Results 25 to 48 of 164

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THE LAST SUPPER. METAL, WOOD. SPANISH SCHOOL, CIRCA MID 20TH CENTURY.

Last Supper. Silver-plated metal, wood. Spanish school, mid-20th century. Wall painting with a silver-plated metal relief depicting the Last Supper (title in the lower area), with Christ in the centre of the table and the composition, the Apostles around him in various attitudes and an architectural frame in metal, recalling classicist models common in the European school since the Renaissance. Weight: 3.5 kg.

· Size: 79x3x56 cms
DECORATIVE ANTIQUES

Ref.: ZF1357
IMMACULATE CONCEPTION. OIL ON CANVAS. SOUTH AMERICA, 18TH CENTURY

Immaculate Conception. Oil on canvas. Colonial school, 18th century. Oil on canvas showing the Virgin Mary among angels, in a landscape and standing on a crescent moon, wearing a white tunic and a blue cloak, following the usual iconography of the Immaculate Conception in the Spanish school, especially since the works of Murillo. Note, however, that instead of stars around the head, here there are a series of angel heads, something unusual.

· Size: 88,5x3x119 cms. Int 68,5x100 cms
DECORATIVE ANTIQUES

Ref.: ZF1341
SAINT, DOMINICAN ORDER. OIL ON CANVAS. SPANISH SCHOOL, 18TH CENTURY.

Saint Dominic. Oil on canvas. Spanish school, 18th century. Oil on canvas with a horizontal layout depicting a Dominican wearing the characteristic habit of the order holding a Holy Host and a chalice in the other hand. He is surrounded by figures, some of whom appear frightened. Note the fire to the right and a child figure with goat or ram legs and horns (demon). This may possibly be Saint Vincent Ferrer fighting against heretics. It is possible that this is a sketch for a large-format work.

· Size: 65,5x3,5x42 cms. Int 56,5x33,5 cms
ANTIQUES

Ref.: ZF1346
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ASSUMPTION OF MARY. OIL ON COOPER. 17TH CENTURY. AFTER GUIDO RENI (157...

Assumption of the Virgin Mary. Oil on copper, 17th century Following the models of Guido Reni (Bologna, 1575-1642). Oil on copper showing the Virgin Mary seated on clouds, dressed in a red tunic and blue mantle, in a golden-toned Glory and surrounded by clouds and musician and singing angels, dressed in tunics, cloths, etc. and others naked, and represented both as small children and in the form of adolescents. Iconographically, the work combines two main themes: the Coronation of Mary (note the two angels placed above the Virgin's head), and the Assumption (a doctrine developed in the Western Church from the 12th century, according to tradition by Saint Augustine, which later became a dogma of Faith, and which maintains that, at the end of her life, Mary was taken up to heaven in body and soul). This oil painting is inspired by two works titled "Coronation of the Virgin," one housed in the Bonnat Museum in Baoyona (nicknamed "The Guide") and the other in the National Gallery in London. These, in turn, follow the composition of a painting in the Prado Museum in Madrid by the same master, also titled "Coronation of the Virgin," executed around 1602 or 1603.

· Size: 59,5x4,5x77 cms. int 49,5x67 cms.
ANTIQUES

Ref.: ZF0974
THE COURT OF CLEOPATRA AND SALOMON AND THE QUEEN OF SHEBA. AFTER OBERH...

“The Court of Cleopatra” and “The Queen of Sheba before Solomon”. Framed illustrations. Based on the model of OBERHAUSER, Emanuel. Early 20th century. The work entitled “The Court of Cleopatra” is a photogravure inspired by a work by Emanuel Oberhauser (note the “signature” and the inscription below the image) published by Louis Wolf around 1906 (indicated above the image), and later coloured. The one entitled “La Reine de Saba rendant visita à Salomon” is based on another painting by the same master as the previous one, and is another photogravure also published by Louis Wolf, surely at a similar date, and also coloured.

· Size: 119x1,5x84 cms.
DECORATIVE ANTIQUES

Ref.: ZA6649
LANDSCAPE. OIL ON CANVAS. SPANISH SCHOOL, 20TH CENTURY.

Landscape. Oil on canvas. Spanish School (J. Boe), 20th century. Signed (lower right); stamp on back. Oil on canvas showing a rural landscape with mountains in the background and relatively low whitewashed buildings in the foreground. The composition, the subject, the brushstrokes, the absence of drawing, the volumes, etc. show clear influences from European avant-garde paintings of the 20th century.

· Size: 55x2x46 cms
DECORATIVE ANTIQUES

Ref.: Z4492
PORTRAIT. FRAMED ENGRAVING. JUAN JOSÉ MARTÍNEZ. BERNARDO BLANCO. SPAIN...

Portrait. Framed engraving. Spain, possibly 1870s. Male portrait based on a design by Bernardo Blanco y Pérez (Madrid, 1828-1876) made by Juan José Martínez de Espinosa y Tacón (Cádiz, 1826-?; active in Madrid 1856-1876), as indicated in the area below the image. Below the oval, there is a signature.

· Size: 43x1,5x55 cms. Int 20x23 cms
DECORATIVE ANTIQUES

Ref.: Z4424
SAINT JOHN THE BAPTIST. FRAMED ENGRAVING. BARTOLOMÉ MAURA. SPAIN, 1876...

Saint John. Framed engraving. MAURA Y MONTANER, Bartolomé. Spain, 1876. Handwritten inscription in lower area. Print inspired by a work by Murillo by Bartolomé Maura y Montaner (Palma de Mallorca, 1844-Madrid, 1926), published by the Society of Artists and with the Calcografía Nacional as the printer. It originally belonged to the third volume of El Grabador al Aguafuerte, which went on sale in the third installment of 1876.

· Size: 41x1,5x55,5 cms. Int 22x28 cms
DECORATIVE ANTIQUES

Ref.: Z4619
LA MAJA. FRAMED ENGRAVING. DEZARROIS. PARIS, FRANCE, CIRCA 1900.

The Naked Maja. Framed engraving. DEZARROIS. Paris, France, circa 1900. Engraving inspired by the famous Goya painting which, when it was made, was in the Royal Academy of Fine Arts of San Fernando in Madrid (Spain). As indicated below the image, it is the work of Antoine-François Dezarrois for an article about the painter in La Revue de l'art ancien et moderne, a periodical founded by Jules Comte in 1987 and directed by him (until his death in 1912).

· Size: 41x1,5x31,5 cms. Int 21x14 cms
DECORATIVE ANTIQUES

Ref.: Z4624
TELEMACHUS AND POLYCASTE. FRAMED ENGRAVING. TORRAS, FRANCISCO. SPAIN, ...

Policasta and Telemachus. Framed engraving. TORRAS Y ARMENGOL, Francisco. Spain, 1874. Print by Francisco Torras y Armengol (Tarrasa, 1832-Madrid, 1878) that originally formed part of El Grabador al Aguafuerte (The Etching Engraver), on sale in the second issue of 1874. The copper plate is preserved in the Calcografía Nacional, which appears as the printer of the work. The publisher was the Society of Artists. Telemachus, son of Odysseus and Penelope, is a character in the Odyssey and, according to some sources, the father of Persepolis and the poet Homer with Polycasta, daughter of Nestor.

· Size: 42,5x2x57 cms. int:17,5x25 cms.
DECORATIVE ANTIQUES

Ref.: Z4675E
PREACHING. FRAMED ENGRAVING. MARTÍNEZ, JUAN JOSÉ. SPAIN, 1874.

Sermon. Framed engraving. Spain, 1874. With hand inscription (below, right). Print created by Juan José Martínez de Espinosa (Sanlúcar de Barrameda, 1826-Madrid, 1902), which originally formed part of the first volume of the collection El Grabador al Aguafuerte, released in the sixth issue of 1874. The copper plate is preserved in the Calcografía Nacional, where the artist acted as printer. The publisher is the Sociedad de Artistas.

· Size: 55,5x1,5x41 cms. int: 28x22 cms.
DECORATIVE ANTIQUES

Ref.: Z4675I
REQUIEM. FRAMED ENGRAVING. MARTÍNEZ, JUAN JOSÉ. SPAIN, 1876.

Requiem. Framed engraving. Spain, 1876. Engraving created by Juan José Martínez de Espinosa (Sanlúcar de Barrameda, 1826-Madrid, 1902). Originally it was part of the third volume of the collection El Grabador al Aguafuerte (The Etching Engraver), released in the fourth issue in 1876. The copper plate is preserved in the Calcografía Nacional, which acted as a printer. The Society of Artists participated as editor.

· Size: 58x1,5x43,5 cms., int: 28x22 cms.
DECORATIVE ANTIQUES

Ref.: Z4675K
LA REINE DES BOIS. FRAMED ENGRAVING. LONDON, 1852.

“The Queen of the Woods. Star of Madrid”. Framed engraving. Hippolyte Louis Garnier (1802-1855). London, 1852. Framed print showing a young woman in a wooded natural landscape, reminiscent in certain details of common models in Rococo painting but with a more neoclassical taste and language. The title, the engraver and other details are at the bottom.

· Size: 57x3x70 cms. Int 40x52 cms
DECORATIVE ANTIQUES

Ref.: Z2352
BIRDS. FRAMED WATERCOLOUR. 20TH CENTURY.

Birds. Framed watercolor. 20th century. Watercolor showing two birds, perhaps thrushes, perched on the branch of a flowering tree, with no background in the composition, reminiscent of old biology books. The work is unsigned.

· Size: 21,5x0,1x31 cms
DECORATIVE ANTIQUES

Ref.: Z0790
LANDSCAPE. OIL ON CARDBOARD. SPANISH SCHOOL, 1969.

Landscape. Oil on cardboard. Spanish School (P. Font), 1969. Signed (lower left); titled, signed and dated (back). Wooded landscape with a human figure (male due to his clothing) done with a treatment that shows clear influences from certain European pictorial avant-gardes of the 20th century (predominance of colour, absence of drawing, notable brushstrokes, colour, composition, theme, etc.).

· Size: 45x0,5x35,5 cms
DECORATIVE ANTIQUES

Ref.: Z4480
CARDINAL INFANTE FERDINAND OF AUSTRIA. FRAMED ENGRAVING. 1870. SPAIN.

Cardinal Infante Ferdinand of Austria. Framed engraving. 1870. National Chalcography (Spain); Gangoiti, Juan de (1816-1878); Maura Montaner, Bartolomé (1844-1926). Framed engraving based on the portrait of Cardinal-Infante Ferdinand of Austria as a hunter painted by Diego Rodríguez de Silva y Velázquez between 1632 and 1634, which is kept in the Museo del Prado in Madrid (Spain). This is an 1870 edition of the National Chalcography of Spain, of which the National Library of Madrid keeps the preparatory drawing.

· Size: 42,5x1,5x55 cms. Int 15x27,5 cms
DECORATIVE ANTIQUES

Ref.: Z4417
RAPHAEL MENGS. FRAMED ENGRAVING. SPAIN, 1780.

Raphael Mengs. Framed engraving. Spain, 1780. Engraving with a portrait of the neoclassical painter and theorist Anton Raphael Mengs (Aussig, Bohemia, March 12, 1728 - Rome, June 29, 1779). It belongs to a series dated 1870, apparently produced by the Calcografía Nacional, and is believed to have been inspired by an oil self-portrait by Mengs. Some sources indicate that it was a print engraved by Manuel Salvador Carmona.

· Size: 43x1,5x55 cms. Int 14x20 cms
DECORATIVE ANTIQUES

Ref.: Z4418
MARS. FRAMED ENGRAVING. PINEDA. SPAIN, 1876.

Mars. Framed engraving. Pineda. Spain, 1876. Engraving of the god Mars after the painting by Velázquez, preserved in the Prado Museum in Madrid. It is said to be print number 4 in the third volume of El Grabador al Aguafuerte, sold in the first issue in 1876. The engraver's surname was Pineda and the printer was Calcografía Nacional.

· Size: 42,5x1,5x57 cms
DECORATIVE ANTIQUES

Ref.: Z4421
ESTEBAN MARCH (ATRIB). FRAMED ENGRAVING. MAURA, BARTOLOMÉ. SPAIN, 1874...

Self-portrait by Esteban March (attributed). Framed engraving. MAURA Y MONTANER, Bartolomé. Spain, 1874. Engraving inspired by a painting considered a self-portrait that in the 19th century was believed to be by Esteban March (as indicated by the inscription), but which is now attributed to Orazio Borgianni. It was originally published as number thirteen, in the first volume of El Grabador al Aguafuerte, put on sale in the fourth issue of 1874. The copper plate is preserved in the Calcografía Nacional of Madrid (R. 5072), the printer of the work. It was published by the Society of Artists.

· Size: 43x1,5x58 cms. Int 22x27,5 cms
DECORATIVE ANTIQUES

Ref.: Z4423
PORTRAIT, JOAQUÍN FRANCISCO PACHECO. FRAMED ENGRAVING. SPAIN, 19TH CEN...

Portrait of Joaquin Francisco Pacheco y Gutierrez Calderon. Framed engraving. Spain, 19th century. Framed engraving showing Joaquín Francisco Pacheco y Gutiérrez Calderón (Écija, 1808-Madrid, 1856), a Spanish jurist, politician, journalist and writer, following a portrait by a painter named Lozano.

· Size: 43x2x55 cms. Int 18x24 cms
DECORATIVE ANTIQUES

Ref.: Z4413
”SAVIOUR CHRIST”. OIL ON CANVAS. SPANISH SCHOOL, 17TH CENTURY.

“Christ the Savior”. Oil on canvas. Spanish school, 17th century. Damage Oil on canvas with a three-quarter view of a bearded Christ, blessing with one hand and holding the Orb of Creation crowned by a cross in the other, in an iconography known as Christ the Savior of the World and already used by masters such as Pedro Berruguete, Leonardo da Vinci, El Greco, etc., both in Europe and South America.

· Size: 53x2x67 cms. int: 45x59
DECORATIVE ANTIQUES

Ref.: Z0264
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SAINT ANNE WITH VIRGIN MARY. OIL ON COPPER. SPANISH SCHOOL, 18TH CENTU...

Saint Anne teaching the Virgin to read. Oil on copper. Spanish school, 18th century. Small copper depicting Saint Anne seated, with a book on her knees, and accompanied by the Virgin Mary as a child and an angel at her side. In the background we can see a fragment of curtains and a bit of architecture. Both iconographically and stylistically, this is a frequent theme in Christian European art, with some Italian influence and a composition common in works from the Spanish school.

· Size: 10,5x2,5x11,5 / int: 6,5 x 7,5 cms.
ANTIQUES

Ref.: ZF1294
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PORTRAIT, FERNANDO FERNÁNDEZ DE CÓRDOBA Y VALCÁRCEL. OIL ON CANVAS. SP...

Portrait of Fernando Fernández de Córdoba y Valcárcel. Oil on canvas. Spanish School, 19th century. Unframed canvas. Shows damage. Requires restoration. Full-length portrait of a male figure in an interior decorated with carpets, a gilded wooden chest of drawers with a Rococo influence, a wall relief, moldings, an inkwell, maps, books, a writing desk, etc. On the left, next to a curtain, a window opens the composition, revealing a building. The man, in military uniform, holds a sword in one hand and a bicorn in the other, while looking directly at the viewer. Fernando Fernández de Córdova y Valcárcel (Buenos Aires, September 2, 1809 – Madrid, October 30, 1883), 2nd Marquis of Mendigorría, was a Spanish military man, son of José María Fernández de Córdova y Rojas, a frigate captain in the Royal Navy, and María de la Paz Rodríguez de Valcárcel y O'Conrry, 1st Marchioness of Mendigorría. With his brother Luis, he fought in the First Carlist War. He belonged to the Moderate Party and later to the Radical Democratic Party. He was Prime Minister for a single day. He was Senator for life from 1847 to 1868 and for the province of Soria from 1871 to 1873, during the reign of Amadeo of Savoy. In the portrait, it is possible to clearly see his decorations, located on the left side of his chest. Starting from the top: Knight Grand Cross of the Royal and Distinguished Spanish Order of Charles III (established by this monarch in 1771); on the left, the Knight Grand Cross of the Royal Order of Isabella the Catholic (instituted by Ferdinand VII in 1815); below the former, the insignia of Knight of the Insigne and Royal Order of Saint Januarius (military order of the House of Bourbon-Two Sicilies, established in 1738). And almost covered by the lapel is the one awarded in 1850 when he was named Knight Grand Cross of the Royal and Military Order of Saint Ferdinand (established in 1811). The one that remains to be identified, next to the former, may be the decoration of Knight Grand Cross of the Royal and Military Order of Saint Hermenegild. In addition, he was awarded the recognition of Knight Grand Cross in brilliants of the Order of Pius IX.

· Size: 138x218 cms.
ANTIQUES

Ref.: Z6572
VARIATIONS ON PARIS. FRAMED LITOGRAPH. EDUARDO VICENTE (MADRID, 1900-1...

Variations on Paris; Rincón de Menilmontant. Framed lithograph. Eduardo Vicente (Madrid, 1900-1968). Framed lithograph belonging to the book of fifteen lithographs entitled “Variations on Paris”, published by Rafael Casariego in 1968 with texts by José Hierro.

· Size: 45x2x58 cms.
DECORATIVE ANTIQUES

Ref.: Z1205B

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