Results 361 to 384 of 1577

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WALL MIRROR. MARBLE DUST. 20TH CENTURY.

Wall mirror. Molded alabaster. 20th century. Rectangular wall mirror with a frame made of moulded polychrome alabaster, decorated with elements of strong classical inspiration (note the candelieri on the edges, reminiscent of Renaissance works, the crest with scrolls and volutes, etc.). Weight: 21 kg.

· Size: 88x5x114 cms
DECORATIVE ANTIQUES

Ref.: ZE404
LANDSCAPE. OIL ON CANVAS. DEL VAL, TROUILLHET, MERCEDES (SPAIN, 1926-2...

Landscape. Oil on canvas. DEL VAL TROUILLHET, Mercedes (Valladolid, 1926-2012). Signed (lower right area). Mercedes del Val Trouillhet was a painter from Valladolid who began her training at a very young age (her first lessons at the age of seven, directed in Madrid by her teacher Timoteo Pérez Rubio). After the Civil War, she went on to study with the great draughtsman and poster artist José Picó Mitjans (1904-1991). From the beginning of her career she dealt with the subject of landscape, especially Castilian, and showed her work in various exhibitions (Valladolid in 1947, later Madrid, Córdoba, etc.). She also received several awards (Silver Medal at the XXIX Autumn Salon in Madrid in 1957...) and her painting is preserved in various private collections and in institutions such as the Museum of the University of Valladolid.

· Size: 46x2x33 cms.
DECORATIVE ANTIQUES

Ref.: Z2744
LANDSCAPE, BEACH. OIL ON BOARD. SPANISH SCHOOL (GONZALO JIMÉNEZ), 20TH...

Beach. Oil on panel. Spanish School (Gonzalo Jiménez), 20th century. Signed (lower right corner). Landscape painted in oil on board showing a beach with a series of buildings, without human presence. Stylistically, the predominance of colour over the drawing, the brushstrokes, the tones, the subject, etc. respond to novelties brought by certain avant-garde movements that appeared in France from the end of the 19th century.

· Size: 41,5x3x38 cms. int:23x18 cms.
DECORATIVE ANTIQUES

Ref.: Z4111
”SUEÑOS ONÍRICOS”. OIL ON CANVAS. SPANISH SCHOOL, 1981.

Dreamlike dreams. Oil on canvas. Spanish School (F. Colomer), 1981. Signed, dated and titled (back). Oil on canvas with an abstract theme, influenced by the avant-garde art of the same name, done in blue tones with gold highlights and a notable insistence on the material on the part of the author. Date, title and name of the painter are on the back of the work, in the upper left area.

· Size: 53x3x43 cms. int: 43x33 cms.
DECORATIVE ANTIQUES

Ref.: Z4478
”THE TRIUMPH OF BACCHUS AND ARIADNE”. MARBLE DUST. 20TH CENTURY, AFTER...

Triumph of Bacchus and Ariadne. Marble dust. 20th century, following the model of CARRACCI, Annibale. Panel made of polychrome marble powder showing, in relief, a common theme in classical mythology and art inspired by Ancient Rome. The classical deities Bacchus and Ariadne are depicted in a chariot, accompanied by a procession made up of erotes, satyrs, maenads, Pan and Silenus, following a fragment of the well-known fresco of one of the vaults of the Farnese Palace in Rome, painted by Annibale Carracci (Bologna, 1560 - Rome, 1609) between 1597 and 1600, considered one of the most important works of Romano-Bolognese Renaissance Classicism.

· Size: 110x3x140 cms.
DECORATIVE ANTIQUES
SCULPTURE

Ref.: Z1349
GENTLEMAN. OIL ON CANVAS. SPANISH SCHOOL, 19TH CENTURY.

Portrait of a gentleman. Oil on canvas. Spanish school, 19th century. It has damage. Three-quarter portrait showing a man with a moustache against an indeterminate background, dressed in a jacket and with a horseshoe brooch on his cloth tie or bowtie. The work can be dated to the second half of the 19th century.

· Size: 47,5x5x66 cms.
DECORATIVE ANTIQUES

Ref.: Z0267
MIRROR. MODELED ALABASTER. 20TH CENTURY, AFTER RENAISSANCE MODELS.

Wall mirror. Modeled alabaster. 20th century, following Renaissance models. The rectangular mirror with a semicircular curve at the top has been highlighted along these same lines with a frame finished in marble powder. The decorative elements chosen are inspired by works of the Renaissance: scrolls, metopes, scallops, pilaster strips, straight lines, etc.

· Size: 92x8x160 cms
DECORATIVE ANTIQUES

Ref.: ZE416
CENTERPIECE. ORMOLU, MARBLE. FRANCE, LATE 19TH CENTURY

Centerpiece. Gilded bronze, marble. France, late 19th century Centrepiece or planter that has a globular body carved in veined marble in pink tones (of a type similar to a very popular one often used in works by the French school during the Rococo of the 18th century) and mercury-gilded marble bosses. These are decorated with lion's claws on the legs, simple architectural mouldings and masks with vegetal elements (feminine and monstrous, alternating), and a border that extends towards the inner area of the pieces creating like two wings or handles, decorated with vegetal and architectural elements (scrolls, flowers, bows, leaves, etc.) both on the outside and inside of this area, leaving what would be the inner area of the marble pieces smooth. The classicist inspiration of the decorative elements of the couple is common in works of the French school since the 18th century. Some details (for example, the claws that finish the legs) are seen in Louis XIV style centerpieces dating from that century, while other elements are more often seen in Louis XVI style works (one of the main styles of the Neoclassical style). There is only one known piece preserved in a private collection in the United States of America. Weight: 16 kg

· Size: 37x27x23 cms
ANTIQUES

Ref.: ZF1064A
MIRROR WITH SILVER AND ENAMELS FRAME. WOOD, GLASS, ETC. MEXICAN SCHOOL...

Mirror with cabochon frame. Silver, enamel, wood, stucco, etc. Mexican school, 17th century. No contrast marks. Has faults. Mirror with a slightly rectangular frame made of wood with polychrome areas and embossed silver plating on stucco and enhanced with enamel cabochons with geometric elements in dark and light blue. On the front there are a series of smooth mouldings, one of which has the aforementioned polychromy. The silver stripe is distributed around the outside of the piece, with the corners in exposed wood and stripes in smooth silver (two on each side), and a decoration with a certain volume in which architectural elements with a clear classicist influence are combined (in the centre of which are the enamel cabochons), flanked in the more elongated areas by compositions with scrolls, volutes, plant motifs and fruits. Stylistically speaking, the work can be linked to works in the same technique made in Mexico, mainly on small chests. Also, as is usual due to the peninsular influence, it is possible to recall works such as the Holy Thursday Chest from the 17th century in Barbastro. Weight: 5.7 kg.

· Size: 54x6x61 cms. int: 39x46 cms
ANTIQUES

Ref.: ZF1191
LANDSCAPE, AGUILAR DE CAMPOO. OIL ON CANVAS. POSSIBLY, LÓPEZ MURIAS, I...

Landscape of Aguilar de Campoo. Oil on canvas. Possibly, LÓPEZ MURIAS, Isidro (Tetouan, Morocco, 1939). Titled on the back. Signed (front, lower right). Isidro López Murias trained at the School of Arts and Crafts in Palencia and the Faculty of Fine Arts in Madrid, earning his first distinctions in 1953 and 1954. He has exhibited his work in Pamplona, Palencia, Santander, Burgos, Valladolid, Madrid, Ávila, Segovia, Murcia, New York, Barcelona, Bilbao, San Sebastián, etc.; and it can be found in numerous private collections (Spain, France, Italy, etc.) and in various institutions (Museum of Navarra, Royal Academy of Fine Arts of San Fernando in Madrid, collection of the Parliament of Navarra, Rodríguez-Acosta Foundation in Granada, etc.).

· Size: 35x2x29 cms.
DECORATIVE ANTIQUES

Ref.: Z5820A73
LANDSCAPE. WATERCOLOR, FRAMED. SPANISH SCHOOL, 1907.

Rural landscape. Watercolor. Spanish School, 1907. Signed and dated (upper right). Framed landscape showing a view of a watercourse with buildings at its side following a composition and aesthetic with elements derived from the avant-garde movements that emerged in Europe from the end of the 19th century.

· Size: 52x4x44 cms. int 31x23 cms
DECORATIVE ANTIQUES

Ref.: Z5820A21
THREE FRAMED MINIATURES.19TH CENTURY

Frame with three miniatures. 19th century. Rectangular frame with a textile background showing three oval miniatures with female portraits, enhanced with gilded bronze frames (the side ones with lace trim, the central one crowned). On the back there are two rings at the top to hang the piece on a wall. Starting from the left and identified by small metal labels with black letters, we have “Madame Elisabeth” (Elisabeth of France [1764-1794] was the sister of Louis XVI and eldest daughter of Louis, Dauphin of France, and Duchess Maria Josefa of Saxony), “Marie Antoinette” (Marie Antoinette [1755-1793], Archduchess of Austria and Queen of France, was the daughter of Emperor Francis I and Empress Maria Theresa), and “Madame Lebrun” (Louise-Elisabeth Vigeé LeBrun [1755-1842], was the painter of Queen Marie Antoinette and a member of the French Academy since 1783). The three paintings, signed “Lebrun”, are inspired by works from the 17th century. In the same order as above: portrait painted by Vigée LeBrun around 1782 (Versailles, Musée National des Chateaux de Versailles et de Trianon, inv. mv 8143); portrait of Marie Antoinette with roses painted by Vigée LeBrun in 1783 (Versailles, Musée National des Chateaux de Versailles et de Trianon, inv. 3063); this miniature, made from a print, copies the self-portrait by Vigée LeBrun painted in 1782 and currently kept at the National Gallery in London (NG1653). It should be noted that the Museo del Prado (Madrid) has a composition similar to that present in both the miniatures and the frame (inventory O000657, O000658 and O000659).

· Size: 41,5x1,5x22,5 cms.
ANTIQUES

Ref.: ZF1151
GREEN GLASS SIPHON. METAL, GLASS. CIRCA 1920.· Medidas: 10x10x30,5 cm

Green glass siphon; Vounatsos. Metal, glass. Paris, France, ca. 1920. Siphon with a silver-plated metal head and engraved words (Vounatsos Freres on one side; on the other side you can read, among others, the place where the piece was made, Paris), and a green glass body with an acid etching. This type of container for water or carbonated drinks was very popular towards the middle of the 20th century, and before, in line with the popularity of soft drinks.

· Size: 10x10x30,5 cms
DECORATIVE ANTIQUES

Ref.: ZF114407
SAINTS JOHNS CHURCH, BILBAO. FRAMED ARTWORK. BAYÓN SALADO, JUAN (“BAY-...

Church of the Saints Juanes, Bilbao. Framed print. BAYÓN SALADO, Juan; “Bay-Sala” (Logroño 1913 - Bilbao 1995). Signed (lower left area). Urban view showing the Church of the Saints Juanes of Bilbao to the right with part of its surroundings and unidentified characters. Known as Juan Bay Sala, he was an artist who began his career in Bilbao, showing his work for the first time in 1941 in this city and, in 1942, in Zaragoza (where he already signed as Bay Sala), Logroño, etc. His national recognition arose from his participation in the National Exhibition of Fine Arts in 1943, and in 1945 he was a founding member of the Vizcaína Artistic Association. He exhibited his work regularly in Paris, and also showed his work in Madrid, Buenos Aires, Tokyo, Barcelona, Miami, etc. His works are found in the Museum of Fine Arts in Bilbao and the San Telmo Museum in San Sebastián among others.

· Size: 28,5x3x33,5 cms. INT 23x28 cms.
DECORATIVE ANTIQUES

Ref.: ZT0052
POLYCHROMED WOOD NICHE. 16TH CENTURY.XVI

Niche. Carved and polychrome wood. 16th century. Wall niche with a rectangular front opening finished in gold with two polychrome angel heads in the corners and a dark polychrome space with classicist elements in gold (candlesticks with grotesques, latticework, scrolls, etc.). The base has a polygonal front finish, with a red edge, like the rest of the piece. This type of pedestal was very common in private oratories, both in civil (houses, etc.) and religious (convents, chapels, etc.) environments, to place and enhance small-format sculptures. Weight: 850 grams.

· Size: 18x9x47 cms.
ANTIQUES

Ref.: ZF1204
WROUGHT IRON TABLE FITTING. SPANISH SCHOOL, 17TH CENTURY.

Fork lock. Wrought iron. Spanish school, 17th century. Iron brace of the type known as a fork brace due to its shape, usually used to reinforce tables. The decoration is simple: balustrade shape on the central axis with small discs and volute endings at the two ends, mainly. Weight: 4 kg.

· Size: 30x18x95 cms.
DECORATIVE ANTIQUES

Ref.: ZT0033
BASE FOR SCULPTURE. POLYCHROMED AND GILDED WOOD.

Scallop base. Carved and polychrome wood. Inspired by 17th century models. Rectangular pedestal with a similar cushion on the top (decorated with plant elements) and complex lines of curves and counter-curves enhanced with architectural elements, including “C” volutes arranged in pairs on each side. At the bottom, the corner claws and the cut-out lower profile are noteworthy. Weight: 3.85 kg.

· Size: 42x33x24 cms.
ANTIQUES

Ref.: ZE370
VIRGIN MARY OR SAINT (TO DRESS UP). WOOD, METAL. SPANISH SCHOOL, 17TH ...

Saint or Virgin of dress. Wood, metal. Spanish school, 17th century. It has faults. The female figure is standing (with her right leg forward) on a small polygonal base. Made of partially polychrome wood, note the elaborate work on the feet (which peek out from the “dress”), the hands up to the wrists, and the head and neck. The skull is prepared to receive hairpieces or clothing. As for the carvings of clothing, these were very common during the Spanish Baroque, and there may be cases of works in which the unseen part was barely roughed out and others in which the entire carving is found, with many intermediate points (see the present case). Remember the San Antonio Abad by Benito Silveira made in the second half of the 18th century that is in the National Museum of Sculpture in Valladolid, a San Francisco de Paula from the 18th century in the Museo del Carmen in Maipú (Santiago de Chile), etc.

· Size: 33x25x87 cms
ANTIQUES

Ref.: ZF1181
VIRGIN MARY (TO DRESS UP). WOOD, METAL. SPANISH SCHOOL, 17TH CENTURY.

Virgin of Dressing. Wood, metal. Spanish school, 17th century. It has faults (hand, etc.). Sculpture made of polychrome wood showing a woman, with the head, neck and hands carved and polychrome in detail, a sketched dress and arms in exposed wood. Iconographically, it is probably a Virgin Mary, made in this way because it was designed to be dressed and adorned with hairpieces (hence the work on the skull area). It is worth highlighting the folds on the front, not common in this type of work, resembling clothing. It has a closed royal crown. Dress carvings were very common during the Spanish Baroque, and there may be cases of works in which the unseen part was barely roughed out and others in which the entire carving is found, with many intermediate points (see the present case). Remember the San Antonio Abad by Benito Silveira made in the second half of the 18th century that is in the National Museum of Sculpture in Valladolid, a San Francisco de Paula from the 18th century in the Museo del Carmen in Maipú (Santiago de Chile), etc.

· Size: 44x28x86 cms
ANTIQUES

Ref.: ZF1182
VIRGIN MARY (TO DRESS UP). POLYCHROMED WOOD, TEXTILE, ETC. SPANISH SCH...

Virgin of Dressing. Carved and polychrome wood, etc. Spanish school, 17th century; later clothing. It has damage. Polychrome wooden carving of the dressing or dressing room type that has a series of garments: skirt, blouse, rostrillo, etc. Religious dressing sculptures were very common during the Spanish Baroque (and later), and there may be cases of works in which the unseen part was barely rough-cut and others in which the entire thing is carved, with many intermediate points.

· Size: 26x26x57 cms.
ANTIQUES

Ref.: ZF1183
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GLASS SIPHON.FABRIQUE DE BOISSONS GAZEUSES. SCHAUB. NICE

Siphon; Fabrique de Boissons Gazeuses, Schaub, Nice, Antibes. Metal, glass. France, circa 1930. Siphon with silver-plated metal head with engraved markings (Schaub / Nice-Antibes) and green glass body with acid etching of the factory (Fabrique de Boissons Gazeuses /Schaub / Nice.Antibes) and markings on the base. This type of vessel for water or carbonated drinks was very popular towards the middle of the 20th century, and before, in line with the popularity of soft drinks.

· Size: 10x10x32 cms
DECORATIVE ANTIQUES

Ref.: ZF114411
GLASS SIPHON. CIRCA 1920

Siphon; Le Sterelise, Toulouse. Glass, metal. Circa 1920. Siphon with a silver-finish metal head with engraved markings and an orange-toned glass body with engraved legend and markings on the base. This type of container for water or carbonated drinks was very popular towards the middle of the 20th century, and before, in line with the popularity of soft drinks.

· Size: 10x10x32,5 cms
DECORATIVE ANTIQUES

Ref.: ZF114409
SIPHON BOTTLE. GLASS, METAL. CIRCA 1920.

Siphon. Glass and metal. Circa 1920. Siphon with a metal head (Alard, Gueret Fres, Paris) and an orange-coloured glass body with a brand on the base and the legend “Maison Poët fondée en 1860 / Boissons / Gazeuse / P. Braive / succeseur / Menton”. This type of container for water or carbonated drinks was very popular towards the middle of the 20th century, and before, in line with the popularity of soft drinks.

· Size: 10x10x33,5 cms
DECORATIVE ANTIQUES

Ref.: ZF114406
SIPHON E. LIMOUZIN. NANTES

Siphon; E. Limouzin, Nantes. Glass, metal. France, ca. 1920. Siphon with silver-plated metal head and engraved markings (quarter moon crescent / E. Limouzin-Nantes / other quarter moon / Durafort; Paris 14; Etain Sans-plomb) and orange-coloured glass body with factory acid-etched markings (E. Limouzin / marque- quarter moon- déposée / Nantes/ …). This type of container for water or carbonated drinks was very popular towards the middle of the 20th century, and before, in line with the popularity of soft drinks.

· Size: 10x10x31,5 cms
DECORATIVE ANTIQUES

Ref.: ZF114412

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