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Silver mesh bag, 19th century. Silver mesh bag decorated with triangular elements on the bottom, with a smooth hinged closure and a chain with alternating long and short links. This type of piece was very common in the 19th century, as a luxury item and a practical piece for galas and other special events. Weight: 187 gr
· Size: 15x15 cms.
ANTIQUES
MISCELLANEOUS;SILVER WORKS
Ref.: Z6876I
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Allegory of Air. Enameled porcelain. Hispania porcelain, Spain, 20th century. Enameled porcelain figure with gold touches showing a half-naked child, with an old-style hot air balloon and bellows, sitting on a base clearly reminiscent of the Rococo era on which the text “El Aire” can be read, alluding to the allegory that the piece represents. This type of work is inspired by outstanding works from European factories. The factory known as Porcelana Hispania made a series of quality pieces in this same line (animals, couples with a Rococo influence, etc.).
· Size: 12x8x15 cms.
ANTIQUES
Ref.: ZF0992
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Devotional plaque, Virgin of Montserrat and the Mountain. Bronze. Spanish school, 19th century. Devotional plaque made of bronze, rectangular in shape, with a washer at the top and a frame of mouldings highlighting a figurative composition in relief. It shows a Virgin and Child sitting on a throne, with a mountainous shape in the background. It is a particular iconography of the Virgin of Montserrat with the mountain (compare with the bronze of the same theme made in the second half of the 18th century that is kept in the Diocesan Museum of Barcelona). Weight: 232 grams.
· Size: 6,2x0,8x10,1 cms.
ANTIQUES
Ref.: ZF117115
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Devotional plaque, Saint Bruno. Bronze. Spanish school, 19th century. Rectangular devotional plaque made of bronze with a ring at the top and a frame of smooth mouldings around a relief. The piece depicts the image of Saint Bruno standing, holding a skull and with a mitre at his feet, following known iconographies (compare, for example, with the carving of this saint made in stone by Manuel Pereira that is kept at the Royal Academy of Fine Arts of San Fernando). Weight: 169 grams.
· Size: 6,7x0,6x11 cms.
ANTIQUES
Ref.: ZF117116
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Devotional plaque, Saint Peter in tears. Bronze. Spanish school, 19th century. Devotional plaque made of bronze with a rectangular shape that has a washer at the top and a frame of smooth mouldings around a figurative relief. It shows a Christian theme known as “Saint Peter in tears” or “The repentance of Saint Peter”, being the moment in which the Apostle laments having denied Christ three times (hence the rooster on the column). Apparently, the piece shows a common iconography in a group of Castilian devotional plaques made since the end of the 16th century and throughout the 17th century, based on a chalcographic print (simplified and inverted) by Lèonard Gaultier (ca. 1561 - ca. 1635), and which was published by Jean Leclerc (1560 - ca. 1622). A similar piece to the present one is kept at the Museum of Fine Arts in Valencia. Weight: 152 grams.
· Size: 7,1x0,8x11,4 cms.
ANTIQUES
Ref.: ZF117123
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Devotional plaque, Holy Children Justo and Pastor. Bronze. Spanish school, 19th century. Rectangular bronze devotional plaque with a ring at the top and a frame of smooth mouldings highlighting a figurative composition in relief. Two male figures appear, dressed in the old style, standing, with palms and a knife on the ground. They are the two Child Martyrs Justo and Pastor, patrons of Alcalá de Henares (Madrid). The composition is typical of a series of plaques: compare with the bronze plaque dated between 1576 and 1700 with the same theme and very similar iconography from the Lázaro Galdiano Museum in Madrid, two in the Marés Museum in Barcelona (18th century), etc. Weight: 137 grams.
· Size: 6,9x0,5x10,9 cms.
ANTIQUES
Ref.: ZF117124
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Devotional plaque, San Telmo or Sanct'Elmo. Bronze. Spanish school, 19th century. Saint Peter Gonzalez became bishop of Palencia, later entering the Order of Preachers. He is known as Saint Telmo and is considered the patron saint of sailors, having been confused with Saint Erasmus of Formia (Sanct'Elmo). In the present case, Saint Peter Gonzalez is usually shown in the Dominican habit, while Saint Erasmus is usually shown dressed as a bishop but with an allusion to his martyrdom on one hand. Weight: 163 grams.
· Size: 6,5x0,8x10,8 cms.
ANTIQUES
Ref.: ZF117125
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Devotional plaque, Holy Bishop. Bronze. Spanish school, 19th century. Rectangular devotional plaque with a ring at the top and smooth mouldings highlighting a figurative relief. It shows a male figure with a halo, carrying a bishop's staff, and is accompanied by a book and a tiara (located on the ground), and a sun emerging from a corner. Iconographically, it presents details in common with devotional plaques of Saint Anthony and Saint Dominic of Guzmán. Weight: 170 grams.
· Size: 6,7x0,9x10,7 cms.
ANTIQUES
Ref.: ZF117127
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Mortar and pestle. Bronze. Spanish school, 17th century. Bronze mortar with a flared mouth, a raised base towards the outside and a cylindrical body decorated on the outside with reliefs alternating shapes (probably figurative in origin, perhaps angel or Medusa heads) and balustrade shapes derived from the usual ribs, typical of this type of piece within the Spanish school since the Gothic period. The pestle, cylindrical in shape, has a decoration of smooth discs of different diameters and widths, arranged towards the centre and towards the end, and a flat widening at the beginning. Weight: 1.7 kg.
· Size: 11,5x11,5x7 cms.
ANTIQUES
Ref.: ZF1225
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Gallon-shaped chofeta. Silver, Wood. 19th Century. Oval chofeta with turned wooden handles made of silver in its colour and with a scalloped or grooved finish, as well as legs finished in a ball with claw. The lines and decorative elements of this piece are common in 19th century European art, and similar examples can be found in numerous schools influenced by French art. Weight: grams.
· Size: 23x6.5x6 cms.
ANTIQUES
Ref.: ZF0978
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Dressing table set. Silver, low silver, glass. Spain and others, 20th century. With contrast marks. Set of four coloured silver headdress flasks of different grades and glass. Of the two tall flasks, with lids decorated with Rococo-style elements, one has marks in the area of the inner stoppers. The lower one, with a circular base, has ownership initials and hallmarks and a sterling mark (800 silver, possibly another from Hermann Behrnd, from Dresden, Germany – silversmith founded in 1881). The remaining flask has Rococo-style decorations on the lid and ownership initials engraved on it.
· Size: Perfumero: 5x5x13,5 cms.
ANTIQUES
Ref.: ZF1155
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Frame. Brass, textile, glass. 19th century. Rectangular frame with a table stand and a ring for hanging on the back. The front features a decoration divided into two bands with architectural elements of classical influence in brass, between which (inside the glass) there is a band with flowers and stems embroidered on a textile. The work is finished off with a crest with two torches, bows and plant elements.
· Size: 19,5x2x27 cms. int: 12x16 cms.
ANTIQUES
Ref.: ZF1156
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Frame with mirror. Wood, glass, metal. Spanish school, 19th century. Dark wood frame with a smooth band between two of fine mouldings reminiscent of old examples of English influence. The mirror sheet shows the oxidation that is common in this type of work when they are old, adding value to the whole with these unique changes.
· Size: 56x3,5x67 cms. Int 31x41,5 cms
ANTIQUES
Ref.: ZF1332C
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Frame. Wood. 18th century. It has faults and damages. Rectangular frame made of carved wood and decorated on the front with fine mouldings and curved extensions at the corners, in which plant and architectural motifs with a strong classicist influence can also be seen.
· Size: 51,5x3x69 cms. Int 43x62 cms
ANTIQUES
Ref.: ZF136805
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Devotional plaque, The Prayer in the Garden. Bronze. 19th century. Devotional plaque featuring a ring at the top for wall mounting and a religious figurative relief on the front framed by an arch, two columns, and a band of architectural elements reminiscent of the Neo-Gothic period at the bottom. It depicts a Prayer in the Garden of Gethsemane inspired by an engraving of a work attributed to Charles Le Brun made by the publisher Gérard Audran (Lyon, 1640–Paris, 1703) dated between 1660 and 1703.
· Size: 8,5x0,5x11 cms.
ANTIQUES
Ref.: ZF1416Y
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Frame. Wood. 19th century. It has damage. Rectangular frame made of wood and decorated on the front with combinations of other wood drawing parallel lines on the sides and simple geometric elements in the corners. On the back, it has a metal piece to hang it on the wall.
· Size: 48x2x53 cms. Int 36,5x41 cms
ANTIQUES
Ref.: ZF1332L
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Advertising poster. Cardboard. Possibly Spain, circa the first half of the 20th century. Advertising poster of the type used inside a business due to its size and the material it is made of, depicting a young woman mowing in a field, with striking colors.
· Size: 24,5x0,1x35 cms
ANTIQUES
Ref.: ZF135432
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Advertising poster. Die-cut cardboard. Spain, possibly early 20th century. Advertising poster made of die-cut cardboard and decorated with a landscape with windmills in an elaborate frame, leaving the lower area blank. This type of element was often used in stores to draw attention to a product.
· Size: 32x0,1x46 cms
ANTIQUES
Ref.: ZF135435
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Arab man. Framed drawing. Possibly Spanish school, 1963. Signed and dated (lower right). Marks present. Framed drawing showing an elderly man wearing a turban covering his hair. It is signed and dated (63) in the lower right corner. Both its style and subject matter clearly show the influence of the Orientalist movement that prevailed in various European schools of painting during the 19th century.
· Size: 25x2x34 cms
ANTIQUES
Ref.: ZF136825
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Picnic in the Garden. Color lithograph. France, late 19th century. With inscriptions (bottom right area). An idealized scene showing a series of figures dressed in 18th-century courtly attire, seated around a table with plates, fruit, etc., and served by a servant, set in an idealized garden. In the lower right corner, the name of the printer (IMP. F. CHAMPENOIS-PARIS) and the purpose of the work can be read ("Gift of the Olibet Biscuit Factory in Renteria"). Apart from posters designed by Alphonse Mucha, the Parisian printing house of Champenois produced advertising for the Olibet biscuit factory, which opened the first “fine” biscuit factory in France near Bordeaux in 1872. In Rentería (San Sebastián, Spain) they opened another factory in 1886 called “La Ibérica, Gran Manufactura Española de Bizcochos de Lujo y Galletas”, which operated until the end of the 1960s.
· Size: 42x0.1x58 cms.
ANTIQUES
Ref.: ZF1426
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Manolete. Framed print. 1945. Signed and dated on the image. Signed lower right. Titled lower right. Andrés Martínez de León (Coria del Río, April 5, 1895 - Madrid, May 25, 1978) was a Spanish painter and illustrator who trained at the School of Arts and Crafts in Seville, working as a ceramic illustrator in Triana and creating illustrations for the press since 1915. A great bullfighting fan, this work is a sample of his work.
· Size: 63,5x0.1x48,5 cms.
ANTIQUES
Ref.: ZF1427
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19th-20th century Price per unit.
· Size: ud. 7,5x11,5 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z6494A