of 19th century French Neoclassicism (Empire style, etc.).
· Size: 158x58x102 / 62x50x102 cms
DECORATIVE ANTIQUES
Ref.: E199E
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Oval plate in carved white marble. “Children of the courtship of Dionysus.” The three children sit on a meadow. One holds a branch with bunches of grapes and vine leaves; The second puts an arm around his shoulder, and holds a glass; The third joins his hands while looking at his companions. Due to the objects they carry, they can be related to the procession that accompanies the god Dionysus, also known as Bacchus. This type of theme, extracted from classical mythology but without belonging to the main issues, was widely used in Art especially since the 18th century.
· Size: 95x5x80 cms.
DECORATION
MARBLE SCULPTURES
Ref.: M0093
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Marble sculpture inspired by the characteristic portrait busts of the Roman Empire. In the portrait is where Rome makes its most characteristic contribution to the tradition founded by the Greeks, a contribution that has matured much earlier than in other types of sculpture and that caused the development of sculpture in Rome to be divided into two fields, with different patterns of evolution, the portrait and the other types. Since the time of the Republic, portraiture was highly valued and over time it oscillated cyclically between an idealizing classicist tendency and another of great realism, derived in part from the typical expressiveness of Hellenistic art. And among the portraits, the bust and the head were the most frequent shapes. Full-length portraits were less common, although not rare. The preference for the bust and the head is a typical Roman cultural trait that created a huge market throughout the Mediterranean basin, and is explained first, by economic reasons, being much cheaper than a complete statue, but also by the conviction of a best individual identification that prevailed among them. For the Romans, it was the head, and not the body or the costumes or accessories, that were the center of interest in the portrait.
· Size: 56X20X73 cms
DECORATION
MARBLE SCULPTURES
Ref.: M0108
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Marble bust “Louis XIV”. Veined marble. Twentieth century. Bust of a marble knight, dressed in armor and wearing a long curly wig. The idealization, his clothing and the posture refer to examples of busts made around the court of Louis XIV (1710-1774) by artists such as Antoine Coysevox, Jean-Antoine Houdon, Warin, etc. Although the artist's mastery reflects a certain degree of individuality in the face, it is not possible to identify it due to the lack of elements that allow it, an intentional detail that does not detract from the work.
· Size: 54x22x74 cms.
DECORATION
MARBLE SCULPTURES
Ref.: MS308
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Hand-painted enameled porcelain vase. Inspired by Neoclassical models from the Meissen and Sèvres factories. Porcelain and bronze applications. The vase shows marked influences of classical Antiquity both in its lines and in its decoration based on vegetal scrolls, garlands, strings of pearls, etc. Two scenes have been hand painted on the fronts: a Toilette and a couple in love, both in idealized landscapes. This type of work was highly appreciated in Europe, hence similar vases were made in the main porcelain factories. This case has many similarities with productions by Sèvres and Meissen.
· Size: 42x30x104 cms.
DECORATION
PORCELAIN
Ref.: S2562
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Door. Carved and molded tropical wood. North India, 19th century. Two-leaf door and jambs with lintel made of carved wood decorated with simple architectural, geometric and vegetal elements in light relief. It is necessary to highlight the Latin cross that presides over the center of the lintel, as well as the delicacy of carving of some of the decorative elements already mentioned.
· Size: 130x38x228 con marco
DECORATIVE ANTIQUES
Ref.: Z0755
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Ceiling lamp, twelve lights. Bronze, glass. XIX century. Ceiling lamp with a gilded bronze structure decorated with architectural and plant elements of clear classicist influence, which has twelve light points (in the shape of a candle and a glass saucer), and a series of transparent glass beads, some joined in chains and others in the shape of hanging tears. The similarity between this lamp and French models from the 19th century is clear.
· Size: 80x80x100 cms.
DECORATIVE ANTIQUES
Ref.: Z2707
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Golden cornucopia-type mirror S. XX Rectangular mirror with a wide frame, formed by wings, a crest and a lower finish with decorative motifs inspired by classical tradition (roles, vases, garlands, etc.). It is inspired by the well-known and appreciated cornucopias used already in the 18th century to decorate and increase the lighting of the interiors of palaces. Stylistically, it can be related to 19th century examples of Rococo influence.
· Size: 83 x160 x 7 cms.
DECORATION
FURNITURE;CLASSIC
Ref.: Z5167
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Armor. Metal, leather, textile. Spain, 20th century. Adult armor inspired by ancient models, consisting of a helmet, gauntlets, etc., with textile elements. Note the openwork elements and, above all, the decorations in light relief based on vegetal scrolls, volutes and figurative motifs of strong heraldic influence. Weight: 33kg.
· Size: 70x55x195 cms.
DECORATIVE ANTIQUES
Ref.: ZF1130
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Miracle of Saint Peregrino Laziosi. Oil on canvas. Spanish school, 18th century.
Oil on canvas showing a man surrounded by angels and sitting on a cloud next to the crucified Christ, who touches the wound in the man's leg. Below, there is a cartouche with an inscription alluding to the identity of the monk and the moment it is shown. Saint Peregrino Laziosi or San Pellegrino da Fortí (1665/66-1345) was a friar of the Order of the Servants of Mary, also known as Servites. According to tradition, he developed cancer in his foot, and spent the day before his leg amputation in prayer. When he woke up, he was cured, and was therefore considered by some to be the patron saint of those afflicted by this disease. Peregrino was canonized by Pope Benedict XIII in 1726.
The composition of the present work, although not the most common on the subject, can be seen in other examples, such as Girolamo da Rocca's 1682 painting of the church of Santa Maria Annunziata in Guastalla in Italy; a painting in the Servites of Carmona (Seville); etc"
· Size: 65,5x5,5x80 cms / int: 48x64 cms
DECORATIVE ANTIQUES
Ref.: ZF1239
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Turquoise blue vase with hand painted scene. “Venus and Anchises.” Inspired by models from the Manufacture Nationale de Sèvres (France). The vase has two handles with vine leaves and grape clusters and decorative elements with classicist roots. It has stood out thanks to a base with four legs in the shape of volutes and shows vegetal elements in relief. The hand-painted scene on its forehead shows Venus with her lover Anchises, a union from which Aeneas would be born, one of the main characters of the Trojan War and considered ancestor of Romulus and Remus. The work is inspired by models from the Manufacture Nationale de Sèvres (France).
· Size: 45x34x84 cms.
DECORATION
PORCELAIN
Ref.: S3123
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Two-leaf door with frame, and wrought iron hardware. Soria pine wood and walnut panels, wrought iron. Century XVIII. Two-leaf door with a simple frame decorated with carved walnut wood panels, thus contrasting in tone with the frame and enhancing the composition of a large rectangle interspersed with two small squares placed side by side. The frame is simple, as is usually the case with this type of pieces, and also has flanges and wrought iron fittings. The conservation of these construction elements is not common, given their purely utilitarian purpose and their replacement by more modern ones as soon as tastes change or when the old ones deteriorate.
· Size: 148x212 (Hoja 61x202 cms.)
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z2655
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Three-story fountain. Carved marble.
Fountain made of veined marble, with a central axis with balustraded profiles and elegant floral and vegetal reliefs that visually organizes the three cups (smaller in diameter towards the top, up to the large pearl finish), decorated with fine reliefs in the edge. These types of works are inspired by examples of ancient garden architecture, adding modern touches, and can also be used alone or as part of a small pool or lake."
· Size: 65x65x120 cms.
DECORATION
MARBLE SCULPTURES
Ref.: M0081
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Planter on base. Porcelain. The pot, with a circular section, has a wavy edge outlined in gold and a garland and a scene painted on each side: both are idealized bucolic landscapes in which a series of classically inspired characters appear. The pedestal with a circular section resembles a column with a smooth shaft flanked above and below by capitals and situated on feline legs, and on its front it shows a pictorial decoration of the same type as those already mentioned. The work has been inspired by models of 19th century Neoclassicism.
· Size: 29x29x110 cms.
DECORATION
PORCELAIN
Ref.: S3096
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India. XIX century
· Size: 400x20x260 cms.
DECORATION
FURNITURE;RUSTIC
Ref.: AB070
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Louis XV style desk table with “feather” marquetry. It rests on four cabriole legs with notable curvature, decorated with a golden metal band along its entire profile and a lower finish in the shape of an animal leg, made from plant motifs and seed beads. The waist has three drawers on its front in darker wood than the rest, which also appears in rectangles with a curved lower profile on the smaller sides; It is necessary to comment on the curvatures of the lower part of this area. The top board, highlighted by a metal band with mirrors in the corners, shows a central area with “feather” marquetry within a band with plant elements. Both decorative elements and the curves of lines and profiles are characteristic of the style known in France as Louis XV (Rococo), from which the desk is inspired.
· Size: 120x55x78 cms
DECORATION
FURNITURE;CLASSIC
Ref.: D174
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Lamp. Bronze, glass. Classical style ceiling lamp that has a central glass ceiling edged in bronze and with ram heads, from which two arms emerge ending in glass tulips in the shape of a flower. The connection to the ceiling is made using bronze pieces decorated with putti, garlands, scrolls, architectural elements, etc. that show a clear influence of neoclassical models from the 19th century.
· Size: 91x91x110 cms.
DECORATION
FURNITURE;CLASSIC
Ref.: E515
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Sideboard. Walnut wood, metal. France, 19th century. Carved walnut wood sideboard with two doors in the upper part decorated with reliefs (rhombuses, triangle panels, symmetrical vegetal composition, etc.), a space in the central area with two turned pieces in a vase shape and with discs on the sides , and a lower area with two doors (columns on the sides, geometric and vegetal shapes on the doors in slight relief) located under two small drawers that flank a compartment with a key closure. The metal sconces present vegetal and architectural elements reminiscent of classicism. This type of furniture was common in the 19th century throughout Europe, mixing Neoclassical details with baroque and Renaissance influences.
· Size: 140x60x237 cms.
DECORATIVE ANTIQUES
FURNITURE
Ref.: Z0536
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Pair of carved marble sculptures. "Tiger". Inspired by oriental models. Located on a base that resembles earth thanks to a sgraffito, the tigers appear roaring. The stripes on his body have been left in relief, like the hairs on his face; Not the mustaches and nose, simply engraved on the surface of the marble. Clear influences from Tibetan and Indian examples can be seen in the figure, which stands out for its magnificent combination of textures and the expressiveness of the animal.
· Size: 63x20x47 cms.
DECORATIVE ANTIQUES
Ref.: Z1128
