Results 1417 to 1437 of 1437

«« « ...54 55 56 57 58 5960 » »»

BRONZE INCENSE BURNER. 19TH CENTURY.

Incense burner. Bronze. 19th century. A bronze censer with a circular base and a cup-shaped lid featuring elaborate lines and simple openwork elements, inspired by antique pieces. It includes metal chains that connect it to the standard ring-shaped holder. Certain lines and decorative motifs are reminiscent of some Spanish works from the 17th and 18th centuries.

· Size: 10x10x16 cms.
DECORATIVE ANTIQUES

Ref.: Z0351
BANISTERS (15). BRONZE, WOOD. 18TH CENTURY.

Fifteen balusters. Bronze and wood. 18th century. Grouped in sets of seven, the bronze balusters are set between two straight painted wooden crossbars, thus highlighting the curved lines, discs, and other forms of the aforementioned elements. These types of pieces were very common in Neoclassicism (as well as in other periods) for decorating railings, staircases, and so on.

· Size: 200x5x54 cms.
DECORATIVE ANTIQUES

Ref.: Z0404
PAIR OF CUPBOARD DOORSWITH WROUGHT IRON FITTINGS. WALNUT, WROUGHT IRON...

Pair of cupboard doors with latches. Walnut wood, iron. 18th century. A pair of carved walnut wood doors decorated with panels flanked by flat areas, featuring a wrought iron latch and lock with key (whose shield displays curved lines clearly reminiscent of the Baroque style) and parts of the hinges that would have joined it to the cupboard for which they were created. Both the wood and the decoration (on the doors and the latch) show influences of Baroque models, as was common in certain Spanish centers of the 18th century.

· Size: 50x103 / ud
DECORATIVE ANTIQUES

Ref.: Z0532
”FRIAR” ARMCHAIR. SPAIN, 20TH CENTURY.

Friar's chair. Carved wood, textile. Spain, 20th century. Also called an "armchair," this type of seat was very common in Spain despite its Italian origins. The style was introduced in the 16th century and remained a staple of Spanish furniture for centuries, becoming truly popular in the 19th and 20th centuries when pieces influenced by past styles came into fashion. It features a backrest and seat upholstered in red fabric with studs, and carved decorations on the arms, backrest, waist, and stretchers. It is reminiscent of notable examples such as several 19th-century pieces preserved in the Lázaro Galdiano Museum in Madrid, etc. Several units available. Unit price.

· Size: 61,5x58x124 cms.
DECORATIVE ANTIQUES

Ref.: Z0732
SITULA. BRONZE, BRASS. 18TH CENTURY.

Holy water vessel. Bronze. 18th century. A metal container with a circular base, a bell-shaped body, and exterior decoration with moldings and smooth bands. It features a metal handle with curved lines of varying widths. Stylistically, it displays the purity of line typical of Neoclassical works, even though this type of piece is quite old.

· Size: 20x20x19 cms.
DECORATIVE ANTIQUES

Ref.: Z0416
MIRROR. METAL, GLASS. CIRCA 1900.

Mirror. Silver-plated metal, glass. Circa 1900. A rectangular mirror with a pointed top, decorated with a frame featuring an inner band of pearls and smooth areas adorned with rectangular elements containing plant motifs. The wider base features a kneeling lady within a garland of flowers that extends to the sides of the piece in abundant bouquets. The curved lines and the prominence of the female figure are two details that link the mirror to Art Nouveau.

· Size: 27x40 cms.
DECORATIVE ANTIQUES

Ref.: Z0468
PAIR OF CHAIRS. EBONIZED PEAR TREE, TEXTILE. FRANCE, 19TH CENTURY.

Pair of chairs. Ebonized pear wood, textile. France, 19th century. A pair of chairs made of carved, turned, and ebonized pear wood with high, openwork backs decorated with balustrade-like forms. These lines are repeated in the legs (curved outwards), which are secured with stretchers. The backs and fronts of the chairs are further decorated with a series of simplified lines and plant motifs, in keeping with Neoclassical taste.

· Size: 40x40x84 cms.
DECORATIVE ANTIQUES

Ref.: Z0618
CHEST WITH POLYCHROMY REMAINS.PINEWOOD, METAL. 19TH CENTURY.

Small casket. Pine wood with traces of polychromy, metal. 19th century. A rectangular chest with a flat lid and metal fittings (front lock, hinges) that retains traces of polychromy. The piece follows a very old typology in European furniture (rectangular chest with a flat lid) of which examples have been preserved since the Gothic period.

· Size: 62x44x26 cms.
DECORATIVE ANTIQUES

Ref.: Z0564
COFFERED CEILING QUARTER POUND. 17TH CENTURY

"

· Size: 75x22x67
DECORATIVE ANTIQUES

Ref.: Z0285
ROMAN “FASCINUS”. BRONZE. I-III CENTURIES A.D.

Roman amulet “Fascinum”. Bronze. 1st-3rd centuries AD. c. Roman phallic amulet with a ring on one side for wearing it around the neck, as was customary. These pieces, personifying the "divine phallus" in the mythology of Ancient Rome and the god Fascinus, invoked his protection and defended against the evil eye, being omnipresent in Roman culture due to their apotropaic power (children wore them for protection, as did soldiers, etc.).

· Size: Long. 3 cms.
DECORATIVE ANTIQUES

Ref.: Z0345
COPYING MACHINE OR “GESTEFILM” PRESS. OAK, METAL, TEXTILE, PAPER, ETC....

“Gestefilm” copier or press. Oak wood, metal, textile, paper, etc. England, early 20th century. A machine with a wooden case and various components, containing printed instructions in English inside. These types of devices were common from the late 19th century onwards, coinciding with the Industrial Revolution and the numerous innovations it brought.

· Size: 31x7x51 cms.
DECORATIVE ANTIQUES

Ref.: Z0514
PAIR OF LAMP BASES WITH BIRD DETAILS

"

· Size: 8x8x37 cms.
DECORATIVE ANTIQUES

Ref.: Z0254
”TWO BIRDS”. FRAMED WATERCOLOUR. 20TH CENTURY.

“Pair of birds”. Framed watercolor. 20th century. A framed watercolor depicting a pair of parrots perched on a leafy branch, with no other reference to a landscape, in the style of drawings and artwork common in ornithological books from the 19th century onward. The birds are likely a pair of Galah cockatoos, widespread in Australia.
DECORATION

Ref.: Z0299
ART NOUVEAU STYLE TABLE CLOCK. TIN ALLOY

Art Nouveau style mantel clock. Tin alloy. A silver table clock consisting of an L-shaped base decorated with a lady holding aloft the dial, which features Arabic numerals for the hours and dots for the minutes, and a series of branches emerging from it. The prominence of nature and femininity, the curves of the figure and its pose, etc., are inspired by modernist examples from around 1900.

· Size: 8x7x15 cms.
DECORATIVE ANTIQUES

Ref.: Z0323
MAHOGANY AND GLASS OVAL MIRROR.19TH CENTURY.

Fitting mirror. Mahogany wood, glass. 19th century. An oval mirror with a frame formed by smooth moldings mounted on a carved mahogany structure, composed of turned rods with discs (the horizontal ones) and baluster-shaped forms (the two vertical ones), all four with square blocks interrupting their lines. Note the combination of details typical of 17th- and 18th-century furniture with others from 19th-century Neoclassicism. This combination of influences was common in the 19th century, within the framework of Historicism.

· Size: 58x3x100 cms.
DECORATIVE ANTIQUES

Ref.: Z0392
SEASHELL TABLE LAMP. SEASHELL, BRONZE, PLASTIC, ETC. 20TH CENTURY

Seashell lamp “veilleuse”. Seashell, bronze, plastic, etc. 20th century. A lamp adapted for electric light with a bronze base (decorated with winged human figures and hoof-like legs) and a seashell body (the light source is inside). These types of lamps were highly valued both for the exotic nature of the seashell material and for the decoration that usually adorned them. Damage.

· Size: 21x11x11 cms.
DECORATIVE ANTIQUES

Ref.: Z0570
RESIN LETTER HOLDER. 20TH CENTURY, AFTER 19TH CENTURY MODELS.

Letter holder. Resin. 20th century, following 19th century models. Desk letter holder with two compartments made of resin and decorated with putti, vases, flowers and architectural and plant elements of clear classicist influence, following French models of the 19th century.

· Size: 25x14x18 cms
DECORATION

Ref.: HA008
EMPIRE TABLE WITH MARBLE TOP.

Empire style table with marble top. A circular table on four legs resting on ball-and-socket brackets, joined by moldings that converge at a small vase. The supports are stipe-shaped, decorated on the front with vegetal garlands, vases, and interlacing patterns, which also appear at the waist, flanking medallions with landscapes. The French Empire style (around the beginning of the 19th century), named after the period of Napoleon's rule in France, was characterized by its inspiration from the classical world.

· Size: 85x70x84 cms.
DECORATION

Ref.: D124
MARQUETRY WRITING TABLE WITH ONE DRAWER.

Desk with marquetry decoration and one drawer. The four pilastered legs feature marquetry and line work that accentuate the forms. The waist of the piece follows the shape of the top panel and has a drawer at the front. This drawer is decorated with marquetry featuring plant motifs with outlined outlines arranged in rectangles framed by metal cords. The top panel displays prominent marquetry scrolls with lines and frieze bands, combining woods of different tones.

· Size: 97x48x80 cms.
DECORATION

Ref.: D159
SCULTURE IN TERRACOTTA. FRANCISCO LUQUE

Terracotta Sculpture Signed Francisco Luque Francisco Luque Born in 1948, Luque began his studies at the School of Applied Arts in Córdoba in the early 1970s and started participating in group exhibitions in Córdoba and Jaén. His training is primarily self-taught, and he combined teaching in his hometown with a significant artistic career. In 1992, he completed a printmaking course that allowed him to expand his repertoire. Luque has a long and distinguished exhibition history and an impressive curriculum vitae. Some of his works are part of permanent collections in important galleries in Madrid, Valencia, Seville, A Coruña, Murcia, Pamplona, and Córdoba. His work can be seen regularly in both group and solo exhibitions. His sculptural style is based on an ideal concept of human beauty in which forms are embodied through a unique understanding of volume and space. His work often focuses on the nude or the female figure. His Venuses are not very stylized and are exuberant. His works feature exaggerated, exuberant, and robust proportions, which the artist models with a distinctive style that denotes a spirit brimming with humanity. According to some critics, this distinctive style is inspired by new aesthetic trends that are not closely related to classical or academic models. Clearly influenced by the paintings of Peter Paul Rubens, his sculptures represent women with exuberant forms, overflowing with sensuality and carnality, in which warmth is conveyed through the form itself. The disproportion present in his human figures, far removed from conventional canons of beauty, in turn brings him closer to a style reminiscent of Boter, full of tenderness and serenity. The closed brushstroke, with more defined figures and contours that characterizes the work of Fernando Botero, becomes in the sculptures of Francisco Luque a softness of forms and warped curves, which enclose within themselves the feminine spirit, the main motif of the author's work. Works and awards "Maternity" His work has received numerous awards and recognitions (First Prize, Valdepeñas National Painting and Sculpture Competition; First Prize for Sculpture, 25th Anniversary of the Círculo de Bellas Artes of Pozoblanco, Córdoba; Second Prize for Sculpture, 10th Villa de Rota International Prize, Cádiz; and Honorable Mention, Club 63 Sculpture Prize, Jaén; among others). His works are on permanent display at the Diocesan Museum of Fine Arts of Córdoba, the Ruiz Mateos Museum in Rota, Cádiz, the Provincial Council of Córdoba, the National Library in Madrid, and the Santaella Town Hall, among others.<sup>4</sup> An example of Francisco Luque's monumental urban work can be seen on the promenade of his hometown, Santaella.

· Size: 12x10x33 cms.
DECORATIVE ANTIQUES

Ref.: Z6105
HANGER WITH SIX ARMS. METAL, ETC. 20TH CENTURY.

Wall-mounted coat rack. Metal. Wall sconce made of gilded metal and decorated with a series of moldings and shapes that, in some details, recall stylistic trends from the first half of the 20th century. Three arms, each topped with a white ball, extend from this piece, creating six hooks.

· Size: 19x12x30 cms
DECORATION

Ref.: V42

«« « ...54 55 56 57 58 5960 » »»

Results 1417 to 1437 of 1437

We are at

Subscribe to our press

Meet new items in catalog promotion news: do not miss the opportunity to learn about the latest.