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Set of six pillars. Carved wood, stone base. India, 19th century.
Row of six carved wooden pillars that have capitals in the upper part and stone bases carved in the lower one (these are grouped in pairs). The shafts have three different sections (square, polygonal and spiral) and a decoration in relief along them, formed by plant elements, lines, simple architectural motifs, smooth areas, geometric shapes, etc. the capitals present in their composition and their decorative elements a certain memory of Western classicist forms. This type of architectural elements were, for example, very often used in "haveli" (urban residence or traditional mansion) in India, Pakistan, Nepal and Bangladesh, with the usual differences according to geographical area, date and taste. of the owner, but also in other prominent buildings."
· Size: 169x25x213 cms.
DECORATIVE ANTIQUES
Ref.: AB002
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Columns Carved stone. XIX-XX centuries.
Columns of carved stone symmetrical in their bases and capitals (formed by different smooth moldings), ribbed shafts and decorated at their ends with shapes reminiscent of leaves, resembling certain elements of ancient Egyptian architecture. This type of elements were very appreciated for outstanding houses.
Available 4 pcs."
· Size: 51x51x199 cms, / 46x46x188 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: AC051
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Lot of door fittings. Wrought iron. Twentieth century. Lot of door fittings composed of two groups of pieces: one with hinges and decorations made of simplified plant motifs; and another with flat pieces, finished in tear. Stylistically, they remember examples of Romanesque reería and other iron pieces of the time."
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0027
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Bargueño lock, following 17th century models. Wrought iron. Twentieth century.
Wrought iron lock of the type commonly used in Spanish desks or bins known as bargueños that has an openwork shield with simple vegetal and architectural elements, two columns on the sides of the key hole and a top decorated with elements architectural also of baroque influence."
· Size: 23x13x30 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0146
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Front of altar or antipendium, shield of the Congregation of the Blessed Redeemer. Carved and polychrome wood. 19th-20th centuries
Altar front made of carved wood, polychrome and gilded in some elements, which has a stone-like finish, except in the centerpiece. This rectangular strip has a golden finish and a fine relief with leaves of clear gothic memory, leaving in the center a square with lobes inside and plant details outside; This square covers a shield with polychromy.
The shield used by the Congregation of the Most Holy Redeemer (Redemptorists) is a derivation of the seal of the same, defined in its statutes of 1764. On a blue background, three mountains are placed, with the cross flanked by the spear and a sponge in a rod and the abbreviated names of Jesus (interwoven IS) and Mary (interwoven AM); on the Latin cross, an eye with luminous rays; On top of all these elements, an open crown. This Congregation was founded in 1732 by San Alfonso María de Ligorio in Scala (Italy), and approved by the Vatican in 1749. In Madrid, the construction of the Sanctuary of Perpetual Help in neo-Gothic style by the architect and Redemptorist brother was of great importance. Gusttave Knockaert (being, thus, the Neogothic the most common style in the Congregation during the second half of the nineteenth century, especially)."
· Size: 120x5x59 cms.
DECORATIVE ANTIQUES
Ref.: Z0165B
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Chapel of the Immaculate Conception. Sculpture, carved wood, glass, metal. Second half of the XVIII century.
Carved wooden chapel with decoration on the top of balustrade and balusters in the shape of a vase of a certain Baroque memory, which presents three of its four fronts in transparent glass and rises slightly on circular legs. Inside, you can see a golden background (in the front room of the chapel, enhancing a carved and polychrome plant composition), and a polychrome sculpture of the Immaculate surrounded by flat rays and wavy and pointed and circular alternative. The carving stands on a pedestal, and presents a white robe and a blue cloak; Mary stands on the Orb of Creation, in which a serpent appears (linked to Sin). The size shows a clear influence of models of the Spanish Baroque, in addition to certain details such as the position that can be linked to Neoclassicism. This mixture and the maintenance of Baroque influence are common in Spanish sculpture of the eighteenth century."
· Size: 38,5x38x65 cms virgen
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0252
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"
· Size: 8x8x37 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0254
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"
· Size: 100x40x75 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0281
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"
· Size: 75x22x67
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0285
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Scribe of four bronze inkwells with silver plating. 19th-20th centuries
He wrote on a rectangular tray with an openwork and raised railing on small legs that consists of four tubular tinteros topped with sphinxes, and a central piece in silver metal formed by bands and figures (dancing ladies and a child on a fish with two crowns in his hands as bell finish). The classic inspiration is clear both in the lines and in the decorative elements of the piece, also showing a certain French inspiration.
Weight 2690 gr"
· Size: 30x26x25 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0293
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"
· Size: 49,5x41,5 / int: 25x27 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0307
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Silver dressing mirror in Gallia, France, around 1900.
With contrast marks.
Oval mirror with handle decorated with a series of elements of classicist inspiration: garlands, plant elements and architectural motifs that create a composition on the back and extend only in some specific points. Under the glass of the mirror there are some plants that, nevertheless, show greater influence of aesthetic novelties emerged towards the end of the XIX century, a certain modernist air. Weight: 450 gr"
· Size: 27X10,8 CMS.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0318
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Modernist style table clock. Tin alloy.
Silver table clock formed by a base in the shape of "L" decorated with a lady holding the sphere up, which presents numerals in Arabic for hours and points for minutes, and a series of branches coming out of it. The prominence of nature and the feminine, the curves of the figure and its position, etc. They are inspired by modernist examples from around 1900."
· Size: 8x7x15 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0323
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Oil lamp. Silver metal. XIX century.
Velón table with circular base and foot with a narrower column in the lower area. The circular body of the piece, decorated with fine moldings, has an upward decoration (in which a handle is inserted) with slight curves, a concave plate decorated with engraved lines and tweezers hanging from a chain. As is usual in nineteenth-century art, it is inspired by styles of the past adapting them to the taste of the moment."
· Size: 15x10x39 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0324
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Memorial plate. Pewter. Twentieth century.
Pewter decorative plate decorated with a series of stripes with figurative scenes and architectural and vegetable elements of clear classicist inspiration and Renaissance memory. In the center is a male figure that recalls in his posture the Ares Ludovisi, dressed in armor, enhancing the idea of an "Allegory of War"; the other figures can also be linked to classical mythology."
· Size: Diámetro 46 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0329
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Leontina, late nineteenth century.
Leontina formed by six chains attached to a ring decorated with scrolls and small earrings, from which hang a series of objects and hooks for small elements. The two longest end in a plate with an open ring for the clock. This type of "jewelry" was very common in the upper class, to carry pocket watches, the precise keys for the operation of the same and other small valuables."
· Size: 32 long. 34 cms. ancho
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0334
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Censer. Bronze. XIX century.
Bronze censer with circular base and cup shape with lid of elaborate lines and simple openwork elements inspired by antique pieces. It has metallic chains that join it to the usual piece with ring. Certain lines and decorative motifs recall some Spanish works of the seventeenth and eighteenth centuries."
· Size: 10x10x16 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0351
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Bell. Bronze. Century XVI and later.
Hand bell made of bronze with remains of inscription and figurative decoration in relief on the bottom and handle or axis turned spiral finished by an architectural detail."
· Size: 7,5x7,5x16 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0353
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Clothing press in oak wood, Holland, 19th century.
Garment press with closed cupboard in its lower part made of oak wood in Holland. As is normal in these utilitarian elements, it lacks decoration, and was used to straighten clothes. It is not usual to keep this type of objects because they were very often discarded once new technical improvements became accessible. The oak wood was chosen for its realization due to the hardness and resistance of it."
· Size: 76x52x171 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0368
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Clothing press in oak wood, Holland, 19th century.
On four turned legs (three of them secured with a straight chambrana) the press rises, with a drawer underneath. As it is a purely utilitarian piece of furniture, it has hardly any decorative elements. The oak wood used in its manufacture was chosen for its hardness and resistance, since these presses were used to smooth the clothes as much as possible."
· Size: 72x55x167 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0369
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Clerkship. Bronze. XIX century.
On a tray of curved profiles decorated with moldings and scallops on its edges are the four containers that make up the desk. The sandbox or salvador, the duster and the inkwell present clear lines and smooth areas, combined with fine moldings resembling a cord; the oval box with lid finished in knob shows smooth moldings in all its exterior surface. While certain details (particularly the tray) could remind some Rococo works of the eighteenth century, the attenuation of the movement of the same, the decoration of the containers, the lines and the lack of outstanding decorative elements would be more characteristic of the Neoclassicism of the centuries XVIII and XIX, as is the inspiration in styles of the past and the combination of several currents in the same piece."
· Size: 25x18x11 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0376
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Sculpture in calamine. Signed "Aug. Moreau. " Following models of Auguste Moreau, France, nineteenth century.
Remember works like the bronze entitled "The Fountain" by Mathurin Moreau, and pieces by Hyppolyte Moreau or Auguste Moreau (France, 1834 - 1917). Auguste began his training as a disciple of his older brother Mathurin. He made his debut at the Salon de Paris in 1861, where he will regularly participate until 1913. He was also a member of the Société des Artistes Français. His themes - genre scenes, pastoral, allegorical - and his style, realistic and full of grace, link him with other members of the Moreau dynasty, known for their small bronze works that were widely reproduced and inspired many other masters, both in the lives of the artists and after his death."
· Size: 18x18x52 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0388
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Octagonal coffered ceiling frame. Pinewood. XVII century.
Octagonal frame of carved pine wood (conserving part of gold) made from a coffered coffered ceiling of the XVII century. The purity of lines and the composition based on smooth moldings (curved or flat) remind of classicist works, without forgetting that there is a current of the baroque that follows these guidelines."
· Size: 50x50x20 cms.
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0390
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Tester mirror. Mahogany wood, glass. XIX century.
Oval mirror with frame formed by smooth moldings mounted on a frame, all in carved mahogany wood, composed of rods turned with discs (the horizontal ones) and with abalaustradas forms (the two vertical ones), the four with square dice interrupting their lines. Note the combination of usual details in furniture of the seventeenth and eighteenth centuries with other Neoclassicism of the nineteenth century. This combination of influences was common in the nineteenth century, within the framework of the Historicisms."
DECORATIVE ANTIQUES
MISCELLANEOUS
Ref.: Z0392
