Z. Sierra · Antiques and Decorative Objects

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SAINT PEREGRINE LAZIOSI. OIL ON CANVAS. 18TH CENTURY.

Miracle of Saint Peregrino Laziosi. Oil on canvas. Spanish school, 18th century.
Oil on canvas showing a man surrounded by angels and sitting on a cloud next to the crucified Christ, who touches the wound in the man's leg. Below, there is a cartouche with an inscription alluding to the identity of the monk and the moment it is shown. Saint Peregrino Laziosi or San Pellegrino da Fortí (1665/66-1345) was a friar of the Order of the Servants of Mary, also known as Servites. According to tradition, he developed cancer in his foot, and spent the day before his leg amputation in prayer. When he woke up, he was cured, and was therefore considered by some to be the patron saint of those afflicted by this disease. Peregrino was canonized by Pope Benedict XIII in 1726.
The composition of the present work, although not the most common on the subject, can be seen in other examples, such as Girolamo da Rocca's 1682 painting of the church of Santa Maria Annunziata in Guastalla in Italy; a painting in the Servites of Carmona (Seville); etc"

· Size: 65,5x5,5x80 cms / int: 48x64 cms
DECORATIVE ANTIQUES

Ref.: ZF1239
”TRAVELLERS”. OIL ON CANVAS. SIGNED “A. BRIONES”. 20TH CENTURY.

“Gypsies.” Oil on canvas. Signed “A. Briones.” Twentieth century. Oil on canvas showing a natural landscape in the background, barely sketched, to leave prominence to the figures that are advancing in the foreground. The man, on the right, carries a cane on his shoulders and a series of items, in addition to being accompanied by a baby bear. In the center, a woman walks with a stick on her shoulder, leading a saddle loaded with more objects and some children by the reins. The painting shows a family of gypsies, on their way to some show in which they would use the baby bear. Between the 15th and 18th centuries the artistic image of gypsies is stereotyped and very scarce, with some engravings, tapestry and paintings such as “Landscape with gypsies” by David Teniers III from the Prado Museum (inv. Poo1818). The 19th century would be the moment of emergence of the gypsy motif in the plastic arts, due to the interest of foreign artists attracted by the “exotic” of these people, exposing what they considered their most folkloric features, especially highlighting works by Fortuny and Sorolla. This work aims to influence the particularities of the gypsy people, but without remaining only in their stereotypes, clearly showing the hardness of their life and the loneliness that it brought with it. Technically, one can appreciate its relationship with innovative contributions that have appeared in French painting since the end of the 19th century. Thematically, it is reminiscent of works of social realism (a pictorial movement that appeared in France around the mid-19th century).

· Size: 97x64 cms. 86x117 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4081
BULLFIGHTING GRAPHIC WORK OF GOYA

Francisco de Goya y Lucientes (Fuendetodos, 1746 - Bordeaux, 1828) \\'Bullfighting\\' National Library. Special facsimile edition made to commemorate the constitution of the \\'Spanish Bullfighting Museum, SA\\'. Directed and commented by Antonio de Horna. Madrid, May 1970.

· Size: 45x32 cms
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z3879
LANDSCAPE. OIL ON CANVAS. SIGNED. 19TH CENTURY.

Landscape. Oil on canvas. Signed lower right corner. XIX century. Oil on canvas that shows a rural landscape with a series of buildings in the background (combining important buildings with humble huts) and small figures in the foreground to bring some life to the work. Stylistically, it is inspired by common works in northern European schools of the 17th century.

· Size: 98x4x140 cms.
DECORATIVE ANTIQUES

Ref.: ZF0250
PAIR OF FRAMED MINIATURES

Pair of miniatures from the 19th century. “Portrait of a lady” and “Portrait of a gentleman.” With illegible signature. Carved and gilded wooden frames. Pair of miniature portraits, representing a lady and a gentleman from the 19th century, bordered by magnificent carved and gilded wooden frames, of baroque inspiration, based on curled acanthus leaves. Miniature painting, especially portraits, developed in Europe from the 16th century onwards. These were mainly paintings embedded in objects such as medallions, mantel clocks or small boxes. They were made in a wide variety of techniques, such as oil on copper, tin or ivory, washes on parchment or cardboard and, since the 18th century, watercolor on ivory. This delicate art was gradually lost in the second half of the 19th century, in parallel with the development of photography.

· Size: 3,5 x 3 cm; 19 x 15 x 3 cm (marco).
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5108
PORTRAIT, GENTLEMAN. OIL ON CANVAS. DEDICATED, SIGNED (F. LLORET) AND ...

Gentleman. Oil on canvas. Dedicated, signed (F. Lloret.) and dated (1897) in the lower left corner. On an indeterminate background, the bust of the knight is placed, his face slightly turned to the right. In the lower left corner, the dedication appears (“To Porfirio / his friend”), the painter's signature and the date of completion of the work (“F/97”). As in the rest of Europe, portraiture was a genre that enjoyed great popularity in 19th century Spain, mainly thanks to social changes (rise of the upper bourgeoisie, etc.) that influenced aesthetics, hence the degree of intimacy that the painting gives off, different from the “official portraits” preferred by the nobility.

· Size: 47x5x59 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4163
PORTRAIT, LADY. OIL ON CANVAS. SIGNED (F. LLORET) AND DATED. SPAIN, LA...

Lady. Oil on canvas. Signed (F. Lloret.) and dated (February 97) in the lower right corner. On an indeterminate background, there is the bust of a lady, her head slightly turned to the left. In the lower right corner, you can see the painter's signature and the date of completion of the work (February 97, 1897). As in the rest of Europe, portraiture was a genre that enjoyed great popularity in 19th century Spain, mainly thanks to social changes (rise of the upper bourgeoisie, etc.) that influenced aesthetics, hence the degree of intimacy that the painting gives off, different from the “official portraits” preferred by the nobility.

· Size: 47x5x59 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4164
OIL ON PANEL "STILL LIFE" SIGHT. ANTONIO GOMEZ GIMENO

GÓMEZ GIMENO, Antonio (Spain, late 19th century – early 20th century). "Still life". Oil on canvas. Signed in the lower left corner. Measurements: 38 x 45.5 cm; 47 x 55.5 cm (frame). Painter of landscapes, traditional scenes and still lifes, Antonio Gómez Gimeno developed a language of clear impressionist influence, which he may have learned during a stay in France. It is currently represented in various private collections.

· Size: 46x38 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z6191
NORTHEUROPEAN LANDSCAPE WITH RUINS, AFTER 17TH-CENTURY STYLE. OIL ON B...

“Northern European landscape with ruins”, in the style of the 17th century. Oil on panel. Beginning of the 20th century. Rural landscape with a watercourse, a stone bridge and a ruined house, located among trees, animated with the presence of a person and without an apparent theme that is inspired by baroque works from Northern Europe. Given the popularity they had at the time, this type of painting was taken up again in the 19th century, inspired by important Baroque works from both the Flemish and Dutch schools, and the detail of almost all the 16th century landscapes had already gone beyond presenting a historical or biblical matter (which on numerous occasions was minimized). Between the end of the 16th century and the beginning of the 17th century, landscape painting became very popular in the Netherlands, with masters specializing in the genre proliferating.

· Size: 62x4x50 (sin marco)
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z3016
LANDSCAPE. PAINTING ON GLASS; WITH FRAME. 19TH CENTURY.

Landscape. Painting on framed oval glass. XIX century. The landscape presents a lake or important watercourse, surrounded by high hills and forests, with houses, some ruins of a castle and several small, barely detailed characters animating and bringing life to the composition. Although it could recall in some details the oldest landscape tradition, in the treatment and other elements it is possible to link it with developments in 19th century painting.

· Size: 58x4x50 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z3705
OIL PAINTING ON PANEL. LANDSCAPE NH. MURR

Signature on reverse illegible "NH MURR"

· Size: 47x57 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4130
RURAL SCENE. OIL ON CANVAS. SIGNED. LÓPEZ MURIAS, ISIDRO (TÉTOUAN, MOR...

“Rural scene.” Oil on canvas. Signed (lower left corner). LÓPEZ MURIAS, Isidro (Tetouan, Morocco, 1939). Isidro López Murias trained at the School of Arts and Crafts of Palencia and the Faculty of Fine Arts of Madrid, obtaining his first distinctions in 1953 and 1954. He has exhibited his work in Pamplona, Palencia, Santander, Burgos, Valladolid, Madrid, Ávila, Segovia, Murcia, New York, Barcelona, Bilbao, San Sebastián, etc.; and it can be found in numerous private collections (Spain, France, Italy, etc.) and in different institutions (Museum of Navarra, Royal Academy of Fine Arts of San Fernando in Madrid, collection of the Parliament of Navarra, Rodríguez-Acosta Foundation in Granada, etc.).

· Size: 65x4x50 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A19
BULLFIGHTING. OIL ON CANVAS. SIGNED. GONZÁLEZ MARCOS, ÁNGEL (SPAIN, 19...

Bullfighting scene. Oil on canvas. Signed (lower left corner). GONZÁLEZ MARCOS, Ángel (Madrid, 1900 – 1978). Master of impressionist painting, Ángel González focused on bullfighting painting from his youth. He captured these themes from a tragic point of view, the drama starring the bull, the absolute starting point, and not the bullfighter. His work captures the rhythm of the movements of man and animal, the different phases of the bullfight, the energy, vividness and color with great instantaneity and dynamism, reflecting bullfighting in all its splendor, without ever forgetting the expressive function of the bullfight. bull and the bullfighter. He exhibited in Spain, Mexico and Peru, and is currently represented in various museums in Spain, as well as in New York, Lima, Bogotá, Caracas, Paris, Lisbon, Rio de Janeiro, Tokyo and Rome.

· Size: 63x5x44 cms. int 56x26
DECORATIVE ANTIQUES

Ref.: ZF0847
BOY READING A NEWSPAPER. WATERCOLOUR. SIGNED (H. MUÑOZ)

Boy reading the newspaper. Watercolor. Signed (H. Muñoz). On a practically indeterminate background (floor and wall) to focus attention on the viewer, the figure of a boy with glasses, barefoot and standing, reading a newspaper that he holds with both hands, has been placed.

· Size: 39x4.5x51 cms / int. 18.5x29.5
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z3084
LANDSCAPE. OIL ON CANVAS. 19TH CENTURY.

Landscape. Oil on canvas. XIX century. Natural landscape or a garden, with a lake in the foreground, which has a series of trees towards the center of it. Both the theme and the composition (clearly asymmetrical, and with a particular centering), the brushstroke and the chosen colors respond to avant-garde and prominent movements of the French 19th century.

· Size: 40x3x30 cms, int. 28x18 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4109
INTERIOR. OIL ON BOARD. GIFFEN CAULDWELL, LESLIE (1861-1941).

Inside. Oil on panel. GIFFEN CAULDWELL, Leslie (United States of America, 1861-1941). Signed (lower left and upper right). Oil on panel that shows an interior with a series of objects (shelf, part of the wall, ceramic or porcelain pieces...) with a treatment derived from certain contributions from European artistic avant-garde, as can be seen from the framing of the scene, the predominance of color over the drawing, brushstrokes, etc. Leslie Giffen Cauldwell was a painter born in New York (USA) who trained at the Académie Julian in Paris (France) with Gustave Boulanger and Carolus-Duran and exhibited his work in the Salons of 1885 and 1888. His work is preserved in collections privately and in institutions such as the Orsay Museum in Paris.

· Size: 45x5,5x55 cms / int: 25x35 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4172
PALENCIA, GATE OF MONZON. OIL ON CANVAS. SPANISH SCHOOL (A. RODRÍGUEZ)...

View of Palencia, Puerta del Monzón. Oil on canvas. Spanish school (A. Rodríguez), 19th century. Has damage. Landscape that shows a wall of a town or city in the foreground and a tower with a belfry in the background on the right, accompanied by houses, etc. This type of scene and its execution (brushstrokes, colors, taste for ruins, etc.) were common in European schools of the 19th century, in line with a series of postulates and tastes that arose, in large part, thanks to the Pictorial romanticism. The image shows the Puerta del Monzón of the walls of Palencia, with the city cathedral in the background, in a way very close to how it could be seen in 19th century paintings and in engravings such as a lithograph from volume 9 of the series “ Memories and beauties of Spain” (Lithograph "Puerta de Monzón (Palencia)". Taken from nature by FX Parcerisa; lithographed by S. Isla. Lit. by J. Donon, [1861]).

· Size: 62x4x45 cms.
DECORATIVE ANTIQUES

Ref.: Z5820A24
FRAMED AND EMBROIDERED ECCE HOMO ENGRAVING. TEXTILES, ETC. SPAIN, 20TH...

Embroidered and framed Ecce Homo print. Textiles, others. Spain, 20th century. Ecce Homo engraving enhanced with textiles, embroidery, lace, metallic threads, flowers and leaves, etc. This type of work was very common not only in conventual environments but also among the upper social class, being a devotional work created by combining various techniques and materials.

· Size: 38x6x45 cms.
DECORATIVE ANTIQUES

Ref.: ZE330
ENGRAVINGS OF MARIANO FORTUNY’S PAINTINGS COLECTION. “GRABADOS DE FORT...

“Fortuny engravings”. Special edition directed by Antonio de Horna. Madrid, Culture and Art Collection, De Horna Editores. In this case, Antonio de Horna directed a compilation of engravings of some of the main works made by Mariano de Fortuny (1838-1874), considered one of the most important painters of the Spanish 19th century. The engravings appear with the title of the work in the lower margin, and the book contains, for example, “The Vicarage.”
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4179C
SOLDIER AND PEOPLE. OIL ON CANVAS. 20TH CENTURY.

Characters with soldier. Oil on canvas. Twentieth century. In this oil painting there are a series of characters of humble condition and of all ages towards the right, and a soldier on horseback with his back to the viewer (a detail that, together with his posture, avoids any possibility of heroic meaning in the work. ); In the background, ruins with rocks occupy most of the canvas, leaving an opening to the horizon and dawn light to the left. Both in the types and in the composition and the ruins, the influence of ancient Flemish models on painting is clear.

· Size: 101x81 cms
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4862
INTERIOR. OIL ON CANVAS. SIGNED. COLLADO, PEDRO (SPAIN, 1874-1954).

Inside. Oil on canvas. Signed and with illegible inscription. COLLADO, Pedro (Valladolid, 1874-1954). Master of figures such as Félix Cano Valentín, Pedro Collado has a work preserved mainly in private Spanish and Latin American collections. Stylistically, the work can be linked to typical humble interior pieces from the painter's time, differing from many of these in the mastery of the use of light, composition, etc.

· Size: 55x4x68 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A18
STILL LIFE WITH SEA BREAM, VALLADOLID (SPAIN), 1943. OIL ON CANVAS. SI...

“Still life of the sea bream”, Valladolid, 1943. Oil on canvas. Signed and dated in the lower right corner; titled, with author and located on the back. NURSERY, Asterio (Valladolid, 1899-1975). Still life on a flat background that presents a sea bream, accompanied by lemons, a glass, a tray and other elements. Asterio Vivero Soba was a Spanish painter, disciple of Luciano Sánchez Santarén and teacher of his son Luis Vivero Salgado, member of the Academy of Fine Arts of the Purísima Concepción of Valladolid.

· Size: 50x4x42 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A32
URBAN LANDSCAPE. OIL ON TABLEX. POSSIBLY CALVO DÍEZ, LUIS (1935-2021).

Urban view. Oil on Tablex. Possibly, CALVO DÍEZ, Luis (Zaragoza, 1935-2021).
Luis Calvo Díez was a Spanish painter, born in Zaragoza, who has been recognized internationally (Sitges, Huesca, Bordeaux, etc.). Until the age of thirty he dedicated himself to agriculture. He trained at the School of Arts and Crafts in his hometown, with Albiac and Alvareda, expanding his studies with Alejandro Cañada. His work is preserved mainly in private collections in France, Spain, Switzerland, Germany, Italy and the United States of America."

· Size: 76x6,5x53 cms. int: 60x38 cms.
DECORATIVE ANTIQUES

Ref.: ZE429
LADY PORTRAIT. PAINTING ON PORCELAIN. SIGNED. 19TH CENTURY.

"Lady". Portrait on porcelain. Signed (lower left corner). XIX century. Portrait on porcelain showing a three-quarter size lady, highlighted on a monochrome background. The lady appears in a magnificent light-colored dress, with a crown of flowers on her head and a bouquet at her waist, looking directly at the viewer. White would reach wedding dresses since it was established by Queen Victoria of England, at which time it spread throughout Europe quickly, especially among the upper class.

· Size: 26,5x33 cms.
DECORATIVE ANTIQUES

Ref.: ZF0329C

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