Results 73 to 96 of 214

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SIDE OR NIGHT TABLE. WALNUT. 19TH CENTURY.

Bedside table. Walnut wood. 19th century. A small side table or nightstand with four cabriole legs carved with smooth moldings and two compartments in the front, enhanced with moldings that create curves. The fronts of the piece feature simple geometric marquetry of squares or rectangles combining tones and wood grains.

· Size: 39x39x85 cms
DECORATIVE ANTIQUES

Ref.: Z0456
NAPOLEON III BEDROOM SUITE, CA SECOND HALF OF THE 19TH CENTURY.

Napoleon III bedroom, second half of the 19th century. The bedroom comprises a single-door wardrobe with a mirror, a dressing table/desk with three drawers in front and three more behind a door, in addition to the two under the mirror, a ship-style bed, and a four-drawer bedside table. All the decorative elements of the set are reminiscent of classical antiquity, clearly indicating that the pieces belong to the Napoleon III style, as it reached its peak in France during his reign (1852-1870). Wardrobe 110x46x260 (interior with 5 shelves, interior drawer, and exterior drawer) Chest of drawers 108 x 52 x 101 + 115 Bedside table 44x32.5x100 Bed 210 x 135 x 128 for a 115 x 190 mattress. Maple wood, pine wood interiors, stained moldings
ANTIQUES

Ref.: Z5277
PAIR OF WROUGHT IRON PIECES FOR TABLE. 16TH CENTURY.

Pair of iron table lamps. Wrought iron. 16th century. Pair of wrought iron table pieces, each with one end slightly curved and pierced for fixing to a point on the furniture, and the other end similarly secured with a screw. They feature a torsion profile.

· Size: Long. 73 cms.
DECORATIVE ANTIQUES

Ref.: Z0165K
DECORATION FOR A ROOM. POLYCHROMED WOOD. ITALIAN SCHOOL, 19TH CENTURY.

Bedroom decoration. Carved and polychrome wood. Italian school, 19th century. Architectural decoration made of carved and polychromed wood, consisting of a central arcade with a mixtilinear profile and two lateral trilobed arcades flanked by two small benches below. The decoration, featuring vegetal scrolls, diamonds, rhombuses, capitals, etc., is inspired by Italian Renaissance models, incorporating variations common in 19th-century historicist interpretations.

· Size: 252x16x291 cms.
DECORATIVE ANTIQUES

Ref.: Z3854
PINE WOOD AND WALNUT BENCH. SPAIN, 17TH CENTURY.

Bench with high back. Pine, walnut. Spain, 17th century. Carved wooden bench with high back and arms decorated on the inside (and in the lower area of the sides) with strips formed by rectangular panels, following a motif very common in Spanish cabinetmaking. Requires restoration

· Size: 218x54,5x140 cms.
ANTIQUES

Ref.: Z0605
PINE WOOD CUPBOARD. SPAIN, 17TH CENTURY.

Cupboard. Pine wood. Spain, 17th century. A two-section cupboard made of carved pine, with fluted legs, a lower section decorated with simple panels (like the sides) on the two lockable doors, and an upper section with an exterior latticework panel. The upper section is a single open space, while the lower section has a shelf that divides it in two. The decoration links the piece to common forms of traditional Spanish cabinetmaking.

· Size: 104x60x175 cms.
ANTIQUES
FURNITURE

Ref.: Z0634
WALNUT BED FRAME. SPAIN, 19TH CENTURY.

Bed frame. Walnut wood. Spain, 19th century. Bed frame made of carved walnut wood with architectural-style decorations concentrated on the headboard and the vertical corner supports. These carved elements (fluted balusters, knobs, galleries of semicircular arches with paired columns) show a clear classical influence and a marked inspiration from much older Spanish school works.

· Size: ext: 137x207x127 cms / int:128x194x127 cms.
DECORATIVE ANTIQUES

Ref.: Z0458
NAPOLEON III WRITING SLOPE OR BOX. MARQUETRY. FRANCE, 19TH CENTURY.

Napoleon III Box. Marquetry. France, 19th century. A rectangular wooden box with a flat lid supported by circular legs. It features a keyed front opening and a hinged top. Inside, there is a flat horizontal compartment with edges embellished with two lines of light marquetry (matching the underside of the lid and the inside of the hinged front), and three drawers beneath it, also embellished with light details. These types of pieces were used to hold various items (writing materials, jewelry, documents, etc.) either during travel or for use on a table. The exterior decoration, centered on the front and top, consists of delicate compositions with plant motifs and a strong classical influence, crafted from woods of different tones: shields, flowers, scrolls, cartouches, leaves, etc. The sides of the box are embellished only with lines of lighter-toned wood. In general, the decorative elements, arranged harmoniously and symmetrically in various light tones and colors (rosewood, fruit tones, etc.), are designed to stand out against the dark rosewood. These types of boxes or chests were very common throughout the 19th century in Europe. During the reign of Napoleon III (emperor from 1852 to 1870), they were often decorated with both Boulle-style marquetry and wood carving, with notable examples from firms such as Maison Berthet & Peret (a work now held in private collections).

· Size: 58,5x38,5x22 cms
ANTIQUES
FURNITURE

Ref.: ZF0895
WALNUT SEATING SET. SPAIN, 19TH CENTURY.

Isabeline-style chairs in walnut wood. Spain, 19th century. Composed of a three-seater sofa, two armchairs and a wingback chair. The wingback chair features a high upholstered back, in subtle contrast to the armchairs (formed from juxtaposed ovals), which also display curves. In all cases, simplicity and cabriole legs are prominent features. The lines of the furniture and the small decorative details place its creation within the style known as Isabeline, as it flourished during the reign of Isabella II.

· Size: Tresillo: 156x60x93 cms.
DECORATIVE ANTIQUES

Ref.: Z4848
BRONZE BED. CIRCA 1900.

Bed. Bronze. Circa 1900. A bronze bed frame with a gilded headboard, footboard, and side rails. The headboard and footboard, similar to each other, feature casters or wheels on their legs and elaborate decoration on both the vertical sides (fluted forms with balustraded elements decorated with vegetal and architectural motifs) and the finial (a delicate composition of scrolls, leaves, and flowers). These decorative elements show a clear classical influence along with a subtle hint of Art Deco or Modernist styles.

· Size: 157x220x213 cms.
DECORATIVE ANTIQUES
FURNITURE

Ref.: Z0591
CUPBOARD. WOOD, METAL. SPAIN, 20TH CENTURY.

Cupboard. Carved and polychrome wood, metal. 20th century. Carved wooden cupboard with two lattice doors at the top (inside are two shelves creating three spaces) and two doors at the bottom (giving access to a space with a shelf), with a polychrome finish in shades of green, yellow, etc. Both the lines of the piece and its finish are reminiscent of works from the old Spanish school.

· Size: 106x42x206 cms.
DECORATIVE ANTIQUES

Ref.: Z0599
CUPBOARD. WOOD, METAL. SPAIN, 20TH CENTURY.

Cupboard with marbled finish. Carved wood, metal. 20th century. A carved wooden cupboard with three shelves at the bottom and two doors at the top, which provide access to two additional compartments. It has been painted with a marbled finish, reminiscent of veined wood. Both its decoration and lines evoke antique Spanish school pieces.

· Size: 125x35x200 cms.
DECORATIVE ANTIQUES

Ref.: Z0594
MAHOGANY THREE-SEAT SOFA. ELISABETH II OF SPAIN STYLE, 19THCENTURY.

Isabeline sofa. Mahogany wood, textile. Spain, 19th century. A sofa or three-piece suite made of carved mahogany, upholstered inside and out in yellow or gold-toned fabric, with plush button tufting on the inside of the backrest. The legs, with their slightly curved shape, and the base feature simple decoration of carved geometric elements, while the high backrests are adorned with more elaborate vegetal crests. This type of furniture, with its strong French influence, was common during the Elizabethan period, a style so named because it reached its peak during the reign of Isabella II (1830-1904).

· Size: 200x65x100 cms.
DECORATIVE ANTIQUES
FURNITURE

Ref.: Z0604
CHEST. WALNUT, IRON. SPAIN, 17TH CENTURY.

Chest. Walnut wood, iron. Spain, 17th century. It has flaws. It requires restoration. Rectangular chest with a flat, projecting lid, made of carved walnut and secured with iron pieces at the corners (these topped with a pointed shape cut into the metal). Despite having only a simple molding on the lid and the aforementioned elements as its sole decorations, these same details link it to pieces made during the Spanish Baroque period., detectedSourceLanguage: es

· Size: 105x40x39 cms.
DECORATIVE ANTIQUES

Ref.: Z0203
MAHOGANY MIRROR. POSSIBLY SPAIN, 19TH CENTURY.

Mirror. Mahogany wood. 19th century. A mirror with a carved mahogany frame, decorated with simple geometric elements, a vegetal crest with scrolls, and two eaves at the bottom with architectural motifs. All these motifs show a strong influence of classical elements, as well as a certain resemblance to mirrors of the French school.

· Size: 73x127 cms. / int:63x90 cms.
DECORATIVE ANTIQUES

Ref.: Z0827
BED FRAME. CHESTNUT TREE WOOD. SPAIN, 19TH CENTURY.

Bed frame. Chestnut wood. Spain, 19th century. Bed frame made of carved chestnut wood, with the headboard higher than the footboard, and a carved decoration of geometric motifs centered on the outer parts of these two pieces. The legs, which extend upwards, also feature elaborate turning that, like the aforementioned decoration, is inspired by traditional works of the old Spanish school.

· Size: cabecero: 113x116 cms. piecero:103x100 cms.
DECORATIVE ANTIQUES

Ref.: Z0832
BRONZE CHANDELIER 19TH CENTURY

Bronze chandelier with 12 arms. 19th Century Adapted for electric use, the twelve arms are joined above a sphere, which is fixed to the ceiling by a turned arm and another sphere at its midpoint. The earliest examples of this element date from the Middle Ages, adopted for secular use from churches, and its design began to develop from the 15th century onwards. Made of glass, either clear or colored, or of bronze, or a combination of both, these lamps were always intended for important residences, both because of their size and the amount of candles they consumed.

· Size: 70x70x90 cms.
DECORATIVE ANTIQUES

Ref.: Z6360
CONSOLE TABLE. SANDSTONE. 20TH CENTURY.

Console or shelf. Carved sandstone. 20th century. Carved light sandstone console featuring a rectangular surface with a raised front and curved sides at the top, and two brackets on the front decorated with carved plant and architectural elements of clear classicist influence.

· Size: 175x41x70 cms.
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZF0938
WALNUT BENCH. 18TH CENTURY.

Bench. Walnut wood. 18th century. A rectangular bench with a smooth molding around the edge and turned legs shaped like balusters, secured at the bottom by brackets with a cut-out profile. It displays classical influences, present alongside traditional elements of older Spanish furniture (format, construction, etc.).

· Size: 52x34,5x50 cms.
ANTIQUES
FURNITURE

Ref.: ZE331
THREE LOCKS CHEST. WALNUT, IRON. SPAIN, 17TH CENTURY.

Town hall chest. Walnut wood. 17th century. A rectangular chest made of carved walnut with a flat lid and simple decoration on its fronts, featuring smooth moldings of varying widths. It stands slightly raised off the ground on six legs with cylindrical bases on flattened circles. The exterior is adorned with wrought iron fittings (corner pieces with fleur-de-lis finials), two openwork handles on the sides, and, on the front, three locks with keys and openwork escutcheons decorated with simplified vegetal motifs. Inside, a wooden partition runs along one side, positioned high up, creating a rectangular compartment with a hinged lid and two small drawers below. The three iron keys have ornate and decorated keyholes, with simple decorative elements on the side of the stem or central part and the usual flat prongs. Chests with three locks are also commonly known as "town hall" or "council" chests, because both these and those with two keys were frequently used by religious, military, or civil organizations to store valuable objects and documents. They were secured by giving a key to each person responsible (one key to each person), so that they had to be present to open the chest. In many parts of Spain, they served as municipal archives, following laws inherited from a royal decree of June 9, 1500, by which the Catholic Monarchs compelled the councils of their territories to build town halls, jails, and maintain a chest of privileges and deeds. Despite being abundant in their time, few examples have survived because they fell into disuse and were replaced. Compare with that of the Council of Villafranca de la Marisma (Los Palacios y Villafranca, Seville), that of Valdipiélago (León), that of Matapozuelos (Valladolid), that of the Cabildo of Buenos Aires of Argentina (18th century, following earlier models), etc.

· Size: 157x64x78 cms
ANTIQUES
FURNITURE

Ref.: ZF0870
ROCCOCO STYLE MIRROR. WOOD. 19TH CENTURY.

Rococo style mirror. Carved and gilded wood. 19th century. Slightly rectangular mirror with a frame made of carved and gilded wood and decorated with elements inspired by the Rococo art of the 18th century (rockwork, curves and counter-curves, fleshy plant elements, etc.) along with a composition more in the style of 19th century art (note the inner area of the frame, the symmetry, the crest...).

· Size: 157x27x158 cms
ANTIQUES
FURNITURE

Ref.: ZE300
THIRTY LIGHTS GLASS AND BRONZE CHANDELIER. 19TH CENTURY.

Ceiling lamp in bronze and colorless carved and modeled glass with thirty lights. Late 19th century. It attaches to the ceiling via a hook concealed by a crown of stems, from which the lamp's central axis, made of glass in the shape of a double baluster, extends. From this axis rise the gilded bronze arms, decorated with architectural and vegetal motifs. The lights feature candle-shaped bulbs. Beads of various shapes (rectangular, octagonal, star-shaped, teardrop-shaped, and pendants with curvilinear profiles) are placed across the entire surface, attached by discreet metal hooks. It is worth highlighting the variety of shapes and the quality of the colorless glass. The profiles of some beads (teardrops, polygons, pendants) are found in Bohemian and French works, as well as in most pieces from the Royal Glass and Crystal Factory of La Granja de San Ildefonso (Segovia, Spain), due to the great popularity of these shapes. Stars or small flowers are considerably less common in the surviving examples. The mastery of the carving is evident in the profiles and the fineness of the shaping of the shaft. While the bronze decorative elements clearly show Neoclassical influences, the glasswork is reminiscent of the so-called "Maria Theresa" chandeliers, based on those commissioned by Empress Maria Theresa for her coronation in the factories of the Bohemian region of the Czech Republic in 1743. This style spread rapidly throughout Europe, with variations in design, and served as a model for major glass factories even to this day. Although clearly distinct from the work done in Murano, Italy, the chandelier follows a tradition rooted in Bohemia and continued in France, where as much attention was paid to gilded bronze as to glass, and the chandelier more closely resembles examples of French glasswork. Similar chandeliers can still be found in prominent residences such as the Fernán Núñez Palace (Madrid), the Viana Palace (Córdoba), the National Museum of Decorative Arts (Madrid), the Paz Palace (Buenos Aires, Argentina), the Louvre Museum (Paris), and others.

· Size: 100x100x130 cms.
ANTIQUES
FURNITURE

Ref.: Z6580
WROUGHT IRON BRAZIER. SPAIN, 13TH-14TH CENTURIES.

Brazier. Wrought iron. Spain, 13th-14th centuries. It features restoration on one handle. Rear grill. Reference: "The art of the ferro". Barcelona: Santiago Rusiñol, 2007, p. 151, image 137. A brazier made of wrought iron, consisting of a circular base, three flat legs, a body formed by two flat rings joined by vertical sections decorated with simple, opposing scrolls, and two handles at the top similar to the sections and ending in washers. Inside, it has an iron grill dating from a later period than the rest of the piece and one of the handles has been restored. It is very similar to another wrought iron brazier dating from between the 12th and 13th centuries, currently in a private collection; compare also with the rectangular one in the Episcopal Museum of Vic, dating from the 14th century. The spirals that form the decoration of the piece are frequently called "curl ironwork," and are a very common element in the few surviving examples of Romanesque ironwork and wrought iron. For this reason, they would be elements that continued to be used in wrought ironwork for centuries afterward in Spain (the Romanesque model with its volutes persisted well into the 15th century, with some variations). Examples include the grilles in the Church of Santa María del Camino or the Market in León, the one located in the choir of the Church of San Vicente in Ávila, and those preserved in the Diocesan Museum of Jaca (Huesca). Since it was a utilitarian piece, the lack of decorative elements is typical, as is the transformation of the decoration into functional parts of the brazier. Examples of Romanesque braziers that have survived are even rarer than those of ironwork. One is preserved in the Diocesan Museum of Tarragona and another in the possession of the Regional Government of Castile, both square but with this same type of spiral design, and several more in important museums and collections such as the National Archaeological Museum, Tarragona Cathedral, etc. Weight: 7.5 kg.

· Size: 52x39x54 cms.
ANTIQUES
FURNITURE

Ref.: ZF0635
TABLE FOR SPANISH DESK. PINE AND BEECH TREE WOOD, IRON. 18TH CENTURY.

Bargueña table with Solomon's leg. Pine and beech wood, iron. 18th century. Table with rectangular tabletop made of pine wood and legs in beech wood turned in the shape of Solomonic columns, which are joined, two by two, by means of a lower chambranle also carved in Solomonic style with a central block, from which the curved iron fasteners emerge., detectedSourceLanguage: es

· Size: 148x58x78 cms.
ANTIQUES

Ref.: Z4759

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