Z. Sierra · Antiques and Decorative Objects

Results 193 to 216 of 1509

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WROUGHT IRON DOOR FITTING. POSSIBLY SPANISH SCHOOL, 17TH CENTURY.

Failed. Wrought iron. XVII century. Wrought iron falleba decorated with balustraded shapes, moldings, discs and geometric elements, as is common in Spanish baroque pieces. Weight: 4kg.

· Size: 13x8x148 cms.
DECORATIVE ANTIQUES

Ref.: Z0659A
PAIR OF ASHTRAYS. BLUE GLASS. MURANO, ITALY, 20TH CENTURY.

Pair of ashtrays. Blue glass. Murano, Italy, 20th century. Pair of glass ashtrays combining two shades of blue and decorated, on the outside, with a series of thick projections or spikes towards the bottom of them. Due to the shape and quality of the material, it has been linked to the city of Murano, well known both for its glass and for the design of its pieces.

· Size: 21x21x9 cms.
DECORATIVE ANTIQUES

Ref.: ZF1161
FORGE ANVIL. WROUGHT IRON. SPAIN, 18TH CENTURY.

Forge anvil. Wrought iron. Spain, 18th century. Wrought iron anvil used for a forge dated to the 18th century with the usual shape and wear in this type of old utilitarian pieces. Weight: 12kg.

· Size: 22x11x22
DECORATIVE ANTIQUES

Ref.: Z2424
FORGE ANVIL. WROUGHT IRON. POSSIBLY SPAIN, 18TH CENTURY.

Forge anvil. Wrought iron. Spain, 18th century. Wrought iron anvil used for a forge dated to the 18th century with the usual shape and wear in this type of old utilitarian pieces. Note, however, the long shank, which could have been used to work on pieces that were smaller than usual or that required a little more detail. Weight: 15kg.

· Size: 30x8x110 cms.
DECORATIVE ANTIQUES

Ref.: Z2504
ORIENTAL MIRROR. WOOD. 19TH CENTURY.

Eastern mirror. Wood. China, 19th century. Rectangular mirror made of wood and decorated with a band, divided into three spaces, at the top. In these areas you can see figurative reliefs, which show richly dressed characters in courtly settings.

· Size: 96x3,5x119 cms.
DECORATION
FURNITURE;ORIENTAL

Ref.: XF421
THREE BIRDS. PORCELAIN. POSSIBLY A.R.A., VALENCIA, SPAIN, 20TH CENTURY...

Three birds. Enameled porcelain. Possibly ARA Manises, Valencia, Spain, 20th century. Marks on the base. One has traces of label. Three birds, different from each other, appear perched on stumps and rocks in each of the three enameled porcelain figures. Each piece features a white base, decorated with gold accents and elements reminiscent of antique European pieces. At the base, they have the initials AR, and one of them has a label that reads “ARA”.

· Size: 11x11x23 cms.
DECORATIVE ANTIQUES

Ref.: Z3492
MEZZOTINT “BOY AND RABBIT”, AFTER SIR HENRY RAEBURN. COLOURED ARTIST’S...

“Boy and Rabbit”, after Sir Henry Raeburn RA (1756 - 1823). Colored artist's proof; Recorded. WILSON, Sydney Ernest (b. 1869- ca. 1963). Towards the beginning of the 20th century.
With label on the back (Vicars Brothers Ltd., London). On the front, signature and text in pencil in the lower right corner; and text at the top.
Framed, the image is presented, inspired by the painting by Sir Henry Raeburn RA (1756 - 1823) made around 1814 and kept at the Royal Academy in London (inventory 03/703). The present piece is a work by the English engraver Sydney Ernest Wilson (Isleworth 1869–ca. 1963 Hemel Hempstead), whose signature appears in pencil in the lower right corner of the front, just above the words “selected proof” which would allude to the type of present piece. On the back, and thanks to a label from the London antique dealers Vicars Brothers, you can read more details about this work."

· Size: 48x2x56 cms. INT 24x33 cms.
DECORATIVE ANTIQUES

Ref.: Z4129
PAIR OF MINIATURES ON CARDBOARD, POSSIBLY DUKE AND DUCHESS OF MONTPENS...

Pair of miniatures in medallions, possibly Dukes of Montpensier. Cardboard, metal, glass. Spain, 19th century. Pair of miniatures on cardboard that show the busts of a man and a woman inside medallions, these in turn placed in a frame with two points to hang them, on a textile upholstery matching the present on the miniatures. It is very possible that they are the Dukes of Montpensier: Antonio de Orleans (Neuilly-sur-Seine, 1824-Sanlúcar de Barrameda, 1890) was the youngest son of Louis Philippe I of France, and married María Luisa Fernanda de Borbón (sister of Isabel II) in Madrid in 1846. Their daughter, María de las Mercedes, married Alfonso XII in 1878.

· Size: 23,5x2x18 cms. Miniatura: 6x1x8 cms
DECORATIVE ANTIQUES

Ref.: ZF1157A
CLOCK AND CANDELABRA GARNITURE. BRONZE, MARBLE. RAINGO FRÈRES, AARIA, ...

Clock and candelabra trim. Blued and gilded bronze, marble. Raingo Frères, Aaria, Clodion. Paris, France, second half of the 19th century. Working. Garnish composed of a table clock and two candelabras with three lights each, made of bronze and white marble. The candelabras have legs and a circular base with a gilt bronze band with floral elements, and a blued bronze child figure with garlands of branches and grapes on the head, holding branches with roses and leaves, which end in the lighters of the candles; They have the name “Clodion” engraved. The clock has an elongated base on white marble legs decorated with gilded bronze plates with figurative scenes (children playing instruments and carrying garlands) and others with plant motifs and lacework. The dial rises on a pedestal with animal heads, and, on a white background, it presents colored garlands and Arabic numerals for the hours and dots and Arabic numerals every fifteen for the minutes; you can read “Aaria” on it. The piece ends with a kneeling faun, in a pensive attitude and pointing to two doves. Flanking this central element are two blued bronze figures of children playing horns. On the Paris machinery you have you can read a number (448) and “Fres / Paris Range”. The two candelabras follow a model highly appreciated in the 19th century of a bronze figure of a bacchante (a common figure in the procession of the classical god Bacchus) made by Claude Michel (1738-Paris, 1814), known as Clodion. This French sculptor, invited to Russia by Catherine II, established a workshop in Paris where he specialized in small-format Rococo-style mythological sculpture in terracotta, stucco, etc., with such success that his works inspired numerous bronze artists to create of sculpture pieces, watches, etc. Raingo Frères is the association of the four sons of the Belgian-born watchmaker Zacharie Joseph Raingo (1775-1847), Adolphe, Charles, Denis and Dorsant, formed in 1823. During the 1860s they made important pieces for Napoleon III and his wife, which are preserved in the Louvre Museum in Paris. Thanks to their well-deserved fame, they collaborated with prominent bronze artists and sculptors of their time, such as Albert-Ernest Carrier-Belleuse and Auguste Moreau, and won a Gold Medal at the Universal Exhibition in Paris in 1889. Weight: 33.5 kg.

· Size: Reloj 46x12x55 cms. Candelabros: 30x17x43 cms.
ANTIQUES

Ref.: ZF1040
FORGE ANVIL WITH SUPPORT. IRON, WOOD. SPAIN, 18TH CENTURY.

Forge anvil with support. Wrought iron, wood. Spain, 18th century. Wrought iron anvil used for a forge dated in the 18th century located on a later carved wooden support that consists of three legs and a tubular shape, in the upper part of which there is a hole to place the anvil. Weight: 21kg.

· Size: 29x14x39 cms. Sin soporte
DECORATIVE ANTIQUES

Ref.: Z2423
PORCELAIN AND METAL OIL LAMP. POSSIBLY SPAIN, 19TH CENTURY.

Oil lamp. Enameled porcelain, metal, glass. Possibly Spain, 19th century. Has hair. Quinqué with globular glass lampshade and tank located inside a blue enameled porcelain vase on the outside that rises on legs reminiscent of Rococo and French influence and is decorated with bands of architectural and plant elements of classicist influence.

· Size: 18x18x67 cms
DECORATIVE ANTIQUES

Ref.: ZF1154
FRAME. BRASS, TEXTILE, GLASS. 19TH CENTURY.

Frame. Brass, textile, glass. XIX century. Rectangular frame that has a table support and a hanging ring on the back, and presents, on the front, a decoration divided into two bands with architectural elements of classicist influence in brass between which (inside the glass) is a band with flowers and stems embroidered on a textile. The work is finished with a crest with two torches, bows and plant elements.

· Size: 19,5x2x27 cms. int: 12x16 cms.
DECORATIVE ANTIQUES

Ref.: ZF1156
MANTEL CLOCK, DIANA. GILT BRONZE. FRANCE, 19TH CENTURY.

Table clock with Paris machinery, Diana the Huntress. Gilded bronze, metal. France, 19th century. Table clock with Paris machinery and gilt bronze case (probably mercury), composed of a rectangular base elevated on legs decorated on the front with architectural and plant elements, and a body of the same shape enhanced with bands of architectural motifs of clear influence classicist The sphere is located on it, within a shape that resembles rocks; In it lies a young female figure, reclining, dressed in a short tunic and accompanied by a bow at her side; On the other side of the sphere a hunting dog appears, raising its head towards the girl. The metal dial has Roman numerals for the hours and lines for the minutes. This is a common theme in French table clocks since the Empire era. Diana the Huntress appears with a bow, and almost always accompanied by a dog. Sometimes the set is completed by adding deer or other animals. Likewise, and as is common in French bronzes of the period, there are known table clocks with a sculptural arrangement similar to the present one (one, in a private collection and from the Charles X period, has blued bronze figures, for example) . Weight: 14.25 kg.

· Size: 43,5x5,5x64 cms
ANTIQUES

Ref.: ZE353
”FRAILERO” CHAIR. WOOD, LEATHER. SPAIN, 16th AND 18th CENTURIES.

Friar armchair. Wood, leather. Spain, 16th and 18th centuries. Armchair with arms and high back of the type known as “frailero”, which has studded leather on the seat and upper part of the back, low cut-out low profile chambrances joining the front legs with the rear legs and middle chambrances or stringers (the front one is carved with a relief of architectural motifs) joining the two front legs and the two rear ones, and simple armrests. In the present case, it is necessary to indicate that the chambrana, due to the relief, would be from the 18th century. The friar armchair, initially of Italian origin, became one of the most common pieces of Spanish furniture since its introduction in the 16th century, being characteristic of this and the 17th century and being recovered again in the historicist current of the 19th century. Being a tradition so deeply rooted in Spain, these types of models have never stopped being created.

· Size: 57,5x54x113 cms.
ANTIQUES

Ref.: Z0672
”FRAILERO” CHAIR. WOOD, LEATHER. SPAIN, 16TH CENTURY.

Friar armchair. Walnut wood, leather. Spain, 16th century. Armchair with arms and high back of the type known as “frailero”, which has leather with studs on the seat and upper part of the back, very low chambrances joining the front legs with the rear ones and middle chambrances or stringers (the front one is carved with a relief of floral motifs flanking an empty heraldic shield in tondo) joining the two front legs and the two rear ones, and simple armrests, with the fluted fronts following architectural influences. The friar armchair, initially of Italian origin, became one of the most common pieces of Spanish furniture since its introduction in the 16th century, being characteristic of this and the 17th century and being recovered again in the historicist current of the 19th century. Being a tradition so deeply rooted in Spain, these types of models have never stopped being created. Requires restoration.

· Size: 65,5x53x109 cms.
ANTIQUES

Ref.: Z0706
”FRAILERO” CHAIR. WOOD, LEATHER. SPAIN, 16TH CENTURY.

Friar armchair. Leather, walnut wood. Spain, 16th century. Armchair with arms and high back of the type known as “frailero”, which has studded leather on the seat and upper part of the back, low cut-out low profile chambrances joining the front legs with the rear legs and middle chambrances or stringers (carved and recut the front one creating geometric motifs) joining the two front legs and the two rear ones, and simple armrests, with volute finishes. The friar armchair, initially of Italian origin, became one of the most common pieces of Spanish furniture since its introduction in the 16th century, being characteristic of this and the 17th century and being recovered again in the historicist current of the 19th century. Being a tradition so deeply rooted in Spain, these types of models have never stopped being created.

· Size: 61x54x111 cms.
ANTIQUES

Ref.: Z0673
FAUTEUIL WITH SPLAT. WALNUT, TAPESTRY. SPANISH SCHOOL, 18TH CENTURY.

Armchair. Walnut wood, upholstery. Spanish school, 18th century. Armchair or chair made of carved walnut wood with an upholstered seat that has a high backrest, openwork and decorated with simplified architectural and vegetal elements, wavy arms finished in a volute and joined to the back and the seat, front legs shaped like a cabriolet and finished in claws with spheres, and straight hind legs secured with a smooth shell. The seat has a cut-out decoration in its lower area. Aesthetically, it is reminiscent of English school furniture in certain details, but, as is common in 18th century Spanish cabinetmaking, it also presents French influence.

· Size: 68x57x107 cms.
DECORATIVE ANTIQUES

Ref.: Z1466
WROUGHT IRON CANDLE HOLDER. SPAIN, 14TH CENTURY.

Axeman. Wrought iron. Spain, 14th-15th century Candlestick or blandon to put a wax ax (candle) made of wrought iron that has three flat legs, a vertical axis formed by a rectangular part with engraved geometric motifs and a longer part with the corners in a different arrangement and a couple of elements in the same material, and a finish of three flat rods finished in a circle. Weight: 7 kg.

· Size: 36x36x164,5 cms.
DECORATIVE ANTIQUES

Ref.: Z0742
”FRAILERO” CHAIR. WOOD, LEATHER. SPAIN, 16TH CENTURY.

Friar armchair. Leather, walnut wood. Spain, 16th century. It has faults. Armchair with arms and high back of the type known as “frailero”, which has leather with studs in the upper part of the back (missing in the seat), low cut-out profile chambranes joining the front legs with the rear ones and middle chambranes or stringers (the front one is carved and cut out, creating geometric motifs) joining the two front legs and the two rear ones, and simple armrests, with highlighted volute finishes. The friar armchair, initially of Italian origin, became one of the most common pieces of Spanish furniture since its introduction in the 16th century, being characteristic of this and the 17th century and being recovered again in the historicist current of the 19th century. Being a tradition so deeply rooted in Spain, these types of models have never stopped being created.

· Size: 68x53x102 cms.
ANTIQUES

Ref.: Z0750
WROUGHT IRON BALUSTER OR BANISTER. SPAIN, 16TH CENTURY.

Artichoke baluster. Wrought iron. Spain, 16th century. Wrought iron baluster with a straight tubular section that presents a series of discs and moldings as decoration, leaving in the central area a larger disc, some moldings and a balustraded shape with vegetal decoration in relief (from this detail comes the name for the These elements are usually known as “artichoke”). Weight: 10kg.

· Size: 12x12x114 cms.
DECORATIVE ANTIQUES

Ref.: Z1102A
WROUGHT IRON BALUSTER OR BANISTER. POSSIBLY SPAIN, 18TH CENTURY.

Double pear baluster. Wrought iron. Spain, 18th century. Wrought iron baluster composed of a circular section bar decorated with two discs and, towards the center, a composition with two balustraded shapes facing each other and flanking another disc (commonly known as a “double pear”), common in Spanish works of the 18th century. Weight: 16kg.

· Size: 7x7x179 cms.
DECORATIVE ANTIQUES

Ref.: Z0179
FOO LION. PEKING GLASS, WOOD. CHINA, 20TH CENTURY.

Lion of Fu or Buddha. Peking glass, wooden base. China, 20th century. Peking or Kangxi or Quianlong glass is known as a specific glass manufactured in Peking or Beijing (China) since the 18th century, with evident Western influence and designed, for the most part, to imitate or remember jade works with a technique based on layers reminiscent of cameo glass. Buddha lions are eastern mythical animals originating in Buddhist tradition that protect against bad spirits, bad energies and bad people.

· Size: 6x4,5x8,5 cms
DECORATIVE ANTIQUES

Ref.: ZF1159
BOUDOIR JARS SET. SILVER (800, ETC.), GLASS. SPAIN AND OTHERS, 20TH CE...

Dressing table set. Silver, low silver, glass. Spain and others, 20th century. With contrast markings. Set of four jars of silver headdresses in their color of different grades and glass. Of the two tall jars, with lids decorated with Rococo style elements, one has marks in the area of the interior caps. The lowest, with a circular base body, presents ownership initials and hallmarks and sterling marks (800 silver, possibly another by Hermann Behrnd, of Dresden, Germany – a silversmith founded in 1881). The remaining bottle has rococo style decorations on the lid and ownership initials engraved on it.

· Size: Perfumero: 5x5x13,5 cms.
ANTIQUES

Ref.: ZF1155
VASE. CERAMIC. SPANISH SCHOOL (MONTEMAYOR, TALAVERA), 20TH CENTURY.

Orza. Ceramics. Spanish school (Talavera, Montemayor), 20th century. Signed on the base (P. Montemayor). Glazed ceramic container with blue designs on a white background and two handles that has a signature on the base and location on the outer edge. The designs are inspired by ancient Talavera models. Weight: 2.3kg.

· Size: 26x20x27 cms.
DECORATIVE ANTIQUES

Ref.: ZF1160

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Results 193 to 216 of 1509

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