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Seated offering. Bronze. 20th century, following Art Deco models. Bronze sculpture of a young lady sitting with her feet crossed and raising both arms to hold an oval tray. Her clothing (exotic, detailed, highlighting the figure...) and the posture of the piece, reminiscent of a dancer, link it to European Art Deco works. Weight: 26 kg.
· Size: 40x38x90 cms
DECORATION
BRONZE SCULPTURES
Ref.: V3053
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Oriental cabinet. Carved and polychrome wood, metal. Towards the beginning of the 20th century. Tall cabinet made of carved wood, with metal fittings, with a decoration of a certain oriental influence. At the top it has two doors in the centre and two smaller ones on the sides, these located above two covered spaces that give access to two shelves. Under these central doors there is another covered space. Towards the bottom, there are four drawers and, in the lower area, another central space. All these accesses have doors decorated with carved scenes of Chinese influence.
· Size: 136x60x176 cms.
DECORATION
FURNITURE;ORIENTAL
Ref.: XG049
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Pair of urban views. “Venice”. Marianne Lucy Le Poer Trench (England, 1888-1940). Signed in the lower right corner. Pair of paintings depicting urban views of the Italian city of Venice. Marianne Lucy Le Poer was a landscape painter and teacher who studied at the Slade and exhibited regularly from 1920 at the Royal Society of British Artists, the Royal College of Art, the Royal Scottish Academy, the Royal Academy, etc., becoming an Associate Professor of the Royal Society of British Artists in 1926.
· Size: int. 30x35 cms.
ANTIQUES
PAINTINGS
Ref.: Z3730
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Display case. Mahogany wood. 19th century. A tall display cabinet made of carved mahogany with gilt metal details, featuring a lockable glass door and enhanced with legs and a carved crown adorned with classically inspired vegetal and architectural motifs. Both the decorative motifs and the proportions and lines of the piece clearly demonstrate the influence of French designs.
· Size: 113x48x243 cms.
ANTIQUES
FURNITURE
Ref.: Z5530
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Chrismera. Silver in its colour. 16th century. Non-original cover. Silver chrismera in its colour with a circular base decorated with an engraved composition of plant elements and a flat circular body with two “S” shaped handles with plant motifs and a small neck at the top covered with a lid topped with a ring (which is not the original piece). The body has engraved, on one side, a cross on a pedestal with a shroud hanging from it, all within an engraved frame; on the other side, with a frame similar to the one mentioned above, appear the letters “ihs” (Christogram of ancient origin, already used in Paleochristianity, which gave rise to varied etymologies and was adopted as a seal by Saint Ignatius of Loyola, founder of the Society of Jesus). Weight: 157 grams.
· Size: 6,5x 10x15 cms.
ANTIQUES
MISCELLANEUS;SILVER
Ref.: Z5977
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Dining table with oriental door top. Embossed metal, wood, bronze. 19th century and later. Dining table made with a wooden structure reinforced with metal elements and featuring two 19th century bronze doors as a top, for use with a glass top on this element. The bronze door features a series of decorative elements arranged within four square areas, in which a central motif (with birds and peacocks perched on a “Tree of Life” type plant element) is enhanced by a simplified plant decoration, and which are framed with bands of simple flowers and leaves. With four squares on each side, in the centre there is a band with flower buds. Both the decoration and its distribution, and the shape of these bronze doors are common in Eastern traditions, reminiscent above all of works done in India.
· Size: 104x187x81 cms.
DECORATION
FURNITURE;RUSTIC
Ref.: AA011A
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Pair of carved travertine table legs. Both identical, they have been decorated with symmetrically arranged fleshy leaves, reminiscent of tropical examples rather than the classically inspired acanthus. The emphasis on the natural element in the work is close to aesthetic approaches that emerged in art from the 19th century onward. Travertine, or travertine marble, is a sedimentary rock widely used for interior and exterior decoration since the Roman Empire.
· Size: 40 x 9,5 x 46 cm
DECORATION
MARBLE SCULPTURES
Ref.: M0015A
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Glazed porcelain vase with two hand-painted scenes. “The Virgin Mary”. Inspired by models from the Manufacture Nationale de Sèvres (France). Both the lines of the vase and its decorative elements are inspired by works of Neoclassicism: the pineapple on top, the female grotesques on the handles, garlands, plant elements, scrolls, etc. It features hand-painted scenes on its fronts: Mary with the Child and Saint John; and The Coronation of the Virgin. The work is inspired by models from the Manufacture Nationale de Sèvres.
· Size: 40x25x77 cms.
DECORATION
PORCELAIN
Ref.: S2558A
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Pastoral box. Carved horn. 1811. With engraved date. Carved horn box with an oval base and a polygonal lid decorated on the outside with a series of carvings. The lid has animals, scrolls and simple geometric elements arranged flanking and facing a crowned heraldic shield; the base has a geometric composition leaving a rectangle in the centre (where the date 1811 has been engraved, which would be the date of creation of the piece); the edges of the base have fine smooth mouldings. The aforementioned shield, very simplified, has five elements in the centre and a border of towers or castles under a closed crown.
· Size: 8,5x5x3 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS
Ref.: ZF0658
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Safe box. Iron. 19th century. Rectangular safe made of iron, with a rectangular base, two handles on the sides and classical-influenced moulding decorations on the fronts and top. It opens from the top with a door with two hinges, which also has a knob and a lock with a cover to cover it. It is reminiscent of Victorian examples, some of the models made by Cannon, etc. Weight: 43 kg.
· Size: 48x30x33 cms.
ANTIQUES
FURNITURE
Ref.: ZF1265
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Ceiling lamp or chandelier. Bronze, glass. 20th century. Ceiling chandelier made of gilded bronze and metal that features plant elements of classicist influence, following 19th century models common especially in the French school (influence also present in the shape of the lamp), and transparent glass beads of various shapes and sizes (leaves, tears, flowers, etc.) and colors, a chromatic combination that was not the most common in these old examples.
· Size: 64x64x92 cms.
ANTIQUES
FURNITURE
Ref.: ZF1447
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Trumeau mirror. Synthetic material imitating gilded wood, glass. Mirror decorated with interlacing patterns and vegetal elements, divided between an oval and a rectangular area. It shows a clear influence of 19th-century French Neoclassical models.
· Size: 110x6x235 cms.
DECORATION
FURNITURE;CLASSIC
Ref.: E550
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Wide cup on a green marble pedestal. A low column with a smooth cylindrical shaft and base is supported by a vase-shaped shape, which serves as a base for the wide cup with an edge that curves outwards. In addition to its material, the work stands out for its elegance and clean lines, as well as for being able to be related to models inherited from 19th century Neoclassicism.
· Size: 80x80x106 cms.
DECORATION
MARBLE SCULPTURES
Ref.: M0131A
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Desk with marquetry decoration and one drawer. The four legs, shaped like pilasters and casters, feature marquetry and line work that accentuate the forms. The waist of the piece follows the contours of the top and has a drawer at the front. This drawer is decorated with marquetry featuring plant motifs with outlined outlines arranged in rectangles framed by metal cords. The top displays prominent marquetry scrolls with frieze lines and bands, combining woods of different tones.
· Size: 97x48x80 cms.
DECORATION
FURNITURE;CLASSIC
Ref.: D159
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Oriental ticket office. Carved and polychrome wood. 19th-20th centuries. A four-legged table with a rectangular top that protrudes slightly from the body of the piece and a not too pronounced carved front, clearly distinguishing each of the five drawers it has. Both the decorative motifs, the colour combination and the appearance (with areas that appear to be lacquered) follow ancient Chinese examples, but it is also possible to appreciate particular differences with what is usual in 19th century Chinese furniture in the West (proportions, combination of decorative techniques).
· Size: 91x45x89 cms.
DECORATION
FURNITURE;ORIENTAL
Ref.: XM076
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Oriental ticket office. Carved and polychrome wood. 19th-20th centuries. A piece of furniture with a rectangular, straight top decorated on the sides with geometric elements and on the front with an elaborate carving of plant elements highlighting the ovals present in its five drawers, in which floral compositions and figurative scenes can be seen on a black background. Both in its shape and in this decoration, the relationship of the piece with ancient Chinese furniture is clear.
· Size: 87x45x89 cms
DECORATION
FURNITURE;ORIENTAL
Ref.: XM087
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Chest of drawers. Lemongrass wood. 19th century. A chest of drawers made of lemongrass wood with a straight, rectangular top and five drawers at the front (two narrow and three long), decorated with simple flat mouldings and spherical legs. This decorative simplicity, which highlights the quality and grain of the lemongrass wood finish, is reminiscent of English examples.
· Size: 103x49x106 cms.
ANTIQUES
FURNITURE
Ref.: Z0312
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Walnut winged and claw-foot table, 19th century. The rectangular table stands on four eagle-shaped legs holding balls, with a drawer and two folding tops (from which the name of this type comes). The decorative simplicity of the work is due to its creation as a primarily functional piece of furniture, although the characteristic use of decorative elements from different traditions can be seen, something common in 19th-century art. The legs are very common in 18th-century English examples (“claw and ball” with a cabriolet leg) and the wood from which it is made is the most common in Spanish furniture.
· Size: abierta 138,5x 117 x 78 cerrada 57x117x78 cms.
DECORATIVE ANTIQUES
FURNITURE
Ref.: Z0485
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Parapet. Wrought iron. Castilian School, 16th century Wrought iron parapet decorated with a series of vertical balustrade shapes enhanced by curves at the ends, topped with simple floral elements, and a spherical finial at one end.
· Size: 180x45x85 cms.
DECORATIVE ANTIQUES
WROUGHT IRON;MISCELLANEUS
Ref.: Z1048
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Alembic. Copper, iron handles. 19th century. Still with a flared copper body, a cap on the top with the usual piece for these objects and a simple support to place the device over the fire. It has four iron handles to move it. Used to carry out the distillation process.
· Size: 80x80x125 cms.
DECORATIVE ANTIQUES
MISCELLANEUS
Ref.: Z3694
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Barber's chair. Iron, porcelain, etc. Triumph, Spain, early 20th century. Available 1 units. An iron barber's chair with a footrest decorated with plant elements and the name of the firm that held the patent, with a mesh seat and backrest and a red textile headrest, matching an area next to the footrest. It is very possible that this is a copy of the Gran Lujo Nº1 model, which was manufactured in Spain under a foreign patent in 1910, and one of the most highly valued in Spain.
· Size: 79x110x120 cms.
DECORATIVE ANTIQUES
MISCELLANEUS
Ref.: Z3939
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“Gypsies”. Oil on canvas. Signed “A. Briones”. 20th century. Oil on canvas showing a natural landscape in the background, barely sketched, to give prominence to the figures moving forward in the foreground. The man on the right carries a staff on his shoulders and a series of items, and is accompanied by a bear cub. In the centre, a woman walks with a stick on her shoulder, leading a mount loaded with more objects and some children by the reins. The painting shows a family of gypsies on their way to a show in which they would use the bear cub. Between the 15th and 18th centuries, the artistic image of gypsies was stereotyped and very scarce, with some engravings, tapestries and paintings such as “Landscape with Gypsies” by David Teniers III in the Prado Museum (inv. Poo1818). The 19th century was the moment of the emergence of the gypsy motif in the visual arts, due to the interest of foreign artists attracted by the “exotic” nature of these people, exhibiting what they considered to be their most folkloric features, especially highlighting works by Fortuny and Sorolla. This work aims to focus on the particularities of the Gypsy people, but without limiting itself to their stereotypes, clearly showing the harshness of their life and the loneliness that it brought with it. Technically, it can be seen its relationship with new contributions that appeared in French painting since the end of the 19th century. Thematically, it is reminiscent of works of social realism (a pictorial movement that appeared in France towards the middle of the 19th century).
· Size: 97x64 cms. 86x117 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z4081
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Chest. Walnut wood, iron. Burgos, 17th century. Rectangular chest with a flat lid made of carved walnut wood, with corners and a latch at the front to lock it with a key, and a carved decoration on the bottom with simple geometric elements, and simple lines on the outer edge of the lid. This type of furniture was very common in Spain, frequently used to store objects of a certain value such as clothes, dishes, etc.
· Size: 169x52x73 cms.
ANTIQUES
FURNITURE
Ref.: Z4841
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Grille with two gates. Wrought iron. Spain, 17th century. A wrought iron window grille featuring two smooth, circular cross-section rails in the center, inserted between the vertical bars. These rails are decorated with small discs and balustrade-like shapes (adding a subtle sense of movement) between the two rails, with the two pieces facing each other to create harmony. The decorative details mentioned refer to Baroque works of this material from the 17th century: compare, for example, with the balconies of the Casa de Panadería in the Plaza Mayor of Madrid, or with Spanish pieces preserved in the Victoria and Albert Museum in London, a confessional grille in the Metropolitan Museum of New York dated 1629 (inv. 57.137.51) and another in the same museum made by the master Francisco González (inv. 56-234.12Ad).
· Size: 120x38x133 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS
Ref.: Z5602
