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Urban view. Oil on Tablex. Possibly, CALVO DÍEZ, Luis (Zaragoza, 1935-2021). Luis Calvo Díez was a Spanish painter, born in Zaragoza, who has received international recognition (Sitges, Huesca, Bordeaux, etc.). Until the age of thirty he worked in agriculture. He studied at the School of Arts and Crafts in his hometown, with Albiac and Alvareda, and furthered his studies with Alejandro Cañada. His work is preserved mainly in private collections in France, Spain, Switzerland, Germany, Italy and the United States of America.
· Size: 76x6,5x53 cms. int: 60x38 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: ZE429
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Pietà. Plaster. 20th century. A relief sculpture group made of plaster depicting a passionate theme with the deceased Christ and the fainting Virgin Mary, accompanied by various figures. It is important to highlight the influence of past styles on the present work (Renaissance, Baroque).
· Size: 80x14x60 cms
DECORATIVE ANTIQUES
SCULPTURE
Ref.: Z0092A
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Espagnolette. Wrought iron. 18th century. An iron element made up of several pieces firmly joined together, with simple decoration based on rings and other details, used to close a door or window. This type of piece was very common in the construction of important residences. Available 1 unit
· Size: 30x13x250 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS
Ref.: Z3485E
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Collection of engravings by Gustave Doré (1832-1883). “Madrid, Engravings by Gustave Doré”. Special edition directed by Antonio de Horna. Madrid, Culture and Art Collection, De Horna Editores. Compilation of engravings directed by Antonio de Horna made by Gustave Doré, a great draughtsman and engraver known, above all, for his work for an edition of “Don Quixote”, published in London in 1880, which was very well received by the public. Successful in France, he moved to live in England, where he was even more appreciated for his visions of the Victorian costumbrista environment of the mid-nineteenth century. Antonio de Horna, in this same book, accompanies a brief biography of the author with the intention behind this collection: “his true glory… would come to him… when his indisputable genius was recognized, captured in more than ten thousand drawings and engravings.”
DECORATIVE ANTIQUES
MISCELLANEUS
Ref.: Z4179A
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“Fortuny’s Engravings”. Special edition directed by Antonio de Horna. Madrid, Culture and Art Collection, De Horna Editores. In this case, Antonio de Horna directed a compilation of engravings of some of the main works produced by Mariano de Fortuny (1838-1874), considered one of the most important painters of the 19th century in Spain. The engravings bear the title of the work in the lower margin, and the book contains, for example, “La vicaría”.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z4179C
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“The Court of Cleopatra” and “The Queen of Sheba before Solomon”. Framed illustrations. Based on the model of OBERHAUSER, Emanuel. Early 20th century. The work entitled “The Court of Cleopatra” is a photogravure inspired by a work by Emanuel Oberhauser (note the “signature” and the inscription below the image) published by Louis Wolf around 1906 (indicated above the image), and later coloured. The one entitled “La Reine de Saba rendant visita à Salomon” is based on another painting by the same master as the previous one, and is another photogravure also published by Louis Wolf, surely at a similar date, and also coloured.
· Size: 119x1,5x84 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: ZA6649
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Pair of andirons. Blued and gilded bronze, iron. 19th century. Fireplace andirons decorated with vine leaves and bunches of grapes on the side pieces and in the centre of the horizontal part, working the metal to also remind us of the plant. These three elements or areas are visually united by an openwork piece, decorated in a simpler way with motifs inspired by Neoclassicism.
· Size: 36x45x45 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS
Ref.: ZF0126
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Candlestick. Bronze. 17th-18th centuries. Candlestick made of bronze with a circular base and an axis combining discs, balustrade shapes, smooth areas, concave and convex mouldings of different widths, etc., creating a very lively profile common in this type of pieces since the Baroque in various European schools and reminiscent in some details of the so-called spool candlesticks. Weight: 520 gr.
· Size: 21x21x55 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS
Ref.: ZF0491
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Frame. Carved and gilded wood. 18th century. Rectangular frame with a semicircular top in the centre, crowned by a composition with leaves and elements of the Passion of Christ (Crown of Thorns, Nails, etc.) decorated with a series of bands, alternating plain ones with two different strings of pearls. Although the 18th century is known for Rococo, it is not the only artistic style of the period: the decoration and shapes of the frame show a closer relationship with ancient Roman art, a common influence in Neoclassicism.
· Size: 44x8x81 cms
ANTIQUES
MISCELLANEUS;FRAMES
Ref.: ZF0527
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Sword. Metal, leather. Royal Factory of Toledo, towards the end of the 19th-20th century Small sword with a garnish bearing the emblem of the Infantry and the simplified coat of arms of Spain on the other side, cap with the monogram of King Alfonso XIII and wire-wrapped hilt, featuring a Toledo blade (inscription “Fca de Toledo”) and a scabbard combining leather and metal, slightly curved. Compare with the small sword for Infantry Officers, model 1901.
· Size: 12x2x97 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS
Ref.: ZF0575
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Oval case. Silver. 19th century. With contrast marks. Oval box with flat lid made of silver, partially gilded, decorated on the outside with framed figurative scenes and landscapes and geometric motifs arranged in bands and architectural and plant motifs. The Rococo influence can be seen, for example, in the frames chosen for the landscapes on the body of the piece and in the figurative scene on the lid. Weight: 96 grams. Hallmarks are on the inside.
· Size: 6x4,3x2,2 cms.
ANTIQUES
MISCELLANEUS;SILVER
Ref.: ZF0690
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Sold
Pair of seals. Carved stone. Far East, possibly 19th century. Pair of carved stone seals with square bases (on which the carved ideogram or letters appear) and decorated with two beings, known as lions of Fu or Buddha, each with a cub on its back. Buddha lions are mythical oriental animals originating in the Buddhist tradition that protect against evil spirits, bad energies and bad people.
· Size: 3x3x8,5 cms.
DECORATIVE ANTIQUES
MISCELLANEUS
Ref.: ZF0912
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Pair of stirrups. Carved wood, iron. Chile, 18th century. Pair of stirrups made up of a block of carved wood, in the shape of a half moon at the front, and decorated on the outside with geometric and vegetal elements, and an iron surround. Since metal was reserved for other uses during the 18th century, wood began to be used more frequently to make stirrups in Chile. The shape of the present pair, which follows a common typology of the time, seems to have been derived from Asturian pieces, preferred over metal stirrups to protect from water, branches, etc., and the artisanal development carried out mainly by the Jesuits in the area was what led to this type of carving and decoration, which survives to this day.
· Size: 16x20x17 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS
Ref.: ZF0933
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Sold
Oriental barrel-shaped vessel. Porcelain, metal. China, 20th century. With marks on the base (apocryphal, Xangxi). A barrel-shaped vessel with a flat lid, made of white-ground porcelain and decorated with a polychrome figurative composition based on plant motifs and scrolls on the lid, and upper-class figures set in a garden with pavilions, a large censer, a tiger and other animals, etc., on the body, on a frieze of repeated elements and under a double blue line at the top (this last detail also separates the stripes on the lid). Morphologically, it is reminiscent of the Chinese porcelain seats often used in gardens, but note that it has a lid with a metal washer and handles of the same material, elements that are not found on the known seating pieces. Next to these courtiers in the pavilion is a male figure on a water buffalo (a frequent motif in Chinese art, associated with either wise men or peasants or shepherds). The marks on the base, located within a double circular line, resemble those used on Chinese porcelain made during the Kangxi Empire (1662-1722), but are considered apocryphal.
· Size: 25x25x30 cms.
ANTIQUES
MISCELLANEUS;CERAMIC
Ref.: ZF1082
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Heraldic shield. Oil on canvas. TORRES, A. Spanish School, 1856. Signed and dated. This work shows a heraldic shield on a blue background with different shades, on an oval framed support. The central (and only) element of the composition consists of a crest with a helmet with gold bars and four feathers, and a quartered shield. Towards the lower right area, there is a signature (A. Torres) and a date (1856). First quarter, cut, with a bird (possibly a sable eagle) with wings displayed and spread over gold, and, below, in green, a gold band crossed between the mouths of two azure serpents (recalling the well-known “band of Castile”), on gules. In the second quarter, twelve eight-pointed gold stars in three columns, on a divided field in sable and silver. In the third, on gules, gold chains around three crossed gold bands. In the fourth, six gold crescents on azure. Around both elements, and joining them, there is a symmetrical composition of architectural elements, plants and scrolls, with a clear classicist influence and with some reminiscence of works from the Spanish Renaissance.
· Size: 46x4,5x58 cms. int: 36x47 cms.
ANTIQUES
PAINTINGS
Ref.: ZF1118
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Guan Yu. Terracotta. 20th century. Polychrome terracotta sculpture in brown and black tones showing a man in armour and with a long, bushy beard. It represents Guan Yu (Kuong Kong) (Yuncheng, Shanxi province, 160 - Nanzhang, Xiangyang, Hubei province, 219), courtesy name Yunchang, who was a military general under Liu Bei during the late Eastern Han Dynasty and the Three Kingdoms Period of ancient China. Weight: 21 kg.
· Size: 50x45x81 cms.
DECORATIVE ANTIQUES
SCULPTURE
Ref.: ZF1134
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Spice rack in glazed ceramic. Talavera de la Reina, 18th century. A three-cup spice rack in the shape of an equilateral triangle, made of ceramic and decorated with high-temperature enamels typical of Talavera polychromy: manganese black for the edges and antimony oranges and yellows, copper green and cobalt blue. It is a classic-style piece, with clean lines that delimit the different parts of the structure, well-organised decoration and synthetic motifs that refer to the Greco-Latin ornamental repertoire, such as the palmette and the acanthus leaf.
· Size: 16x14x4,5 cms.
ANTIQUES
MISCELLANEUS;CERAMIC
Ref.: ZF1255
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Hunters, pair of panels. Porcelain. Possibly Germany, 19th century. Pair of wall plaques with metal pieces to hang on the top and a polychrome figurative decoration on the front, in relief. One shows a horseman dressed in furs, accompanied by a fox (probably), and the other shows a woman, also on horseback, hunting a feline (possibly a tiger). Their style is reminiscent of porcelain pieces made in Meissen in the 19th century.
· Size: 31x31x6 cms
ANTIQUES
MISCELLANEUS;CERAMIC
Ref.: ZF1387
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Six balusters. Wrought iron. Spanish school, 18th century. Set of six balusters made of wrought iron and decorated with vase-shaped or balustraded forms accompanied by discs and flat mouldings, as is usual in Spanish works of the period. Weight: 60 kg.
· Size: 5,5x5,5x154 cms.
DECORATIVE ANTIQUES
WROUGHT IRON;MISCELLANEUS
Ref.: ZT0040
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Pair of miniatures in medallions, Ferdinand II of Portugal and Isabel II of Portugal. Cardboard, metal, glass. 19th century. Pair of cardboard miniatures showing busts of a man and a woman within medallions, these in turn placed in a frame with two hanging points, on a textile upholstery matching that present in the miniatures. Ferdinand II of Portugal (Vienna, 29 October 1816 - Lisbon, 15 December 1885)1 was King “iure uxoris” of Portugal by his marriage to Queen Maria II (1819-1853), from the birth of their son in 1837 until her death in 1853. The miniature of the queen is reminiscent of one in the Royal Collection Trust in England, signed and dated 1852, by Sir William Ross.
· Size: 23,5x2x18 cms. Miniatura: 6x1x8 cms
DECORATIVE ANTIQUES
PAINTINGS
Ref.: ZF1157A
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Devotional plaque, Virgin and Child. Bronze. Spanish School, 17th century. Rectangular devotional plaque, made of bronze, featuring a ring at the top, a molded frame, and a relief figurative theme on the front. It depicts a Virgin Mary holding the Child Jesus, reminiscent of one preserved in the British Museum in London (inventory 1915,1216.216). This one is attributed to the circle of Sansorino (perhaps a misprint, meaning Sansovino) and considered a 16th-century Venetian work. Weight: 166 grams.
· Size: 7 x 0,5 x 11,2 cm.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS
Ref.: ZF1416D
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Interior. Oil on canvas. Signed and with illegible inscription. COLLADO, Pedro (Valladolid, 1874-1954). Pedro Collado, a teacher of figures such as Félix Cano Valentín, has a body of work preserved mainly in private Spanish and Latin American collections. Stylistically, the work can be linked to pieces of humble interiors typical of the painter's time, differing from many of them in the mastery in the use of light, in composition, etc.
· Size: 55x4x68 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z5820A18
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“Still Life with Sea Bream”, Valladolid, 1943. Oil on canvas. Signed and dated in the lower right corner; titled, with author and located on the back. VIVERO, Asterio (Valladolid, 1899-1975). Still life on a flat background showing a sea bream, accompanied by lemons, a glass, a tray and other elements. Asterio Vivero Soba was a Spanish painter, a disciple of Luciano Sánchez Santarén and teacher of his son Luis Vivero Salgado, a member of the Academy of Fine Arts of the Immaculate Conception of Valladolid.
· Size: 50x4x42 cms.
DECORATIVE ANTIQUES
PAINTINGS
Ref.: Z5820A32
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Advertising poster, Magin Rubio Factory. Paper or cardboard. Spain, possibly around 1900. The Magin Rubio Chocolate and Mantecados Factory was located in a modernist mansion built by Eduardo Sánchez Eznarriaga at the beginning of the 20th century to house both production and the home of the company's founder, Magín Rubio González. It currently houses the Astorga Chocolate Museum.
· Size: 22,5x0,1x34,5 cms
ANTIQUES
MISCELLANEUS;GRAPHIC WORK
Ref.: ZF135437
