Results 601 to 624 of 1377

«« « ...23 24 252627 28 29... » »»

WALNUT BRAZIER CASE. 18TH CENTURY.

Brazier box. Carved walnut wood. 18th century. A polygonal box decorated with smooth moldings on the outer edge, designed to hold a metal piece that would serve as a brazier for heating a room. The clean lines and moldings are common features of 18th-century Neoclassical art, decorative elements present in antique pieces even when their purpose was more utilitarian than decorative.

· Size: 83x80x14 cms.
DECORATIVE ANTIQUES

Ref.: Z0438
PAIR OF CHAIRS FRAMES. CARVED WOOD. SPAIN, CIRCA 1900.

Pair of dais chair frames. Carved wood. Spain, circa 1900. Pair of carved wooden chair frames decorated with baluster-shaped turns on part of the backrests (which have two smooth crossbars leaving the rest openwork), legs and stretchers, thus taking inspiration from old models common in traditional furniture and following a common trend at the time.

· Size: 42x35x66 cms.
DECORATIVE ANTIQUES

Ref.: Z0465
NEORRENAISSANCE COMMODE. PINE AND WALNUT, METAL. POSSIBLY SPAIN, CA 18...

Neo-Renaissance credenza. Carved walnut and pine, metal. Possibly Spain, circa 1890. This rectangular chest of drawers or credenza is decorated on the front with a diamond-shaped relief design, along with vegetal and architectural elements, showing a clear influence of Spanish Renaissance examples. It features one drawer and two doors, fitted with gilt metal fittings and lock escutcheons.

· Size: 89x47x78 cms.
DECORATIVE ANTIQUES

Ref.: Z0476
”FRAILERO” CHAIR. WOOD, LEATHER. SPAIN, 16th AND 18th CENTURIES.

Friar's chair. Wood, leather. Spain, 16th and 18th centuries. A high-backed armchair of the type known as a "frailero" (friar's chair), featuring studded leather on the seat and upper back, low-profile stretchers connecting the front and rear legs, and medium stretchers or side rails (the front one carved with an architectural relief) joining the two front and two rear legs, and simple armrests. In this particular case, it should be noted that the stretcher, based on its relief, dates from the 18th century. The frailero chair, originally of Italian origin, became one of the most common pieces of Spanish furniture after its introduction in the 16th century, being characteristic of that century and the 17th, and experiencing a revival in the historicist movement of the 19th century. Because it was such a deeply rooted tradition in Spain, this type of chair continued to be produced throughout the centuries.

· Size: 57,5x54x113 cms.
ANTIQUES
FURNITURE

Ref.: Z0672
”FRAILERO” CHAIR. WOOD, LEATHER. SPAIN, 16THCENTURY.

Friar's chair. Leather, walnut wood. Spain, 16th century. A high-backed armchair of the type known as a "frailero" (friar's chair), featuring studded leather on the seat and upper back, low-profile stretchers connecting the front and rear legs, and medium stretchers or side rails (the front one carved and cut to create geometric patterns) joining the two front and two rear legs, and simple armrests with scroll finials. Originally of Italian origin, the frailero armchair became one of the most common pieces of Spanish furniture after its introduction in the 16th century, characteristic of that century and the 17th, and experiencing a revival in the historicist movement of the 19th century. Because it was such a deeply rooted tradition in Spain, this type of chair continued to be produced throughout the centuries.

· Size: 61x54x111 cms.
ANTIQUES
FURNITURE

Ref.: Z0673
WROUGHT IRON TABLE PIECES. SPANISH SCHOOL, 17TH CENTURY.

Pair of guarantors. Wrought iron. Spanish school, 17th century. Pair of wrought iron clasps with a curved shape and a small widening towards the center of them enhanced with a disc, following a shape and decoration very common in the Spanish Baroque.

· Size: Long. 88 cms.
DECORATIVE ANTIQUES
WROUGHT IRON;MISCELLANEUS

Ref.: Z1997
NORTHEUROPEAN LANDSCAPE WITH RUINS, AFTER 17TH-CENTURY STYLE. OIL ON B...

“Northern European Landscape with Ruins,” in the style of the 17th century. Oil on panel. Early 20th century. A rural landscape with a stream, a stone bridge, and a ruined house, nestled among trees, enlivened by the presence of a person, and lacking an apparent theme, is inspired by Baroque works from Northern Europe. Given their popularity at the time, this type of painting was revived from the 19th century onward, drawing inspiration from important Baroque works of both the Flemish and Dutch schools. This shift followed the trend of almost all 16th-century landscapes depicting a historical or biblical subject (which was often minimized). Between the late 16th and early 17th centuries, landscape painting gained immense popularity in the Netherlands, with a proliferation of masters specializing in the genre.

· Size: 62x4x50 (sin marco)
DECORATIVE ANTIQUES

Ref.: Z3016
SPANISH BARGUEÑO LOCK (SOME PARTS ARE NOT ORIGINAL).WROUGHT IRON. 17TH...

Cabinet lock. Wrought iron. 17th century. Non-original key and anchoring parts. Lock of the type usually used for Spanish-style writing desks or paper cabinets, consisting of a plate decorated with architectural elements and cut-out volutes and two protruding pieces in the shape of columns, and another series of pieces that complete it, always following a certain classical inspiration that was common in the Spanish Baroque.

· Size: 15x31 cms.
DECORATIVE ANTIQUES
WROUGHT IRON;LOCKS

Ref.: Z3458
LANDSCAPE. PAINTING ON GLASS; WITH FRAME. 19TH CENTURY.

Landscape. Painting on framed oval glass. 19th century. The landscape features a significant lake or watercourse, surrounded by high hills and forests, with houses, the ruins of a castle, and several small, sparsely detailed figures that enliven the composition. While it might recall some details of the older landscape tradition, its treatment and other elements suggest a connection to innovations in 19th-century painting.

· Size: 58x4x50 cms.
DECORATIVE ANTIQUES

Ref.: Z3705
PAIR OF CANDLE HOLDERS, CHILDREN. CALAMINE, MARBLE. FRANCE, 19TH CENTU...

Pair of candlesticks. Calamine, marble. France, 19th century. A pair of candelabras made of corrugated iron on dark marble bases, each featuring a sculpture of a child in a similar pose. The proportions, positions, decorative elements, etc., of these two figures show a clear influence of French Neoclassical models, a connection also evident in the pedestals.

· Size: 10x12,5x41 cms.
DECORATIVE ANTIQUES

Ref.: Z3894
OIL PAINTING ON PANEL. LANDSCAPE NH. MURR

Illegible signature on reverse: "NH MURR"

· Size: 47x57 cms.
DECORATIVE ANTIQUES

Ref.: Z4130
ELISABETHAN SOFA. TEXTILE, WOOD, METAL. SPAIN,19TH CENTURY.

Isabeline sofa. Wood, textiles, metal. Spain, 19th century. Isabeline sofa with high back, arms and metal pulleys on the front legs, decorated with simple plant elements in the wood and lines following the curves of the furniture, and curves in the backrest, finished in its central part by a symmetrical plant composition.

· Size: 180x62x106 cms.
DECORATIVE ANTIQUES

Ref.: Z4849
GAMING TABLE. MAHOGANY, TEXTILE. 19TH CENTURY.

Game table. Mahogany wood, textile. 19th century. A semicircular, folding games table with smooth, stipe-shaped legs and a waistline accentuated with plain vertical stripes. The clean lines and absence of carving, allowing the wood to take center stage, are reminiscent of 19th-century English examples.

· Size: 110x54x74 cms.
DECORATIVE ANTIQUES

Ref.: Z4924
Special Offer! - Off

RIBBON BROOCH. SILVER, STRASS. CA FIRST THIRD 20TH CENTURY.

Bow brooch. Silver, rhinestones. Circa first third of the 20th century. With partial contrast mark. A silver-plated bow-shaped brooch with a pin on the back and a front composed of white stones and lines of fine red stones that accentuate the piece's shape and lines. It bears a resemblance to brooches by Collingwood and Sons (Birmingham, England). It has a small, partial hallmark on the prong.

· Size: 4x1x2,5 cms
ANTIQUES
MISCELLANEUS;JEWELRY

Ref.: Z4997
FORGE ANVIL. WROUGHT IRON. POSSIBLY SPAIN, 18TH CENTURY.

Blacksmith's anvil. Wrought iron. Possibly Spain, 18th century. Wrought iron anvil used for forging, dating from the 18th century, with the shape and wear typical of this type of antique utilitarian piece. Weight: 50 kg.

· Size: 50x11x50 cms.
DECORATIVE ANTIQUES
WROUGHT IRON;MISCELLANEUS

Ref.: Z5585
SCULTURE IN TERRACOTTA. FRANCISCO LUQUE

Terracotta Sculpture Signed Francisco Luque Francisco Luque Born in 1948, Luque began his studies at the School of Applied Arts in Córdoba in the early 1970s and started participating in group exhibitions in Córdoba and Jaén. His training is primarily self-taught, and he combined teaching in his hometown with a significant artistic career. In 1992, he completed a printmaking course that allowed him to expand his repertoire. Luque has a long and distinguished exhibition history and an impressive curriculum vitae. Some of his works are part of permanent collections in important galleries in Madrid, Valencia, Seville, A Coruña, Murcia, Pamplona, and Córdoba. His work can be seen regularly in both group and solo exhibitions. His sculptural style is based on an ideal concept of human beauty in which forms are embodied through a unique understanding of volume and space. His work often focuses on the nude or the female figure. His Venuses are not very stylized and are exuberant. His works feature exaggerated, exuberant, and robust proportions, which the artist models with a distinctive style that denotes a spirit brimming with humanity. According to some critics, this distinctive style is inspired by new aesthetic trends that are not closely related to classical or academic models. Clearly influenced by the paintings of Peter Paul Rubens, his sculptures represent women with exuberant forms, overflowing with sensuality and carnality, in which warmth is conveyed through the form itself. The disproportion present in his human figures, far removed from conventional canons of beauty, in turn brings him closer to a style reminiscent of Boter, full of tenderness and serenity. The closed brushstroke, with more defined figures and contours that characterizes the work of Fernando Botero, becomes in the sculptures of Francisco Luque a softness of forms and warped curves, which enclose within themselves the feminine spirit, the main motif of the author's work. Works and awards "Maternity" His work has received numerous awards and recognitions (First Prize, Valdepeñas National Painting and Sculpture Competition; First Prize for Sculpture, 25th Anniversary of the Círculo de Bellas Artes of Pozoblanco, Córdoba; Second Prize for Sculpture, 10th Villa de Rota International Prize, Cádiz; and Honorable Mention, Club 63 Sculpture Prize, Jaén; among others). His works are on permanent display at the Diocesan Museum of Fine Arts of Córdoba, the Ruiz Mateos Museum in Rota, Cádiz, the Provincial Council of Córdoba, the National Library in Madrid, and the Santaella Town Hall, among others.<sup>4</sup> An example of Francisco Luque's monumental urban work can be seen on the promenade of his hometown, Santaella.

· Size: 12x10x33 cms.
DECORATIVE ANTIQUES

Ref.: Z6105
FIVE JUG SET IN GLASS AND SILVER. WITH PROPERTY MARKS.

Set of five jugs, glass and silver. With ownership initials. Set of five jugs in different sizes (two small, two medium, and one larger) with flared glass bowls, carved and engraved decoration, and silver handles and tops. Their shapes and decoration show a clear influence of the English "claret jugs" used for serving wine at the table.

· Size: Atura pieza mayor 36 cms.
DECORATIVE ANTIQUES

Ref.: Z6429
DANCING WOMEN. MARBLE DUST. 20TH CENTURY, AFTER MODEL FROM ANTONIO CAN...

Relief, “Dancers”. Marble dust. 20th century, following a model by Antonio Canova. Relief made of polychrome marble dust, enhanced by a somewhat modern frame closely resembling a fresco by Antonio Canova (The Graces and Venus Dancing Before Mars, 1799, Antonio Canova Museum and Glyptothek, Possagno, Treviso). This work depicts the three Graces, accompanied by Venus, who appears playing a lyre, beneath a series of garlands with interlaced patterns. Antonio Canova (Possagno, November 1, 1757 – Venice, October 13, 1822) was an Italian Neoclassical sculptor and painter. Weight: 23 kg.

· Size: 106,5x6x105 cms
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZE400
HORSE AND DOG WITH PAGES. MARBLE DUST. 20TH CENTURY, AFTER ANDREA MANT...

Horse and dogs with pages, relief. Molded and polychromed alabaster. 20th century, following a model by Andrea Mantegna (circa 1431-1506). Relief with a frame decorated with classical influences (moldings, candelabra, etc.) made of polychrome marble dust. It depicts a figurative scene: a richly caparisoned horse with a page, two large dogs, and another male figure. Aesthetically, it is inspired by a fresco by Andrea Mantegna, located on the west wall of the Camera degli Sposi in the Ducal Palace of Mantua (Italy), painted between 1465 and 1474. Weight: 30 kg.

· Size: 99,5x10x157 cms
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZE408
CHOCOLATE CUTTER. WOOD, METAL. 19TH CENTURY.

Chocolate cutter. Wood, metal. 19th century. Chocolate chopper made of carved wood decorated with engraved plant and floral motifs, featuring an iron blade in the shape of a small horse, which has a turned wooden handle. Compare with the one from Salamanca preserved in the CIPE Costume Museum in Madrid (inventory CE008848) dating from the 19th century.

· Size: 44x17x13 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS

Ref.: ZE441
PAIR OF TABLE FITTINGS. WROUGHT IRON. SPANISH SCHOOL, 17TH CENTURY.

Pair of forked clasps. Wrought iron. Spanish school, 17th century. Pair of wrought iron table braces of the type known as "fork braces" due to their shape. They are decorated with scrolls and a section of twisted iron, as well as a baluster shape and a small disc on each, following Spanish Baroque designs. Weight: 4.5 kg.

· Size: 26x18x95 cms.
DECORATIVE ANTIQUES
WROUGHT IRON;MISCELLANEUS

Ref.: Z0205C
METAL SCULPTURE "ARMURIER" 19TH CENTURY

“Armurier”. Patinated metal. Attributed to Mage. France, 19th century. The male figure, with a commanding but not exaggerated posture and musculature, holds the tools of his trade next to an anvil, at whose feet lie an antique helmet and sword. On the small pedestal decorated with vegetal motifs is a metal cartouche with the title (“Armurier”, Armorer) and the author's surname (Mage).

· Size: 25x25x70 cms.
DECORATIVE ANTIQUES
SCULPTURE

Ref.: ZF0271
BRONZE PAX OR PAX BOARD. 16TH CENTURY.

Pax bearer. Bronze. 16th century. A bronze pax with a flat handle on the back and a slightly raised decoration on the front. Beneath a finial of openwork vegetal elements in a distinctly Renaissance style, there is an architectural composition with columns framing a figure of Christ seated on the throne.

· Size: 7,5x3x10,5 cms
ANTIQUES
MISCELLANEUS;OTHER OBJECTS

Ref.: ZF0538
BULLFIGHTING. OIL ON CANVAS. SIGNED. GONZÁLEZ MARCOS, ÁNGEL (SPAIN, 19...

Bullfighting scene. Oil on canvas. Signed (lower left corner). GONZÁLEZ MARCOS, Ángel (Madrid, 1900 – 1978). A master of Impressionist painting, Ángel González focused on bullfighting from a young age. He depicted these subjects from a tragic perspective, the drama starring the bull, the absolute starting point, and not the bullfighter. His work captures the rhythm of the movements of both man and animal, the different phases of the bullfight, the energy, the vibrancy, and the color with great immediacy and dynamism, reflecting bullfighting in all its splendor, without ever losing sight of the expressive function of both the bull and the bullfighter. He exhibited in Spain, Mexico, and Peru, and his work is currently represented in various museums in Spain, as well as in New York, Lima, Bogotá, Caracas, Paris, Lisbon, Rio de Janeiro, Tokyo, and Rome.

· Size: 63x5x44 cms. int 56x26
DECORATIVE ANTIQUES
PAINTINGS

Ref.: ZF0847

«« « ...23 24 252627 28 29... » »»

Results 601 to 624 of 1377

We are at

Subscribe to our press

Meet new items in catalog promotion news: do not miss the opportunity to learn about the latest.