Results 217 to 240 of 240
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Tray. Silver-plated metal. Circa 1900. Footed tray made of silver-plated metal decorated with an elaborate composition based on plant elements, openwork areas, oval mirrors with pearls and cut-out edges. Along with the notes of classicist influence that it presents, it is possible to appreciate a composition and certain somewhat more advanced details and a slight modernist air.
· Size: 27x27x6 cms.
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Ref.: Z2277
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Lifting jack, 5 tons. Simplex. Iron. USA Templeton, Kenly & Company, Chicago, 20th century. Iron lifting jack with yellow and blue finish made by Templeton Kenly of Chicago, model 5 Ton Simplex. The Templeton, Kenly & Company company was founded in Chicago in 1899 by Walter B. Templeton and his associates, who developed the first reliable and safe jack, giving rise to a remarkable boom for the company, which continues to operate today.
· Size: 18x12x70 cms.
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Ref.: Z2334
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Oak clothes press, Holland, 19th century. A clothes press with a lockable cabinet at the bottom, made of oak wood in Holland. As is normal for these utilitarian items, it is not decorated and was used to smooth clothes. It is not common to keep this type of object because they were very frequently thrown away once better technical innovations became available. Oak wood was chosen for its construction due to its hardness and resistance.
· Size: 76x52x171 cms.
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Ref.: Z0368
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Chapel. Walnut wood. 17th century. Chapel for a private oratory made of carved walnut and decorated with architectural elements inspired by classicism (split triangular pediment, mouldings, etc.) but with a clear relationship with the Baroque, as well as certain touches that recall Italian examples (particularly the columns with carved undulations). The importance of classicism and the predominance of a simple architectural composition were common in Spanish Baroque altars, along with other more exuberant ones.
· Size: 80x14x115 cms.
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Ref.: Z0607
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Two-leaf door with castanet frame. Pine wood. Spain, 17th century. Double-leaf door made of pine wood decorated with rectangular panels arranged in rows and a castanet-type frame (named after the elements that decorate it). Although panels were a common element in the Renaissance, they continued to be used in this period and long after.
· Size: Puertas 177x94,5 cms c/Marco 184x107 cms.
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Ref.: Z0696
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Pair of wall lights. Bronze, glass. Empire style, France, circa 1900. Both are practically identical, each wall lamp has three points of light and a decoration and lines that respond to the classicist influence of the style to which they belong. Note the palms, the scrolls, the smooth mouldings, etc. These types of lighting elements were common in prominent interiors.
· Size: 34x22x52 cms.
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Ref.: Z0776
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"
· Size: 40x27x52 cms.
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Ref.: Z0777
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Wall clock. Metal, wood. United States of America, patented 1874. American wall clock with a wooden and metal case, 8-day and 30-hour model, featuring a white dial with Roman numerals for the hours and lines for the minutes, and a landscape with architecture with a certain colonial air in a natural setting. Along with the usual influence or reminder of English models, a series of more particular details of the continent and the area can be seen.
· Size: 38x10x63 cms.
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Ref.: Z0611
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Brazier box. Carved walnut wood. 18th century. A polygonal box decorated with smooth mouldings on the outer edge, made to contain a metal piece that would serve as a brazier to heat a room. The clean lines and mouldings are common details of 18th century neoclassical art, decorative elements present in antique pieces even though they had a more utilitarian than decorative purpose.
· Size: 83x80x14 cms.
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Ref.: Z0438
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Sculpture in corrugated iron. Signed “Aug. Moreau”. Following models by Auguste Moreau, France, 19th century. It is reminiscent of works such as the bronze “The Fountain” by Mathurin Moreau, and pieces by Hyppolyte Moreau and Auguste Moreau (France, 1834 – 1917). Auguste began his training as a disciple of his older brother Mathurin. He made his debut at the Paris Salon of 1861, where he participated regularly until 1913. He was also a member of the Société des Artistes Français. His themes – genre scenes, pastorals, allegorical – and his realistic and graceful style link him with other members of the Moreau dynasty, known for their small bronze works that were widely reproduced and inspired many other masters, both during the artists’ lifetime and after their death.
· Size: 18x18x52 cms.
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MISCELLANEUS
Ref.: Z0388
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Panelled door. Walnut and pine wood. 17th century. A single-leaf door made of carved wood with traces of polychromy decorated with a composition of panels combining rectangular and square shapes in a harmonious manner. Despite the lack of movement, this was a common composition in the classicist movement of the European Baroque.
· Size: 105x208 cms.
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MISCELLANEUS
Ref.: Z0403
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"
· Size: 100x40x75 cms.
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Ref.: Z0281
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Incense burner. Bronze. 19th century. Bronze censer with a circular base and cup-shaped lid with elaborate lines and simple openwork elements, inspired by antique pieces. It has metal chains that connect it to the usual piece with a ring. Certain lines and decorative motifs are reminiscent of some Spanish works from the 17th and 18th centuries.
· Size: 10x10x16 cms.
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MISCELLANEUS
Ref.: Z0351
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Fifteen balusters. Bronze and wood. 18th century. Grouped in sevens, the bronze balusters are placed between two straight painted wooden crossbars, thus highlighting the curved lines, discs and other shapes of the elements discussed. This type of piece was very common in Neoclassicism (as well as in other periods) to decorate a railing, a staircase, etc.
· Size: 200x5x54 cms.
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Ref.: Z0404
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Pair of cupboard doors with latch. Walnut wood, iron. 18th century. Pair of carved walnut doors decorated with panels flanked by flat areas, which have a wrought iron latch and a lock with key (whose shield shows curved lines clearly reminiscent of the Baroque) and parts of the hinges that would have joined it to the cupboard for which they were created. Both the wood and the decoration (on the doors and the latch) show influences of Baroque models, as was common in certain Spanish centres of the 18th century.
· Size: 50x103 / ud
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Ref.: Z0532
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Acetre. Bronze 18th century. Metal vessel with a circular base, a flared body and decorated on the outside with mouldings and smooth bands. It has a metal handle with curved lines of different widths. Stylistically, it is possible to appreciate the purity of lines that is common in Neoclassical works, despite the fact that this type of piece is very old.
· Size: 20x20x19 cms.
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Ref.: Z0416
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Mirror. Silver-plated metal, glass. Circa 1900. Rectangular mirror with a pointed top decorated with a frame that features a band of pearls on the inside and smooth areas highlighted with rectangular elements that have plant motifs on the inside; the wider base features a kneeling lady inside a garland of flowers that extends to the sides of the piece in abundant bouquets. The curved lines and the prominence of the female figure are two details that link the mirror with Modernism.
· Size: 27x40 cms.
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Ref.: Z0468
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"
· Size: 75x22x67
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Ref.: Z0285
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Roman amulet “Fascinum”. Bronze. 1st-3rd centuries AD. c. Roman phallic amulet with a ring on one side to be worn around the neck as was customary. This type of piece, personification of the “divine phallus” in the mythology of Ancient Rome and the god Fascinus, invoked his protection and defended against evil. eye, being omnipresent in Roman culture due to their apotropaic power (they were worn by children to protect them, by the military, etc.).
· Size: Long. 3 cms.
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Ref.: Z0345
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“Gestefilm” copier or press. Oak wood, metal, textile, paper, etc. England, early 20th century. Machine with a wooden box and various materials that has instructions printed on paper in English inside it. This type of device was already common since the end of the 19th century in relation to the Industrial Revolution and the numerous innovations that it brought.
· Size: 31x7x51 cms.
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Ref.: Z0514
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"
· Size: 8x8x37 cms.
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Ref.: Z0254
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Modernist style table clock. Tin alloy. Silver table clock consisting of an “L” shaped base decorated with a lady holding up the dial, which has Arabic numerals for the hours and dots for the minutes, and a series of branches emerging from it. The prominence of nature and the feminine, the curves of the figure and its position, etc. are inspired by modernist examples from around 1900.
· Size: 8x7x15 cms.
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MISCELLANEUS
Ref.: Z0323
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Dressing table mirror. Mahogany wood, glass. 19th century. Oval mirror with a frame made of smooth mouldings mounted on a frame, all in carved mahogany, composed of turned rods with discs (the horizontal ones) and with balustrade shapes (the two vertical ones), the four with square cubes interrupting their lines. Note the combination of details common in furniture from the 17th and 18th centuries with others from the Neoclassicism of the 19th century. This combination of influences was common in the 19th century, within the framework of Historicism.
· Size: 58x3x100 cms.
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MISCELLANEUS
Ref.: Z0392
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“Veilleuse” snail lamp. Snail, bronze, plastic, etc. 20th century. Lamp adapted for electric light with a bronze base (decorated with winged human forms and hoofed legs) and a shell body (the light source is inside the shell). This type of lamp was highly appreciated both for the exotic nature of the shell material and for the decoration that usually finished them off. Damage.
· Size: 21x11x11 cms.
DECORATIVE ANTIQUES
MISCELLANEUS
Ref.: Z0570
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