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FRAME. WOOD, METAL. LATE 17TH CENTURY-EARLY 18TH CENTURY.

Frame. Carved wood. Late 17th-early 18th century. Rectangular frame that presents a “base structure” of straight lines, combining moldings of different widths and finishes (inside, a golden band with fine vegetal details towards the corners; then, a thin red one, and another wider green one, these last two imitating marble; outside, another thin golden molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the longer sides and a very elaborate cresting with vegetal elements, rocaille, volutes, flowers and imitation of fabrics (which join with those ovoid elements mentioned). The combination of red, green, and gold is common in certain types of frames (compare, for example, the Salamanca terracotta made around the mid-16th century by Juan de Juni, now in the Victoria and Albert Museum). A series of carvings with great movement and depth have been added to this frame, showing Baroque influence (it is reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano in Málaga Cathedral).

· Size: 138x28x196 cms, Int. 86x128 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: ZF0582
FRAME. EBONIZED WOOD, METAL. DUTCH SCHOOL, 17THCENTURY.

Frame. Ebonized wood, metal. Dutch school, 17th century. It has faults. The frame is slightly rectangular, made of ebonized wood, and decorated with a series of smooth moldings of varying widths that decrease in height towards the inside. Of particular note are the depth of the frame and the two metal pieces (with distinctive shapes and an external crest) used for hanging it on the wall. Both its color and the aforementioned decoration indicate that the piece follows Dutch models, which were very popular during the 17th-century Baroque period throughout much of Europe, and frames were even produced in other schools following these prototypes. Compare, for example, with the frame of Hans Memling's "Portrait of a Gentleman" in the Thyssen-Bornemisza collection (a Flemish piece, made of ebonized wood); or, in the same collection, with the frame of Ruysdael's "Winter Scene with Skaters and Sleds in Front of a City"; or with the frame of Philippe de Marlier and Frans Francken's "Vase of Tulips" in the Bilbao Fine Arts Museum.

· Size: 86,5x11x110 cms. Int 56x73 cms
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: ZF1353
WOODEN FRAME. 16TH CENTURY.

Frame. Carved, polychrome and gilded wood. 16th century. Carved, polychromed and gilded wooden frame made from different elements of marked Renaissance influence, resulting in an architectural composition with a stepped base, two fluted pilasters with volutes on the sides and a top formed by another stepped entablature and a triangular pediment with three balls on another narrower entablature.

· Size: 143x34x160 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: Z0876
FRAME, POLYCHROMED AND GILT WOOD. 18TH CENTURY.

Polychrome and gilded wooden frame. Late 18th century. A rectangular frame with gilded rocaille on a red background and elements related to the Passion of Christ on shields in the corners and center of the longer sides: dice, nails, a purse (containing Judas's coins), a mallet and pincers, a cross with lances, and two whips. These motifs clearly indicate that it was created to highlight a religious painting depicting the Passion, likely in a private chapel, given the lack of relief and the work's strong Rococo influence.

· Size: 187x3x87 cms LUZ 51X154 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: Z3627
FRAME. WOOD. 18TH CENTURY.

Frame. Carved and gilded wood. 18th century. A rectangular frame made of carved and gilded wood, combining a thin, smooth band on the inside with another carved band and a third, on the outside, in which smooth areas are combined with delicate vegetal details (these in the same finish as the rest of the molding, highlighted against a striped background). Currently, the value and appreciation of frames are on the rise due to their demand by important museums and institutions, who seek to restore artworks to their original frames. This explains why similar examples can be found in some of Vermeer's paintings, for instance, or in the Metropolitan Museum of Art in New York, the Louvre Museum, the British Museum, and the Victoria & Albert Museum in London, among others.

· Size: 75x6x58 cms. / 50x38 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: ZE225
POLYCHROMED AND GILDED WOOD FRAME. 17TH CENTURY.

Frame. Gilded and polychrome wood. 17th century. It shows loss in the lower left area. The frame, crafted from carved, gilded, and polychromed wood in certain areas, features a decoration based on bands (alternating plain with others adorned with vegetal and architectural elements) and a raised section at the top with vegetal and architectural motifs. In this area and below, polychromy is combined with gilding. Note the similarity between the decoration and lines of this piece and certain Spanish Baroque altarpieces of the 17th century.

· Size: 105x16,5x101,5 / int 81x57 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: ZF0631
PAIR OF FRAMES. WOOD. 20TH CENTURY.

Pair of frames. Wood. 20th century. Pair of carved wooden frames decorated on the front with a composition of moldings of different widths, all smooth, combining straight lines with curves.

· Size: 152x7x172 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: Z3959
WOODEN FRAME. 17TH CENTURY.

Frame. Carved wood. 17th century. It has faults. Rectangular frame made of carved wood that still retains some of its original polychromy. As was common in several European schools since the Renaissance (particularly the Italian, but also the Spanish, for example), it is decorated with a series of smooth moldings of varying widths, arranged to leave a plain band.

· Size: Ext 175x95 cm Int: 1.55x74 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: Z6224
.GILDED WOOD FRAME. 18TH CENTURY

Frame. Carved and gilded wood. 18th century. A rectangular frame with a semicircular finial at the top center, crowned by a composition of leaves and elements of the Passion of Christ (Crown of Thorns, Nails, etc.), decorated with a series of bands, alternating plain ones with two bands of different pearl strands. While the 18th century is known for Rococo, it is not the only artistic style of the period: the decoration and forms of the frame show a closer affinity with ancient Roman art, a common influence in Neoclassicism.

· Size: 44x8x81 cms
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: ZF0527
FRAME

"

· Size: 49,5x41,5 / int: 25x27 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: Z0307
FRAME. BRASS, TEXTILE, GLASS. 19TH CENTURY.

Frame. Brass, textile, glass. 19th century. The rectangular frame includes a table stand and a hanging ring on the back. The front features a decoration divided into two bands with classically influenced architectural elements in brass, between which (within the glass) is a band of flowers and stems embroidered on a textile. The piece is topped with a crest featuring two torches, ribbons, and vegetal motifs.

· Size: 19,5x2x27 cms. int: 12x16 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: ZF1156
FRAMED MIRROR. WOOD, GLASS, ETC. SPANISH, 19TH CENTURY.

Frame with mirror. Wood, glass, metal. Spanish school, 19th century. Dark wood frame with a smooth band between two thin moldings reminiscent of antique examples of English influence. The mirror sheet shows the oxidation typical of this type of work when it is old, adding value to the piece with these unique changes.

· Size: 56x3,5x67 cms. Int 31x41,5 cms
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: ZF1332C
FRAME. WOOD. 18TH CENTURY.

Frame. Wood. 18th century. It has faults and damage. Rectangular frame made of carved wood and decorated on the front with fine moldings and widenings finished in a curve at the corners, in which you can also see plant and architectural motifs of strong classicist influence.

· Size: 51,5x3x69 cms. Int 43x62 cms
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: ZF136805
MAHOGANY FRAME. 19TH CENTURY.

Frame. Mahogany wood. 19th century. It has faults. Wooden frame with a mahogany finish, designed to be placed horizontally on a wall, featuring a simple decoration of smooth moldings on the front, following common models in the English school of the 19th century.

· Size: 81x3x70 cms. Int 59,5x49,5 cms
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: ZF136817