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Set of six pillars. Carved wood, stone base. India, 19th century. Row of six carved wooden pillars with capitals at the top and carved stone bases at the bottom (these are grouped in pairs). The shafts have three different sections (square, polygonal and spiral) and a relief decoration along them, made up of plant elements, lines, simple architectural motifs, smooth areas, geometric shapes, etc. the capitals present in their composition and their decorative elements a certain memory of western classicist forms. This type of architectural elements were, for example, used very often in the "haveli" (urban residence or traditional mansion) in India, Pakistan, Nepal and Bangladesh, with the usual differences depending on the geographical area, date and taste. of the owner, but also in other prominent buildings.
· Size: 169x25x213 cms. bases piedra 57x29 cms
DECORATIVE ANTIQUES
Ref.: AB002
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columns. Carved stone. XIX-XX centuries. Columns of carved stone symmetrical in their bases and capitals (formed by different smooth moldings), with fluted shafts and decorated at their ends with shapes reminiscent of leaves, resembling certain elements of ancient Egyptian architecture. These types of elements were highly appreciated for outstanding houses. Available 4 units.
· Size: 51x51x199 cms, / 46x46x188 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: AC051
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Altar front or antipendio, coat of arms of the Congregation of the Most Holy Redeemer. Plaster or stucco. XIX-XX centuries. Altar front made of plaster or stucco, which has a finish resembling stone, except for the central piece. This rectangular strip has a golden finish and a fine relief with leaves of a clear Gothic reminiscence, leaving a square with lobes on the inside in the center and vegetal details on the outside; this square shelters a polychrome shield. The shield used by the Congregation of the Most Holy Redeemer (Redemptorists) is a derivation of the seal of the same, defined in its statutes of 1764. On a blue background, there are three mountains, with the cross flanked by the spear and a sponge in a vara and the abbreviated names of Jesus (IS intertwined) and Mary (AM intertwined); on the Latin cross, an eye with luminous rays; on top of all these elements, an open crown. This Congregation was founded in 1732 by San Alfonso María de Ligorio in Scala (Italy), and approved by the Vatican in 1749. In Madrid, the construction of the Sanctuary of Perpetuo Socorro Parish in neo-Gothic style by the architect and Redemptorist brother was of great importance Gusttave Knockaert (with Neo-Gothic being the most common style in the Congregation during the second half of the 19th century, above all).
· Size: 120x5x59 cms.
DECORATIVE ANTIQUES
Ref.: Z0165B
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Pompadour. Metal. XIX century. Set of three metal pieces that, when joined, would form a top. The scrolls, plant motifs, palms, lines, etc. link these parts with works from the 19th century with a clear Neoclassicist influence, being similar to French works or from schools with a strong French influence.
· Size: central 23x30 lateral: 40x23 cms
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0165G
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· Size: 21x5x13 cms.
DECORATIVE ANTIQUES
Ref.: Z0165N
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Twelve shooters. Molten iron. 20th century, inspired by old models. Set of twelve handles made up of one part decorated with simplified plant elements, and another part that hangs from the previous one by means of a ring and has a balustrade shape.
· Size: 3x2x10 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0205B
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Corners for chest. wrought iron. 20th century, following Renaissance models. Corner plate for the lower area of the chest made of wrought iron and decorated at the ends with fleur-de-lis shapes with a sharp upper point and cut edges, following common models in Renaissance work. Weight: 0.123 kg. Unit price Minimum 4 units
· Size: 15,5x9x6,5 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0210C
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Chapel of the Immaculate Conception. Sculpture, carved wood, glass, metal. Second half of the 18th century. Carved wooden chapel with decoration on the upper part of the railing and vase-shaped balusters of a certain Baroque memory, which presents three of its four fronts in transparent glass and stands slightly on circular legs. Inside, a golden background can be seen (in the fourth front of the chapel, enhancing a carved and polychrome plant composition), and a polychrome sculpture of the Immaculate Conception surrounded by alternate flat and wavy and pointed and circular light rays. The carving stands on a pedestal, and presents a white tunic and a blue cloak; Mary stands on the Orb of Creation, in which a serpent appears (associated with Sin). The carving shows a clear influence of Spanish Baroque models, as well as certain details such as the posture that can be linked to Neoclassicism. This mixture and the maintenance of the Baroque influence are common in eighteenth-century Spanish sculpture.
· Size: 38,5x38x65 cms virgen
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0252
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"
· Size: 8x8x37 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0254
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"
· Size: 100x40x75 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0281
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"
· Size: 75x22x67
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0285
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"
· Size: 49,5x41,5 / int: 25x27 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0307
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Silver vanity mirror from Gallia, France, circa 1900. With contrast markings. Oval mirror with handle decorated with a series of classicist-inspired elements: garlands, plant elements and architectural motifs that create a composition on the back and extend only in some specific points. Under the glass of the mirror there are some plants that, however, show greater influence of aesthetic innovations that emerged towards the end of the 19th century, a certain modernist air. Weight: 450 grams
· Size: 27X10,8 CMS.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0318
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Modernist style table clock. tin alloy. Silver table clock formed by an "L" shaped base decorated with a lady holding up the sphere, which has Arabic numerals for the hours and dots for the minutes, and a series of branches coming out of it. The prominence of nature and the feminine, the curves of the figure and its position, etc. They are inspired by modernist examples from around 1900.
· Size: 8x7x15 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0323
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Oil lamp. Silver metal. XIX century. Table lamp with circular base and column-shaped foot narrower in the lower area. The circular body of the piece, decorated with fine moldings, has an upward decoration (into which a handle is inserted) with slight curves, a concave plate decorated with engraved lines, and tongs hanging from a chain. As usual in 19th century art, he is inspired by styles of the past, adapting them to the taste of the moment.
· Size: 15x10x39 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0324
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Leontina, late 19th century. Leontina formed by six chains attached to a ring decorated with scrolls and small earrings, from which hang a series of objects and hooks for small items. The two longest ones end in an openwork plate with a ring for the watch. This type of "jewelry" was very common in the upper class, to carry pocket watches, the precise keys for their operation and other small valuables.
· Size: 32 long. 34 cms. ancho
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0334
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Roman amulet "Fascinum". Bronze. 1st-3rd centuries AD c. Phallic Roman amulet with a ring on one side to be worn around the neck as usual. This type of piece, personification of the "divine phallus" in the mythology of Ancient Rome and of the god Fascinus, invoked his protection and defended against the evil eye, being omnipresent in Roman culture due to its apotropaic power (children wore them for protect them, the military, etc.).
· Size: Long. 3 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0345
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Roman amulet "Fascinum". Bronze. 1st-3rd centuries AD c. Elongated phallic Roman amulet with a ring on one side to be worn around the neck as usual. This type of piece, personification of the "divine phallus" in the mythology of Ancient Rome and of the god Fascinus, invoked his protection and defended against the evil eye, being omnipresent in Roman culture due to its apotropaic power (children wore them for protect them, the military, etc.).
· Size: Long 3,5 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0346
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Censer. Bronze. XIX century. Bronze censer with a circular base and a cup shape with a lid with elaborate lines and simple openwork elements inspired by antique pieces. It has metal chains that join it to the usual piece with a ring. Certain lines and decorative motifs are reminiscent of some Spanish works from the 17th and 18th centuries.
· Size: 10x10x16 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0351
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Clothes press in oak wood, Holland, 19th century. Clothes press with cabinet locked at the bottom made of oak wood in Holland. As is normal in these utilitarian elements, it lacks decoration, and was used to smooth clothes. It is not usual to keep this type of objects because they were very frequently discarded once better technical innovations became accessible. Oak wood was chosen for its realization due to its hardness and resistance.
· Size: 76x52x171 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0368
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Clothes press in oak wood, Holland, 19th century. On four turned legs (three of them secured with a straight chambrana) stands the press, with a drawer below. Being a purely utilitarian piece of furniture, it hardly presents any decorative elements. The oak wood used in its manufacture was chosen for its hardness and resistance, since these presses were used to smooth the clothes as much as possible.
· Size: 72x55x167 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0369
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Writing desk. Bronze. XIX century. On a tray with curved profiles decorated with moldings and scallops on its edges are the four containers that make up the notary's office. The sandbox or sandbox, the duster and the inkwell have clear lines and smooth areas, combined with fine moldings resembling a cord; the oval box with knob-topped lid shows smooth moldings on its entire outer surface. Although certain details (particularly the tray) could be reminiscent of certain 18th century Rococo works, the attenuation of the movement of the same, the decoration of the containers, the lines and the lack of prominent decorative elements would be more characteristic of the Neoclassicism of the centuries. XVIII and XIX, as is the inspiration in styles of the past and the combination of various currents in the same piece.
· Size: 25x18x11 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0376
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Lamp piece. Silver metal. Twentieth century. Piece that, originally, was part of a lamp made of silver metal and decorated with classicist-inspired elements. The leaves, bands, strings of pearls, faun's heads, scrolls, etc. they present are clearly inspired by older French-influenced neoclassical works.
· Size: 36x36x27 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0387
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Calamine sculpture. Signed “Aug. Moreau”. Following models by Auguste Moreau, France, 19th century. It is reminiscent of works such as the bronze titled “La Fuente” by Mathurin Moreau, and pieces by Hyppolyte Moreau or Auguste Moreau (France, 1834 – 1917). Auguste began his training as a disciple of his older brother Mathurin. He made his debut at the Paris Salon in 1861, where from then on he will participate regularly until 1913. He was also a member of the Société des Artistes Français. His themes – genre scenes, pastoral, allegorical - and his graceful, realistic style link him to other members of the Moreau dynasty, known for their small-scale works in bronze that were widely reproduced and inspired many artists. many other masters, both during the artists' lives and after their deaths.
· Size: 18x18x52 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0388
