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FRAME. POLYCHROMED WOOD. 17TH CENTURY.

Frame. Carved and polychrome wood. 17th century. It has faults. Rectangular frame with smooth mouldings of different widths and tones on the inside and a flat area on the outside, stepped outwards and with right-angled widenings at the corners. Note the polychromy it presents, reminiscent of marbling. On the back, it has a metal piece to place it on the wall.

· Size: 29,5x5x34,5 cms. int:20x15 cms
ANTIQUES

Ref.: ZF1359
BRONZE OINOCHOE. POSSIBLY ITALY, 19TH CENTURY.

Oinochoe. Bronze. Possibly Italy, 19th century. An oenochoe, oinochoe, oinochoe or oenochoe is a vessel used to draw wine from a krater (where it was stored) before serving in ancient Greece. Its heyday was during the Geometric period and various types are distinguished according to the shape of the mouth and the belly. Most Greek oenochoes were made of terracotta, but there are also some made of precious metals, presumably for the social classes that could afford them, although very few have survived. The present example seems to be inspired by ancient works (compare one in the Metropolitan Museum from around 460 BC with inventory number 1970.11.1 and another in the Museum of Fine Arts, Budapest with inventory number 66.142.A).

· Size: 12x12x20 cms
ANTIQUES

Ref.: ZF1390
BRONZE PAX OR PAX BOARD. 16TH CENTURY.

Peace-bearer. Bronze. 16th century. Bronze peace-bearer with a flat “C” handle on the back, with a relief decoration on the front framed in a classical architectural composition common in the Renaissance. Below the columns on the sides there are two heraldic shields (without a bonnet, cords with tassels on three levels) with a Latin cross in the middle area; the centre shows a Birth of Christ under a domed cupola with winged angel heads in the corners; at the top and under a semicircular arch, there is the bust of Santo Domingo de la Calzada, facing forward, with an inscription in capital letters.

· Size: 10,5x5x15,5 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS

Ref.: ZF0543A
CERAMIC LEGUME BOWL, CUBA VIEW. SARGADELOS, SPAIN, 19TH CENTURY

Vegetable bowl with lid, Morro Castle, Havana, Cuba. Earthenware. Sargadelos, 19th century. It has minor flaws. Vegetable bowl with handles and a lid on which a landscape can be seen, identified with a text (Morro Castle, Havana, Cuba), enhanced by a border that extends over the edge and continues (but in relief, not in pigmentation) along the handles of the piece; the base also has decoration. The lid has a flower in relief as a finish and a series of decorative borders in a tone matching the rest of the piece. Antonio Raimundo Ibáñez, Marquis of Sargadelos, founded the Royal Pottery Factory of Sargadelos in Cervo, province of Lugo, at the beginning of the 19th century. The view of this piece belongs to the Series of Views of Cuba, used in the factory since 1848.

· Size: 34x26x18 cms
ANTIQUES

Ref.: ZF1370A
BULLFIGHTING POSTER, INAUGURATION OF SAN SEBASTIÁN BULLRING. OIL ON CA...

Bullfighting poster, Inauguration of the San Sebastian bullring. Oil on canvas. PÉREZ SAAVEDRA, Manuel (doc. Circa 1903). 1903. Original poster for a bullfighting event for the opening bullfight at the San Sebastián bullring (known as Coso de El Chofre), which was attended by Alfonso XIII. It is a work in a clear Modernist style by Manuel Pérez Saavedra, and this was the original poster for the event. There are references to a Manuel Pérez Saavedra in the documents of the Royal Academy of Fine Arts of San Fernando in Madrid of the Provincial Commission of Monuments of Lugo (minutes of the session, 1921), in the Regional Exhibition of Galician Art of 1917 held in La Coruña, in the catalogue (as a native of Madrid) of the General Exhibition of Fine Arts of 1897, etc.

· Size: 52,5x6x85 cms. Int 37x70 cms
ANTIQUES

Ref.: ZF135401
POSTER, BULLFIGHT (ALPHONSE XIII MARRYING VICTORIA EUGENIA). SPAIN, 19...

"Poster announcing the Bullfight held on the occasion of the marriage of HM King Alfonso XIII to HRH Princess Victoria Eugenie of Battenberg." Framed lithograph. BENLLIURE, Mariano. Spain, 1906. Alfonso XIII can be seen greeting the public from the royal box, accompanied by Victoria Eugenia and a number of figures, below the text, which extends to the right. In the lower area, with ribbons, you can read "Long Live the Queen." The model for this poster was designed by Mariano Benlliure (1862-1947), who already had experience as a bullfighting poster artist. The lithographic artist was Antonio de Ángel Alcoy (circa 1863-1925), and the Litografía Mateu of Madrid was responsible for the production.

· Size: 47x1x68 cms
ANTIQUES

Ref.: ZF135445
”WOOD TURNER TEST” CYLINDRICAL BOX, 17TH-18TH CENTURIES.

Cylindrical “turner’s test” box, 17th-18th century. Cylindrical box decorated with different bands and a lid with a carved star. On the base there are a series of inscriptions that allude to the purpose for which it was created: these types of pieces were tests of mastery for apprentice turners, which they had to take in order to pass certain exams within the guild to which they belonged. Many of these works are not preserved because they are more practical than decorative and not commissioned by a client, but their interest is undeniable for this very reason.

· Size: 10,5x10,5x19 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS

Ref.: Z2330
NACAR CASE ON BRONZE MOUNT

Mother-of-pearl box with bronze mount. 19th century. Box made of mother-of-pearl plates joined together by a bronze structure decorated with simple plant elements and which still retains traces of gilding in some areas. The shape of the piece is reminiscent of examples inspired by the French Louis XV style, while the materials used were common in the decorative arts of the 19th century.

· Size: 7,5x5,5x4 cms.
ANTIQUES

Ref.: Z3817
SILVER “CUP” (TASTEVIN OR “BERNEGAL”). 20TH CENTURY.

“Catavinos” or bernegal. Silver. 20th century. Vessel of the type known as “tembladera” with two circular handles decorated with very simplified plant elements and a scalloped body reminiscent of the pieces called “de bocados”. Bernegales and tembladeras de bocados were frequent pieces in Spanish silverware in the 17th century, usually being relegated to centres of somewhat less importance in the 18th century. During the 19th and 20th centuries, it was common in silverware and the rest of the arts to be inspired by styles of the past for the creation of numerous pieces, such as this one. Weight: 151 gr.

· Size: 15x11,5x7,5 cms.
ANTIQUES
MISCELLANEOUS;SILVER WORKS

Ref.: Z5830
BRONZE SITULA. 16TH CENTURY.

Acetre. Bronze. 16th century. Bronze piece with a circular base and a circular body with a mouth that extends outwards at the top and a relief decoration in this last area with masks that recall certain Renaissance pieces with Medusa (the rings for the handle emerge from two of these elements). This acetre, a vessel for holy water also known as a situla, is a piece that, in this religious context, appeared in the West in the Middle Ages. The present example is inspired by Renaissance pieces both in its lines and its decoration and, therefore, is also reminiscent of works from Ancient Rome (situla from the Landesmuseum in Hannover, etc.).

· Size: 19x18x19 cms.
ANTIQUES

Ref.: Z5937
WALNUT BENCH. 18TH CENTURY.

Stool. Walnut wood. 18th century. Rectangular bench with smooth moulding on the edge and turned baluster-shaped legs, which are secured in the lower area by means of cut-out profile jambs on the bottom. It shows classicist influences, present together with traditional elements of older Spanish furniture (format, construction, etc.).

· Size: 52x34,5x50 cms.
ANTIQUES

Ref.: ZE331
WROUGHT IRON DOORKNOCKER. 16TH CENTURY.

Door knocker. Wrought iron. 16th century. Door knocker made of wrought iron and made up of several pieces, among which the main one stands out. It has two bands that start in parallel and then separate to form two facing volutes joined in this area by a rectangular piece, also showing several engraved lines that highlight these elements. The use of wrought iron volutes was common since Romanesque times, and we can speak of an evolution in this element over time. The present example belongs, due to its shape, to a type of handle or knocker known as “scissor”.

· Size: 15x8,5x2 cms
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS

Ref.: Z0007A
WINDOW OR DOOR FITTINGS. WROUGHT IRON. 18TH CENTURY.

Espagnolette. Wrought iron. 18th century. An iron element made up of several pieces firmly joined together, with simple decoration based on rings and other details, used to close a door or window. This type of piece was very common in the construction of important residences. 2 pcs available.

· Size: Longitud 205 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS

Ref.: Z3485B
WROUGHT IRON FLOOR TORCH (BIG CANDLE). 20TH CENTURY.

Axe. Wrought iron. 20th century. Tall wrought iron torch holder with a tripod base formed by scrolls and a triangular piece from which the axis emerges (with a balustrade profile with discs). This ends in a plate from which an openwork piece starts that would hold the candle. The scrolls, the lines of the axis, simplified plant details, etc. show a clear influence of ancient works, especially from the Baroque of the 17th century. This inspiration is frequent within the framework of Historicisms.

· Size: 38x38x133 cms
ANTIQUES

Ref.: ZF0310
SAINT NICHOLAS DEVOTIONAL PENDANT. BRONZE, TEXTILE, METAL. 18TH CENTUR...

Devotional medal of Saint Nicholas on a support. Gilt bronze, textile, metal. 18th century. Devotional medal in gilded bronze placed on a support with wires that presents an oval frame enhanced with a crest with vegetal elements in a symmetrical composition and another top below also with vegetal elements and scrolls, and the figure of a saint inside this smooth frame. Standing, holding a staff in one hand and raising the other in a gesture of blessing, is a male figure dressed in liturgical attire, accompanied by some small figures praying, placed in a barrel or bucket. Saint Nicholas of Myra or Bari was a bishop who died around the middle of the 4th century AD. One of his most famous miracles was that of resurrecting three children (shown in this work) sacrificed by an innkeeper to feed his clients. Although he was bishop of the city of Myra, he is shown here wearing liturgical vestments but without the usual headdress (mitre). The three spheres that appear on the book would allude to the miracle in which the saint helps the father of three girls to gather a dowry for them (as they are three golden spheres).

· Size: 9x11,5x1 cms.
ANTIQUES

Ref.: ZF0460
GLASS AND VASE. GLASS. REAL FÁBRICA DE CRISTALES DE LA GRANJA, SPAIN, ...

Jug and glass. Glass. Royal Glass Factory of La Granja de San Ildefonso, Segovia, Spain, 18th century. Jug or vase with lid and glass with a small spout made of clear, carved and engraved glass, decorated with plant elements and architectural motifs of classical influence. They were made in the Royal Glass Factory of La Granja de San Ildefonso, founded in 1727 by Buenaventura Sit and, initially, as a furnace for flat glass to supply the nearby Royal Palace. Shortly after, they would diversify their production, becoming one of the main centres in Spain.

· Size: Jarra 10x10x33 cms. Vaso 13x13x15 cms
ANTIQUES

Ref.: ZF0878
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FRAME. WOOD. 18TH CENTURY.

Frame. Carved, polychrome, and gilded wood. 18th century. It has faults. Rectangular frame made of carved wood with a black area flanked by two gilded areas on the outside and inside of the piece, with a flat area in both colors and a different one, again in both finishes. Stylistically, it recalls examples common in numerous European schools since the Renaissance.

· Size: 85x6x140 cms. Int 68x123,5 cms
ANTIQUES

Ref.: ZF1338
WOODEN NICHE. POSSIBLY SPANISH SCHOOL, 18TH CENTURY.

Niche. Carved and polychrome wood. Possibly Spanish school, 18th century. A table niche made of carved, polychrome, and gilded wood. It features a front door with a key lock and gilt wood elements in this area, as well as a finial at the top and two side doors with a view into the interior. Plant elements appear in the corners of these openings. Stylistically, slight Rococo influences can be seen alongside a strong Baroque tradition.

· Size: 55,5x38x74 cms, int: 42x30x65 cms.
ANTIQUES

Ref.: ZF1363
CAMEO WITH GOLD FRAME; BROOCH. VICTORIAN TIMES, CIRCA 1850.

Cameo; brooch with safety clasp. Victorian period, ca. 1850. Cameo (brooch with safety handle) with a gold-plated frame with alternating die-cut and engraved elements arranged around four hollow balls ???. The central piece, made of shell (Cassius Cypraea; hence the type known in the 19th century as “coralino”), white on flesh, presents a female bust profile in vertical development. The lady, with her hair decorated with abundant flowers, is the mythological figure Flora, Roman goddess of flowers, gardens and spring. Weight: 9.77 gr.

· Size: 4x4x1 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS

Ref.: ZE102
WINDOW OR DOOR FITTINGS. WROUGHT IRON. 18TH CENTURY.

Espagnolette. Wrought iron. 18th century. An iron element made up of several pieces firmly joined together, with simple decoration based on rings and other details, used to close a door or window. This type of piece was very common in the construction of important residences. Available 1 unit

· Size: 30x13x250 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS

Ref.: Z3485E
PAIR OF ANDIRONS. BRONZE AND IRON. 19TH CENTURY.

Pair of andirons. Blued and gilded bronze, iron. 19th century. Fireplace andirons decorated with vine leaves and bunches of grapes on the side pieces and in the centre of the horizontal part, working the metal to also remind us of the plant. These three elements or areas are visually united by an openwork piece, decorated in a simpler way with motifs inspired by Neoclassicism.

· Size: 36x45x45 cms.
ANTIQUES

Ref.: ZF0126
BRONZE CANDLE HOLDER. 17TH-18TH CENTURIES.

Candlestick. Bronze. 17th-18th centuries. Candlestick made of bronze with a circular base and an axis combining discs, balustrade shapes, smooth areas, concave and convex mouldings of different widths, etc., creating a very lively profile common in this type of pieces since the Baroque in various European schools and reminiscent in some details of the so-called spool candlesticks. Weight: 520 gr.

· Size: 21x21x55 cms.
ANTIQUES

Ref.: ZF0491
.GILDED WOOD FRAME. 18TH CENTURY

Frame. Carved and gilded wood. 18th century. Rectangular frame with a semicircular top in the centre, crowned by a composition with leaves and elements of the Passion of Christ (Crown of Thorns, Nails, etc.) decorated with a series of bands, alternating plain ones with two different strings of pearls. Although the 18th century is known for Rococo, it is not the only artistic style of the period: the decoration and shapes of the frame show a closer relationship with ancient Roman art, a common influence in Neoclassicism.

· Size: 44x8x81 cms
ANTIQUES

Ref.: ZF0527
SMALL SWORD WITH SCABBARD. METAL, LEATHER. FABRICA DE TOLEDO, CIRCA LA...

Sword. Metal, leather. Royal Factory of Toledo, towards the end of the 19th-20th century Small sword with a garnish bearing the emblem of the Infantry and the simplified coat of arms of Spain on the other side, cap with the monogram of King Alfonso XIII and wire-wrapped hilt, featuring a Toledo blade (inscription “Fca de Toledo”) and a scabbard combining leather and metal, slightly curved. Compare with the small sword for Infantry Officers, model 1901.

· Size: 12x2x97 cms.
ANTIQUES

Ref.: ZF0575