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Eastern door. Carved wood, bronze nails. XIX century. Two-leaf door with a frame enhanced by carved moldings towards the edge (the sides, downward, are reminiscent of bases of Indian columns), which also has an upper space decorated with a cross carved in triangles and fan shapes. the sides of it. The doors are decorated with carvings of strong European influence and have decorative and functional bronze applications or nails.
· Size: 118x33x243 cms Luz 90x194 cms
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Ref.: Z0627
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The fountain. Polychrome terracotta. 20th century, following models by CARRIER-BELLEUSE, Albert-Ernest (Aisne, 1824-Sèvres, 1887). The figure shows a child, lying down and almost completely naked, with his head highlighted with a crown of gold leaves. He is shown with a shell (with touches of gold), taking water from a jug that he has next to him, thus remembering the allegories of rivers or their birth in Ancient Rome. It is necessary to compare the present work with that entitled “La Source” by Albert-Ernest Carrier-Belleuse, preserved, for example, in the Art Institute of Chicago or that of the Portland Museum of Art (of which there are a series of variants, changing the characters and the material used). Albert-Ernest Carrier-Belleuse was a French sculptor and draftsman trained with David d'Angers and at the Paris School of Fine Arts. He achieved international recognition through his participation in the Salon of French Artists of 1861 (Third Medal), creating outstanding works such as several busts of Napoleon III, the fireplace in the great hall of the Paris Opera, etc. His work is preserved in prominent private collections and in institutions such as the Musée d'Orsay in Paris, the Prado Museum in Madrid, etc.; In addition, we must remember its terracottas and its monuments (such as that of Bernardo O'Higgins in Santiago de Chile). It is also worth highlighting the publication in 1884 of L'application de la figure humaine à la decoration et à l'ornementation industrielles, an important collection of decorative arts of the time, and in 1876 he was appointed art director of the Manufacture. Nationale de Sèvres.
· Size: 50x25x40 cms
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Ref.: Z0628
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17th century Transformed to corbel.
· Size: 38,5x26x15 cms.
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Ref.: Z0668
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Two-leaf door with castanet frame. Pinewood. Spain, 17th century. Double-leaf door made of pine wood with decoration of rectangular panels organized in rows and a castanet-type frame (named for the elements that decorate it). Although quarter panels were a common element in the Renaissance, they continued to be used at this time and long after.
· Size: Puertas 177x94,5 cms c/Marco 184x107 cms.
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Ref.: Z0696
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Door handle. Wrought iron. Twentieth century. Handle with latch made of wrought iron and inspired by common examples in Spain during the Baroque (17th century). The handle piece (with the profiles cut out) has a handle decorated with a disc, and a flat latch that joins or opens the door thanks to another series of elements. Several units available. Price you..
· Size: 7x6x14 cms
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Ref.: Z0698
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Votive lamp. Bronze. Century XVIII. Bronze lamp to illuminate with oil and candles of the type usually used in churches, hanging from vaults, arches, etc. Sometimes, and especially when they are made of silver, they are known as tabernacle lamps because this is their usual location. The shape and decorative elements of this piece refer to models with a certain Neoclassical influence, maintaining details more common in baroque models from the 17th century.
· Size: 45x45x120 cms.
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Ref.: Z0707
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Fireplace screen. Mahogany wood, silk, metal. Possibly English, 19th century. Fireplace screen that has a foot finished in three bases and carved in a balustrade shape and a frame made of carved mahogany wood. The piece has three rectangular sheets of upholstery or textile in red silk, extendable and retractable, to more or less cover the surface to be protected from the heat of the fireplace fire.
· Size: 56x30x101 cerrado
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Ref.: Z0728
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19th century Pinewood
· Size: 186x45x105 cms.
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Ref.: Z0734
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Corona typewriter with case and Polish sticker. First half of the 20th century. Typewriter with carry case that has an exterior handle and closures. As can be deduced from the names that appear on it, it is from the company Corona Typewriter Company, Inc, Groton, NY, USA. One of the best known is the model 3, which began to be manufactured in 1912. As a curiosity, this machine shows a sticker that has been related to a Polish repair shop that is known to have been in operation in 1937.
· Size: 31x25x20 cms.
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Ref.: Z0756
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Century XVIII
· Size: 73x102
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Ref.: Z0766
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Wall light. Bronze. Beginning of the 20th century. Wall light made of gilded bronze that has three points of light (in the shape of a candlestick, remembering when candles were used), and a decoration based on lacework, plant and architectural elements of clear French and neoclassical influence. This type of lighting elements were common in prominent areas of buildings such as palaces, theaters, etc.
· Size: 32x22x60 cms.
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Ref.: Z0775
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Pair of appliques. Bronze, glass. Empire style, France, around 1900. Both practically the same, each wall light presents three points of light and a decoration and lines that respond to the classicist influence of the style to which they belong. Note the palms, the volutes, the smooth moldings, etc. These types of lighting elements were common in prominent interiors.
· Size: 34x22x52 cms.
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Ref.: Z0776
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Pair of appliques. Bronze. Twentieth century. Pair of wall sconces with three light points each made of bronze and decorated with elements reminiscent of works of Empire and Neoclassical style and of French origin, mainly (female masks, plant motifs, strings of pearls, etc.).
· Size: 29x17x67 cms.
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Ref.: Z0776A
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"
· Size: 40x27x52 cms.
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Ref.: Z0777
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Classic marble powder corbel. Under a simple molding, a scroll has been placed with an open center, revealing a distressed shape in another tone whose lines it follows. This bichrome can be seen in other architectural details of the corbel, such as the oval shield with volutes in the lower area, or the three drops in the center. Although the inspiration in elements from Antiquity is clear, these have been used freely, giving rise to a work of art of great originality.
· Size: 50x37x67 cms.
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Ref.: Z0806
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Birds and flowers; couple. Framed panels, carved soapstone and hard stones. Hong Kong, 20th century. Pair of oriental style panels that show branches with leaves and flowers on hard stones accompanied by small birds. On the back, they have a hook for hanging, also in an oriental style.
· Size: 30,5x2x96 cms.
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Ref.: Z0821
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Set of four oriental columns with modern bases. Carved wood. Twentieth century. Four carved wooden columns with modern bases that have a faceted shaft and bands with fine reliefs at the top, and are topped by capitals with simple decoration and square boards. They present a similarity in some details of the shaft and the bands of reliefs under the capitals with the columns of the Haveli of the known Neasden Temple in London, and it is possible to find others from Gujarat (India) with similarities in shafts and the bands of the upper part of them.
· Size: 41x35x248 cms.
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Ref.: Z0985
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Fire truck or motorized sprayer. EC Flader from Jöhstadt, Germany, around 1920. Motorized sprayer designed to be pulled by horses from the firm EC Flader of Jöhstadt (name partially visible on the rectangular label on the front of the device), with a folding compartment and space for machinery in the rear area, moved with two spoked wheels and which has With vertical bar to be fixed to the ground when used. This type of machinery was used by firefighters, usually in cities, and the present example is known to have been used, for example, in 1925 in Wellsdorf.
· Size: 130x230x145 cms.
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Ref.: Z1009A
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Fire hose cart. Possibly, towards the first third of the 20th century. Two-wheeled cart to carry the hose, normally pulled by the firefighters themselves when in use, which also has a box in front to store tools, heads and metal parts for use with the hose, and another auxiliary hose .
· Size: 220x130x102 cms
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Ref.: Z1009B
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Fire truck or motorized sprayer. EC Flader from Jöhstadt, Germany, around 1920. Motorized sprayer designed to be pulled by horses from the firm EC Flader of Jöhstadt, with a folding compartment and space for machinery in the rear area, moved with two spoke wheels and has a vertical bar to be fixed to the ground when used. This type of machinery was used by firefighters, normally in cities, and the present example, if indicated, is known to have been used in 1925 in Wellsdorf.
· Size: 340x142x125 cms.
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Ref.: Z1009C
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Iron corbels. 19th-20th centuries. Set of three iron corbels used in some notable residence, decorated with scrolls, lines and other elements that could link the pieces with Neoclassicism, but that also present a somewhat more modern air. The polygonal finials located under the two facing volutes at the top are reminiscent of certain elements of the East, while the composition can be compared to European traditions.
· Size: 42x17x49 cms.
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Ref.: Z1015
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Pulpit grille. Wrought iron. Century XVIII. Wrought iron grate with thirteen bars with double pear and discs in their shafts, arranged in a circle with flat bars of the same material (circular and cross combined at the base for a firmer hold, and arranged in a circle at the top), which would have been created to surround the pulpit of a church, accessible through a door created with the same grille (one of the balusters allows part of the grille to rotate). Although balustraded shapes were already used in Baroque grilles, the present composition refers more to 18th century Neoclassicism models.
· Size: 100x100x110 cms.
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Ref.: Z1045
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Failed. Wrought iron. 20th century, following baroque models. Wrought iron falleba composed of two pieces, the one that would fit the furniture or window and the one that, properly, would close the door in which it was installed. The decorative elements and shape are similar to pieces often used in the Spanish school during the 17th century, within Baroque art. Weight: 0.7kg.
· Size: 38x6x7 cms
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Ref.: Z1079
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Lady with child and cupid. Porcelain. E. & A. Muller, Germany, 1895-1927. With marks and numbering on the base. On an oval base that rests on scroll-shaped legs and has pearls in front, the three figures that make up the piece are placed. A lady with a tiara in her hair, tied up, bends down to hold a child; Next to it, a cupid appears next to a basket. The base has several numbers and letters (some incised, others written) both on the edge and on the bottom. In this area also appear the marks that would link the piece with the Porzellanfabrik E.&A. Müller, a factory located in Thuringia (Germany) that was founded in 1890 and produced numerous luxury pieces until it was incorporated into the Porzellanfabrik Schönwald AG in 1927, closing definitively and after a series of changes around 1938. The two brands seen here They were used together since 1895. Weight: 0.4 kg.
· Size: 13x9x16 cms.
DECORATIVE ANTIQUES
Ref.: Z1227A