Results 385 to 408 of 1509

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PAIR OF WALL LAMPS OR LIGHT FIXTURES. BRONZE. 20TH CENTURY.

Pair of wall lights. Bronze. 20th century. Pair of wall sconces with two light points each decorated with plant scrolls, lacework, leaves and pine cones and topped by two child figures playing wind instruments with the lower part of their bodies formed by leaves, all of which follows a strong classicist influence.

· Size: 28x15x50 cms
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZE426
MERCURY AND VENUS. MARBLE DUST. 20TH CENTURY, AFTER BARHOLOMÄUS SPRANG...

Venus and Mercury, relief. Molded alabaster. 20th century, Inspired by the model of SPRANGER, Bartholomäus (1546-1611). Panel with figurative relief and a fine frame around it made of polychrome marble powder, presenting a mythological theme. Standing Venus is accompanied by a child figure and her son Cupid; to the left, Mercury appears, with his usual headdress and caduceus in one hand. The piece is inspired by a painting by Bartholomäus Spranger made around 1585, which is kept in the Kunsthistorisches Museum in Vienna. Weight: 5 kg.

· Size: 45x3x59 cms
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZE412
GARLAND; RAFFAELO INV. VOLPATO SCUL. EDIT P.V. 5. FRAMED COLOURED PRIN...

Garland; Raffaello inv, Volpato Scul. Edit PV 5. Painted engraving, framed. 20th century, after an ancient work inspired by Raphael Sanzio. Coloured and framed engraving depicting a garland of flowers, fruits and ribbons enhanced by a fine frame of plant elements. To the right of the image we can read “Rafaello inv / Edizioni Ponte Vecchio” and “Volpato scul. Edit PV5” (the latter on two stamps). The work is based on 18th-century engravings by Giovanni Volpato (1733-1803) and Raffaelo Sanzio Morghen (1758-1833), published by Edizioni Ponte Vecchio, which contain images of Raphael Sanzio’s frescoes in the Vatican Loggia (Rome, Italy).

· Size: 40x2,5x102,5 cms
DECORATIVE ANTIQUES
PAINTINGS

Ref.: ZE421
PLANTS; HELLEBORASTER MAXIMUS, ETC. COLOURED AND FRAMED PRINT. 20TH CE...

Plants; Helleboraster maximus, etc. Coloured engraving, framed. 20th century, inspired by BESLER, Basilius (1561-1629). Hand-colored and framed engraving showing, in the center, a plant, flanked by two smaller ones. All three have their name, in Latin, below them, highlighting the central one, Helleboraster maximus, named Helleborus foetidus by Linnaeus in 1753, is a genus of angiosperms of the Ranunculaceae family, and one of its varieties is known as the Christmas rose. The plate is inspired by one from the work “Hortus Eustettensis” by Basilius Besler (1561-1629), who was a respected German doctor, pharmacist, and botanist, from Nuremberg.

· Size: 71x3x86 cms
DECORATIVE ANTIQUES
PAINTINGS

Ref.: ZE424
MIRROR. MARBLE DUST. 20TH CENTURY.

Mirror. Moulded and polychrome alabaster. 20th century. Wall mirror made of moulded alabaster with polychromy, with a frame of architectural elements of classicist influence and a series of figurative elements that respond to the same trend (two half-naked female figures, possibly allegories, a child's head with two pairs of wings, two putti with garlands below). Weight: 36 kg.

· Size: 120x9x122 cms
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZE402
DANCING WOMEN. MARBLE DUST. 20TH CENTURY, AFTER MODEL FROM ANTONIO CAN...

Relief, “Dancers”. Marble dust. 20th century, following the model of CANOVA, Antonio Relief made of marble powder with polychromy, enhanced with a frame of a somewhat modern taste that closely follows a fresco by Antonio Canova (The Graces and Venus dancing before Mars, 1799, Antonio Canova Museum and Glyptothek, Possagno, Treviso). This work depicts the three Graces, accompanied by Venus, who appears playing a lyre, under a series of garlands with lacework. Antonio Canova (Possagno, 1 November 1757 - Venice, 13 October 1822) was an Italian sculptor and painter of the Neoclassicism. Weight: 23 kg.

· Size: 106,5x6x105 cms
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZE400
INTERIOR. OIL ON BOARD. GIFFEN CAULDWELL, LESLIE (1861-1941).

Interior. Oil on panel. GIFFEN CAULDWELL, Leslie (United States of America, 1861-1941). Signed (bottom left and top right). Oil on panel showing an interior with a series of objects (a shelf, part of a wall, pieces of ceramic or porcelain, etc.) with a treatment derived from certain contributions from European avant-garde art, as can be seen in the framing of the scene, the predominance of colour over drawing, the brushstrokes, etc. Leslie Giffen Cauldwell was a painter born in New York (USA) who trained at the Académie Julian in Paris (France) under Gustave Boulanger and Carolus-Duran and exhibited his work at the Salons of 1885 and 1888. His work is preserved in private collections and institutions such as the Musée Orsay in Paris.

· Size: 45x5,5x55 cms / int: 25x35 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4172
WALL MIRROR. MARBLE DUST. 20TH CENTURY.

Wall mirror. Molded alabaster. 20th century. Rectangular wall mirror with a frame made of moulded polychrome alabaster, decorated with elements of strong classical inspiration (note the candelieri on the edges, reminiscent of Renaissance works, the crest with scrolls and volutes, etc.). Weight: 21 kg.

· Size: 88x5x114 cms
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZE404
LANDSCAPE. OIL ON CANVAS. DEL VAL, TROUILLHET, MERCEDES (SPAIN, 1926-2...

Landscape. Oil on canvas. DEL VAL TROUILLHET, Mercedes (Valladolid, 1926-2012). Signed (lower right area). Mercedes del Val Trouillhet was a painter from Valladolid who began her training at a very young age (her first lessons at the age of seven, directed in Madrid by her teacher Timoteo Pérez Rubio). After the Civil War, she went on to study with the great draughtsman and poster artist José Picó Mitjans (1904-1991). From the beginning of her career she dealt with the subject of landscape, especially Castilian, and showed her work in various exhibitions (Valladolid in 1947, later Madrid, Córdoba, etc.). She also received several awards (Silver Medal at the XXIX Autumn Salon in Madrid in 1957...) and her painting is preserved in various private collections and in institutions such as the Museum of the University of Valladolid.

· Size: 46x2x33 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z2744
LANDSCAPE, BEACH. OIL ON BOARD. SPANISH SCHOOL (GONZALO JIMÉNEZ), 20TH...

Beach. Oil on panel. Spanish School (Gonzalo Jiménez), 20th century. Signed (lower right corner). Landscape painted in oil on board showing a beach with a series of buildings, without human presence. Stylistically, the predominance of colour over the drawing, the brushstrokes, the tones, the subject, etc. respond to novelties brought by certain avant-garde movements that appeared in France from the end of the 19th century.

· Size: 41,5x3x38 cms. int:23x18 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4111
”SUEÑOS ONÍRICOS”. OIL ON CANVAS. SPANISH SCHOOL, 1981.

Dreamlike dreams. Oil on canvas. Spanish School (F. Colomer), 1981. Signed, dated and titled (back). Oil on canvas with an abstract theme, influenced by the avant-garde art of the same name, done in blue tones with gold highlights and a notable insistence on the material on the part of the author. Date, title and name of the painter are on the back of the work, in the upper left area.

· Size: 53x3x43 cms. int: 43x33 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4478
”THE TRIUMPH OF BACCHUS AND ARIADNE”. MARBLE DUST. 20TH CENTURY, AFTER...

Triumph of Bacchus and Ariadne. Marble dust. 20th century, following the model of CARRACCI, Annibale. Panel made of polychrome marble powder showing, in relief, a common theme in classical mythology and art inspired by Ancient Rome. The classical deities Bacchus and Ariadne are depicted in a chariot, accompanied by a procession made up of erotes, satyrs, maenads, Pan and Silenus, following a fragment of the well-known fresco of one of the vaults of the Farnese Palace in Rome, painted by Annibale Carracci (Bologna, 1560 - Rome, 1609) between 1597 and 1600, considered one of the most important works of Romano-Bolognese Renaissance Classicism.

· Size: 110x3x140 cms.
DECORATIVE ANTIQUES
SCULPTURE

Ref.: Z1349
GENTLEMAN. OIL ON CANVAS. SPANISH SCHOOL, 19TH CENTURY.

Portrait of a gentleman. Oil on canvas. Spanish school, 19th century. It has damage. Three-quarter portrait showing a man with a moustache against an indeterminate background, dressed in a jacket and with a horseshoe brooch on his cloth tie or bowtie. The work can be dated to the second half of the 19th century.

· Size: 47,5x5x66 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z0267
MIRROR. MODELED ALABASTER. 20TH CENTURY, AFTER RENAISSANCE MODELS.

Wall mirror. Modeled alabaster. 20th century, following Renaissance models. The rectangular mirror with a semicircular curve at the top has been highlighted along these same lines with a frame finished in marble powder. The decorative elements chosen are inspired by works of the Renaissance: scrolls, metopes, scallops, pilaster strips, straight lines, etc.

· Size: 92x8x160 cms
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZE416
CENTERPIECE. ORMOLU, MARBLE. FRANCE, LATE 19TH CENTURY

Centerpiece. Gilded bronze, marble. France, late 19th century Centrepiece or planter that has a globular body carved in veined marble in pink tones (of a type similar to a very popular one often used in works by the French school during the Rococo of the 18th century) and mercury-gilded marble bosses. These are decorated with lion's claws on the legs, simple architectural mouldings and masks with vegetal elements (feminine and monstrous, alternating), and a border that extends towards the inner area of the pieces creating like two wings or handles, decorated with vegetal and architectural elements (scrolls, flowers, bows, leaves, etc.) both on the outside and inside of this area, leaving what would be the inner area of the marble pieces smooth. The classicist inspiration of the decorative elements of the couple is common in works of the French school since the 18th century. Some details (for example, the claws that finish the legs) are seen in Louis XIV style centerpieces dating from that century, while other elements are more often seen in Louis XVI style works (one of the main styles of the Neoclassical style). There is only one known piece preserved in a private collection in the United States of America. Weight: 16 kg

· Size: 37x27x23 cms
ANTIQUES
MISCELLANEUS;OTHER OBJECTS

Ref.: ZF1064A
MIRROR WITH SILVER AND ENAMELS FRAME. WOOD, GLASS, ETC. MEXICAN SCHOOL...

Mirror with cabochon frame. Silver, enamel, wood, stucco, etc. Mexican school, 17th century. No contrast marks. Has faults. Mirror with a slightly rectangular frame made of wood with polychrome areas and embossed silver plating on stucco and enhanced with enamel cabochons with geometric elements in dark and light blue. On the front there are a series of smooth mouldings, one of which has the aforementioned polychromy. The silver stripe is distributed around the outside of the piece, with the corners in exposed wood and stripes in smooth silver (two on each side), and a decoration with a certain volume in which architectural elements with a clear classicist influence are combined (in the centre of which are the enamel cabochons), flanked in the more elongated areas by compositions with scrolls, volutes, plant motifs and fruits. Stylistically speaking, the work can be linked to works in the same technique made in Mexico, mainly on small chests. Also, as is usual due to the peninsular influence, it is possible to recall works such as the Holy Thursday Chest from the 17th century in Barbastro. Weight: 5.7 kg.

· Size: 54x6x61 cms. int: 39x46 cms
ANTIQUES
FURNITURE

Ref.: ZF1191
LANDSCAPE, AGUILAR DE CAMPOO. OIL ON CANVAS. POSSIBLY, LÓPEZ MURIAS, I...

Landscape of Aguilar de Campoo. Oil on canvas. Possibly, LÓPEZ MURIAS, Isidro (Tetouan, Morocco, 1939). Titled on the back. Signed (front, lower right). Isidro López Murias trained at the School of Arts and Crafts in Palencia and the Faculty of Fine Arts in Madrid, earning his first distinctions in 1953 and 1954. He has exhibited his work in Pamplona, Palencia, Santander, Burgos, Valladolid, Madrid, Ávila, Segovia, Murcia, New York, Barcelona, Bilbao, San Sebastián, etc.; and it can be found in numerous private collections (Spain, France, Italy, etc.) and in various institutions (Museum of Navarra, Royal Academy of Fine Arts of San Fernando in Madrid, collection of the Parliament of Navarra, Rodríguez-Acosta Foundation in Granada, etc.).

· Size: 35x2x29 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A73
LANDSCAPE. WATERCOLOR, FRAMED. SPANISH SCHOOL, 1907.

Rural landscape. Watercolor. Spanish School, 1907. Signed and dated (upper right). Framed landscape showing a view of a watercourse with buildings at its side following a composition and aesthetic with elements derived from the avant-garde movements that emerged in Europe from the end of the 19th century.

· Size: 52x4x44 cms. int 31x23 cms
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A21
THREE FRAMED MINIATURES.19TH CENTURY

Frame with three miniatures. 19th century. Rectangular frame with a textile background showing three oval miniatures with female portraits, enhanced with gilded bronze frames (the side ones with lace trim, the central one crowned). On the back there are two rings at the top to hang the piece on a wall. Starting from the left and identified by small metal labels with black letters, we have “Madame Elisabeth” (Elisabeth of France [1764-1794] was the sister of Louis XVI and eldest daughter of Louis, Dauphin of France, and Duchess Maria Josefa of Saxony), “Marie Antoinette” (Marie Antoinette [1755-1793], Archduchess of Austria and Queen of France, was the daughter of Emperor Francis I and Empress Maria Theresa), and “Madame Lebrun” (Louise-Elisabeth Vigeé LeBrun [1755-1842], was the painter of Queen Marie Antoinette and a member of the French Academy since 1783). The three paintings, signed “Lebrun”, are inspired by works from the 17th century. In the same order as above: portrait painted by Vigée LeBrun around 1782 (Versailles, Musée National des Chateaux de Versailles et de Trianon, inv. mv 8143); portrait of Marie Antoinette with roses painted by Vigée LeBrun in 1783 (Versailles, Musée National des Chateaux de Versailles et de Trianon, inv. 3063); this miniature, made from a print, copies the self-portrait by Vigée LeBrun painted in 1782 and currently kept at the National Gallery in London (NG1653). It should be noted that the Museo del Prado (Madrid) has a composition similar to that present in both the miniatures and the frame (inventory O000657, O000658 and O000659).

· Size: 41,5x1,5x22,5 cms.
ANTIQUES
PAINTINGS

Ref.: ZF1151
GREEN GLASS SIPHON. METAL, GLASS. CIRCA 1920.· Medidas: 10x10x30,5 cm

Green glass siphon; Vounatsos. Metal, glass. Paris, France, ca. 1920. Siphon with a silver-plated metal head and engraved words (Vounatsos Freres on one side; on the other side you can read, among others, the place where the piece was made, Paris), and a green glass body with an acid etching. This type of container for water or carbonated drinks was very popular towards the middle of the 20th century, and before, in line with the popularity of soft drinks.

· Size: 10x10x30,5 cms
DECORATIVE ANTIQUES
MISCELLANEUS

Ref.: ZF114407
POLYCHROMED WOOD NICHE. 16TH CENTURY.XVI

Niche. Carved and polychrome wood. 16th century. Wall niche with a rectangular frontal recess topped by a gilded, veneered shape with two polychrome angel heads in the corners, and a dark polychrome space with gilded Classicist elements (candlesticks with grotesques, latticework, scrolls, etc.). The base features a polygonal finish on the front, with a red edge, like the rest of the piece. This type of pedestal was very common in private oratories in both civil (homes, etc.) and religious (convents, chapels, etc.) settings, for placing and highlighting small sculptures. Weight: 850 grams.

· Size: 18x9x47 cms.
ANTIQUES
SCULPTURE

Ref.: ZF1204
WROUGHT IRON TABLE FITTING. SPANISH SCHOOL, 17TH CENTURY.

Fork lock. Wrought iron. Spanish school, 17th century. Iron brace of the type known as a fork brace due to its shape, usually used to reinforce tables. The decoration is simple: balustrade shape on the central axis with small discs and volute endings at the two ends, mainly. Weight: 4 kg.

· Size: 30x18x95 cms.
DECORATIVE ANTIQUES
WROUGHT IRON;MISCELLANEUS

Ref.: ZT0033
VIRGIN MARY (TO DRESS UP). WOOD, METAL. SPANISH SCHOOL, 17TH CENTURY.

Virgin of Dressing. Wood, metal. Spanish school, 17th century. It has faults (hand, etc.). Sculpture made of polychrome wood showing a woman, with the head, neck and hands carved and polychrome in detail, a sketched dress and arms in exposed wood. Iconographically, it is probably a Virgin Mary, made in this way because it was designed to be dressed and adorned with hairpieces (hence the work on the skull area). It is worth highlighting the folds on the front, not common in this type of work, resembling clothing. It has a closed royal crown. Dress carvings were very common during the Spanish Baroque, and there may be cases of works in which the unseen part was barely roughed out and others in which the entire carving is found, with many intermediate points (see the present case). Remember the San Antonio Abad by Benito Silveira made in the second half of the 18th century that is in the National Museum of Sculpture in Valladolid, a San Francisco de Paula from the 18th century in the Museo del Carmen in Maipú (Santiago de Chile), etc.

· Size: 44x28x86 cms
ANTIQUES
SCULPTURE

Ref.: ZF1182
VIRGIN MARY (TO DRESS UP). POLYCHROMED WOOD, TEXTILE, ETC. SPANISH SCH...

Virgin of Dressing. Carved and polychrome wood, etc. Spanish school, 17th century; later clothing. It has damage. Polychrome wooden carving of the dressing or dressing room type that has a series of garments: skirt, blouse, rostrillo, etc. Religious dressing sculptures were very common during the Spanish Baroque (and later), and there may be cases of works in which the unseen part was barely rough-cut and others in which the entire thing is carved, with many intermediate points.

· Size: 26x26x57 cms.
ANTIQUES
SCULPTURE

Ref.: ZF1183

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