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Sofa set and two armchairs. Carved and gilded wood, textile. Twentieth century. Set consisting of two high-backed armchairs with arms and a sofa similar to the other two pieces, all three upholstered in red. The carved and gilded wood shows a series of elements (dice with flowers, architectural details, volutes...) that are reminiscent of examples of 19th century French Neoclassicism (Empire style, etc.).
· Size: 158x58x102 / 62x50x102 cms
DECORATIVE ANTIQUES
Ref.: E199E
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Chapel. Mahogany wood. Century XVIII. Broken glass.
Chapel for a private oratory made of mahogany wood, with a space protected by a sheet of transparent glass (locked) to place a sculpture. The decoration and lines of the piece (straight moldings, columns with entasis and capitals of a simple order, setback of the central part in plan, etc.) respond to classicist influences, a common inspiration in 18th century art."
· Size: 77x37x103 cms. int: 62x21x95 cms.
DECORATIVE ANTIQUES
Ref.: Z0449
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Mirror. Carved and polychrome wood. Spanish school, 20th century, following ancient models. Rectangular wall mirror made of wood and decorated with a composition based on plant elements in relief on the front, with a small crest on the top. Stylistically, it is inspired by common models in the Spanish school of the 18th century.
· Size: 45x5x61 cms.INT 31x43,5 cms.
DECORATIVE ANTIQUES
Ref.: Z0522
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Bed. Bronze. Around 1900. Bed frame made of bronze, with the headboard, footboard and side crossbars gilded. The headboard and footboard, similar to each other, have rollers or wheels on the legs, and present an elaborate decoration both on the vertical sides (channeled shapes with balustraded elements decorated with plant and architectural elements) and on the top (delicate composition of scrolls, leaves and flowers). These decorative elements present a clear classicist influence along with a slight reminder of modernist or Art Decò forms.
· Size: 157x220x213 cms.
DECORATIVE ANTIQUES
Ref.: Z0591
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Elizabethan sofa. Mahogany wood, textile. Spain, 19th century. Sofa or lounge chair made of carved mahogany wood with textile in yellow or gold tones inside and outside, and soft upholstery with buttons on the inside of the backrest. The legs, with a slight chambrana shape, and the base have a simple decoration based on carved geometric elements, while the high backrests have somewhat more elaborate plant upholstery. This type of furniture, with a strong French influence, was common in the Elizabethan period, a style so called because the reign of Elizabeth II (1830-1904) was its peak moment.
· Size: 200x65x100 cms.
DECORATIVE ANTIQUES
Ref.: Z0604
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Paper bin. Walnut wood, iron. Spain, 17th century. Structure for a rectangular-shaped trash can or trash can made of carved walnut wood, which has a lid with closure with two hooks and hardware (knob on the outside, corner pieces, and hinges on the inside) in iron. Note the distribution of the interior spaces, of different sizes to be able to store different objects.
· Size: 154x53x60 cms.
DECORATIVE ANTIQUES
Ref.: Z0719
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Door. Carved and molded tropical wood. North India, 19th century. Two-leaf door and jambs with lintel made of carved wood decorated with simple architectural, geometric and vegetal elements in light relief. It is necessary to highlight the Latin cross that presides over the center of the lintel, as well as the delicacy of carving of some of the decorative elements already mentioned.
· Size: 130x38x228 con marco
DECORATIVE ANTIQUES
Ref.: Z0755
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Set of armchair and two chairs. XIX century. Upholstery requires restoration All elements made of mahogany wood with bronze applications.
· Size: Butaca: 58x51x88 cms. Sillas: 48x45x83 cms.
DECORATIVE ANTIQUES
Ref.: Z0781A
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Divan. Walnut wood, upholstered. XIX century. Divan made of walnut wood decorated with carvings concentrated on the legs and on the two ends of the backrest with a vegetal and architectural theme and an upholstery of vegetal motifs, following those Elizabethan and French influences.
· Size: 165x64x76 cms.
DECORATIVE ANTIQUES
Ref.: Z0856
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Armchair. Walnut wood, upholstery. Spanish school, 18th century. Armchair or chair made of carved walnut wood with an upholstered seat that has a high backrest, openwork and decorated with simplified architectural and vegetal elements, wavy arms finished in a volute and joined to the back and the seat, front legs shaped like a cabriolet and finished in claws with spheres, and straight hind legs secured with a smooth shell. The seat has a cut-out decoration in its lower area. Aesthetically, it is reminiscent of English school furniture in certain details, but, as is common in 18th century Spanish cabinetmaking, it also presents French influence.
· Size: 68x57x107 cms.
DECORATIVE ANTIQUES
Ref.: Z1466
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Ceiling lamp, twelve lights. Bronze, glass. XIX century. Ceiling lamp with a gilded bronze structure decorated with architectural and plant elements of clear classicist influence, which has twelve light points (in the shape of a candle and a glass saucer), and a series of transparent glass beads, some joined in chains and others in the shape of hanging tears. The similarity between this lamp and French models from the 19th century is clear.
· Size: 80x80x100 cms.
DECORATIVE ANTIQUES
Ref.: Z2707
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Miniature friar armchair. Wood, leather, metal. Spanish school, 19th century. Armchair with arms and a high back of the type known as frailero that has chambrances on the legs joining the rear legs to the front legs and middle chambrances or stringers in the front with carved vegetal and architectural elements. The legs have a vegetal carving that extends through the arms, in the volutes of the fronts. The backrest and seat have leather upholstery (the backrest is embossed with plant elements), metal studs and textile fringe. The friar armchair, initially of Italian origin, became one of the most common pieces of Spanish furniture since its introduction in the 16th century, being characteristic of this and the 17th century and being recovered again in the historicist current of the 19th century. Being a tradition so deeply rooted in Spain, these types of models have never stopped being created.
· Size: 22x20x32,5 cms.
DECORATIVE ANTIQUES
Ref.: Z3123
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Friar armchair. Leather, wood. Spain, 16th century. It has flaws, requires restoration. Armchair with arms and high back of the type known as “frailero”, which has leather with studs in the upper part of the backrest and on the seat, low chambranas with a cut profile joining the front legs with the rear ones and middle chambranas or stringers (carved and cut the front one creating geometric motifs) joining the two front legs and the two rear ones, and simple armrests. The friar armchair, initially of Italian origin, became one of the most common pieces of Spanish furniture since its introduction in the 16th century, being characteristic of this and the 17th century and being recovered again in the historicist current of the 19th century. Being a tradition so deeply rooted in Spain, these types of models have never stopped being created.
· Size: 61x54x112 cms.
DECORATIVE ANTIQUES
Ref.: Z3523A
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Pair of Louis XV style rosewood chairs. Both alike, they stand on four legs with slight curves and carved decoration on the knees, which also appears in the center of the waist and at the top of the high backrests. The French style called Louis they performed.
· Size: 50x50x90 cms.
DECORATIVE ANTIQUES
Ref.: Z6659
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Shelf locker. Carved pine wood, wrought iron handles. Twentieth century. Block with a straight rectangular board protruding on the smaller sides decorated on its fronts with simple rectangular compositions. The three front drawers have metal hardware decorated with pearls and pine cones. Stylistically, it is inspired by Renaissance models.
· Size: 46x160x89 cms.
DECORATIVE ANTIQUES
Ref.: ZE150
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oak wood Inspired by old models
· Size: 67x46x60 cms.
DECORATIVE ANTIQUES
Ref.: ZE301
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Lamp. Bronze. XIX century.
Lamp with a circular glass decorated with a series of classicist decorative moldings in the lower part and an oval shape from which a ring hangs, and another molding in the upper part uniting three winged angel heads. From the back of these three chains of polygonal links emerge that go to one piece through a decoration of palms and scrolls, which ends in a ring to go to the ceiling. Also sometimes known as votive lamps due to their frequent presence in churches, these types of lamps were outstanding pieces. Compare, for example, with that of San Antonio de la Florida (Madrid) by Domingo Urquiza dated 1799."
· Size: 48x48x95 cms.
DECORATIVE ANTIQUES
Ref.: ZE324
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Relief, “Ballerinas”. Marble dust. 20th century, following the CANOVA model, Antonio Relief made of marble powder with polychrome, enhanced with a somewhat modern frame that closely follows a fresco by Antonio Canova (The Graces and Venus dancing before Mars, 1799, Antonio Canova Museum and Glyptoteca, Possagno, Treviso). The present work includes the three Graces, accompanied by Venus, who appears playing a lyre, under a series of garlands with lacework. Antonio Canova (Possagno, November 1, 1757-Venice, October 13, 1822) was an Italian sculptor and painter of neoclassicism. Weight: 23kg.
· Size: 106,5x6x105 cms
DECORATIVE ANTIQUES
Ref.: ZE400
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Mirror with pompadour. Molded and polychrome alabaster. Twentieth century. Mirror made of molded alabaster with polychrome inspired by European models from the 18th century and the decorative elements present in them, to which a certain more modern air is added. On the crest, a rockery is reminiscent of Rococo works, while the plant elements have an Art Nouveau air, for example. Certain architectural details are reminiscent of classicist works from the 19th century. Weight: 13kg.
· Size: 90x7,5x143 cms
DECORATIVE ANTIQUES
Ref.: ZE401
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Mirror. Molded and polychrome alabaster. Twentieth century. Wall mirror made of alabaster molded with polychrome that has a frame of architectural elements of classicist influence and a series of figurative elements that respond to the same current (two semi-naked female figures, possibly allegories, a child's head with two pairs of wings, two putti with garlands below). Weight: 36 kg.
· Size: 120x9x122 cms
DECORATIVE ANTIQUES
Ref.: ZE402
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Wall mirror. Molded alabaster. Twentieth century. Rectangular wall mirror with a frame made of alabaster molded with polychrome which presents a decoration based on elements of strong classicist inspiration (note the “candelieri” on the edges, recalling works from the Renaissance, the crest with scrolls and volutes, etc.) . Weight: 21kg.
· Size: 88x5x114 cms
DECORATIVE ANTIQUES
Ref.: ZE404
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Musicians, relief. Molded alabaster. Twentieth century Relief with frame made of alabaster molded with polychrome inspired by Renaissance works of the Spanish school and, more closely, in a work by Enrique Orejudo Alonso for the Upper Chapel of the Church of the Santísima Trinidad de Torre-Ciudad in Huesca (Spain). Weight: 37kg.
· Size: 104x85x111,5 cms
DECORATIVE ANTIQUES
Ref.: ZE406
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Pair of panels, Dancers. Molded alabaster. 20th century, inspired by CANOVA, Antonio (1757-1822).
Pair of reliefs with frames made of alabaster molded with polychrome, inspired by the reliefs that show two young people dancing in a fresco by Antonio Canova (The Graces and Venus dancing before Mars, 1799, Antonio Canova Museum and Glyptoteca, Possagno, Treviso. Antonio Canova (Possagno, November 1, 1757-Venice, October 13, 1822) was an Italian sculptor and painter of neoclassicism. Weight: 15 kg."
· Size: 72x6x101 cms
DECORATIVE ANTIQUES
Ref.: ZE407
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Horse and dogs with pages, relief. Molded and polychrome alabaster. 20th century, following the model of MANTEGNA, Andrea (around 1431-1506). Relief with frame decorated with elements of classicist influence (moldings, candelieri...) made of marble powder with polychrome. It shows a figurative scene: a richly caparisoned horse, with a page, and two large dogs with another male figure. Aesthetically, it is inspired by a fresco by Andrea Mantegna, located on the west wall of the Chamber of the Spouses of the Ducal Palace of Mantua (Italy), painted between 1465 and 1474. Weight: 30 kg.
· Size: 99,5x10x157 cms
DECORATIVE ANTIQUES
Ref.: ZE408
