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Devotional plate. Bronze. Spanish school, 17th century. Bronze devotional plate with an oval shape and a circular washer at the top that presents a figurative decoration in relief within a frame of smooth moldings with a string of pearls. The theme shown is that of the Imposition of the Stigmata on Saint Francis of Assisi. Weight: 164 grams.
· Size: 7,6x0,9x11,9 cms.
ANTIQUES
Ref.: ZF117104
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Devotional plaque, Ecce Homo. Bronze. Spanish school, 17th century. Bronze devotional plate with an oval shape and a washer at the top that presents a relief within a frame of smooth moldings with a chain of pearls inside. A three-quarter Ecce Homo is represented with his hands tied in front, following a very common iconography in the Spanish school during the Baroque. Weight: 134 grams.
· Size: 7,6x0,9x12,1 cms.
ANTIQUES
Ref.: ZF117106
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Pair of candlesticks. Bronze. XIX century. Pair of tall candlesticks, made of bronze, which have a triangular base raised on three legs, a balustraded foot and a circular disc top. These types of pieces are inspired by works made since the 17th century in Europe, very popular and appreciated since then.
· Size: 7,5x7,5x14 cms.
ANTIQUES
Ref.: ZF0969
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Failed. Wrought iron. Century XVIII. Iron element formed by several pieces firmly joined together that has simple decoration based on rings and other details and is used to close a door or window. These types of pieces were very common in the construction of important residences. Available 4 units Price unit
· Size: Longitudes:194-266 cms
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z3485A
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Bronze peace holder. The plate that forms this element, formerly used in mass to give the kiss of peace with decorum, has been decorated with various reliefs: at the bottom, vegetal scrolls, branches, bunches of grapes and ears of wheat, in clear allusion to the Eucharist; a semicircular arch under a palm-shaped finial highlighted with scrolls; and, in the center, a relief of the Deesis: Christ on the Cross, flanked by the Virgin Mary and Saint John the Evangelist. The decorative motifs of this work, like the figures, show a clear influence of classical antiquity.
· Size: 10,5x0,5x14,5 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z6658D
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Box with landscape. Red lacquer. Possibly China, 20th century. Low cylindrical box with a flat lid, red on the outside and black on the inside, decorated on the lid and upper part of the body with bands of geometric and vegetal fretwork and a landscape and garden scene with pavilions and small-sized characters of the usual type in these visas. in the Far East.
· Size: 32x32x13.5
ANTIQUES
Ref.: ZF0922
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Devotional plaque, Immaculate Conception. Bronze. Spanish school, 17th century. Bronze devotional plate with washer at the top that presents a relief on the front. In this you can see the Virgin Mary on a crescent moon, surrounded by light and joining her hands in a gesture of prayer, and with the Franciscan cord (eight knots) around it, linking this medal to the Franciscan Order. It is a frequent iconography and representation on devotional plaques and medals since the Baroque (similar examples are preserved by institutions such as the Lázaro Galdiano Museum, etc.). Weight: 133 grams.
· Size: 7x0,7x11 cms.
ANTIQUES
Ref.: ZF117103
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Devotional plaque, Adoration of the Three Wise Men. Bronze. Spanish school, 17th century. Rectangular devotional plaque made of bronze, which presents the scene of the Birth of Jesus in relief. The Virgin Mary has the Child standing on her knees in the foreground, and they are surrounded by several figures among which you can see the Three Wise Men and Saint Joseph; Towards the background, some architecture of classicist influence is presented. Weight: 156 grams.
· Size: 6,9x0,5x10,8 cms.
ANTIQUES
Ref.: ZF117109
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Ring knocker. Wrought iron. Spanish school, 16th century. Door knocker or knocker made of wrought iron and, due to its shape, corresponding to the type known as ring. On the front it presents a decoration based on lines engraved in the metal that intersect. Weight: 0.9kg.
· Size: 11x2x12 cms.
ANTIQUES
Ref.: Z0758B
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Spice rack. Silver and cut glass. XIX century. Spice rack with an oval base in silver in its color from which an axis curves outwards at the top and decorated towards the center with smooth moldings. Two bands start from this axis, which frame the cut translucent glass part on the sides. Weight: 200 grams.
· Size: 9x5x8 cms
ANTIQUES
Ref.: ZF0979
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Caller. Wrought iron. Spanish school, 17th century. Wrought iron door knocker composed of a screw to fix to the door ending in a ring, from which another tubular-shaped piece hangs with an entasis towards the end and decoration of bands. From one side of this part emerges a simplified snake head, which curves to rest and serve as a handle. Likewise, it is necessary to highlight the engraved decoration it presents. Weight: 0.4kg.
· Size: 2,5x4,5x14,5 cms.
ANTIQUES
Ref.: Z0758A
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Silver mesh bag, 19th century. Silver mesh bag in its color decorated with triangular elements at the bottom that has a smooth hinged closure and a chain of alternating long and short links. These types of pieces were very common in the 19th century, as a luxury element and practical piece for galas and other special events. Weight: 187g
· Size: 15x15 cms.
ANTIQUES
MISCELLANEOUS;SILVER WORKS
Ref.: Z6876I
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Allegory of Air. Enameled porcelain. Hispania porcelain, Spain, 20th century. Enameled porcelain figure with touches of gold that shows a half-naked boy, with an old-style hot air balloon and a bellows, sitting on a base of clear Rococo memory on which the text “The Air” is read, alluding to the allegory. that the piece represents. These types of works are inspired by outstanding works from European factories. The factory known as Porcelana Hispania made a series of quality pieces in this same line (animals, couples of Rococo influence, etc.).
· Size: 12x8x15 cms.
ANTIQUES
Ref.: ZF0992
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“Madrid, a botijo stand on the San Isidro meadow.” Framed engraving. LIZCANO MONEDERO, Ángel (1846-1929). This engraving was published in 1880 in The Spanish and American Illustration. Ángel Lizcano was a Spanish painter and illustrator who began his training at the Royal Academy of Fine Arts of San Fernando in Madrid, in addition to making copies of works from both the Prado Museum and his contemporaries (Leonardo Alenza...) and was retired in Italy by the Marquis of Bedmar to finish his training there. Later, he traveled a lot through Spain and participated in several National Exhibitions of Fine Arts, as well as the Universal Exhibition in Paris of 1878. He collaborated in The Spanish and American Illustration, illustrated books, etc. His work can be seen in numerous private collections and in institutions such as the Prado Museum in Madrid, the Royal Academy of Fine Arts of San Fernando, etc.
· Size: 74x3x58 cms. int: 52x36 cms
ANTIQUES
Ref.: ZF1119
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Mortar with pestle. Bronze. Spanish school, 17th century. Bronze mortar with a convex mouth, a raised base facing outwards and a cylindrical body decorated on the outside with reliefs alternating shapes (probably figurative in origin, perhaps angel or Medusa heads) and balustraded shapes derived from the usual ribs, typical in this type of pieces within the Spanish school since the Gothic period. The hand, cylindrical in shape, has a decoration of smooth discs of different diameters and widths, arranged towards the center and towards the end, and a flat widening at the beginning. Weight: 1.7kg.
· Size: 11,5x11,5x7 cms.
ANTIQUES
Ref.: ZF1225
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Devotional plaque, Saint Dominic. Bronze. Spanish school, 19th century. Devotional plate with a rectangular shape and made of bronze that has four holes in it and a figurative relief enhanced with a frame of smooth moldings. You can see a saint wearing the habit of the Order of Saint Dominic between the letters S and I, with five stars on his body and a nimbus on his head. Weight: 146 grams.
· Size: 7x0,6x9,8 cms.
ANTIQUES
Ref.: ZF117105
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Devotional plaque, Virgin of Montserrat and the Mountain. Bronze. Spanish school, 19th century. Devotional plate made of bronze, with a rectangular shape, which has a washer in its upper part and a frame of moldings enhancing a figurative composition in relief. You can see a Virgin and Child sitting on a throne, with a mountainous shape in the background. It is a particular iconography of the Virgin of Montserrat with the mountain (compare with the bronze of the same subject made in the second half of the 18th century that is preserved in the Diocesan Museum of Barcelona). Weight: 232 grams.
· Size: 6,2x0,8x10,1 cms.
ANTIQUES
Ref.: ZF117115
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Devotional plaque, Saint Bruno. Bronze. Spanish school, 19th century. Rectangular devotional plate made of bronze that has a ring at the top and a frame of smooth moldings around a relief. The image of Saint Bruno is represented in the piece standing, holding a skull and with a miter at his feet, following known iconography (compare, for example, with the carving of this saint made in stone by Manuel Pereira that is preserved in the Royal Academy of Fine Arts of San Fernando). Weight: 169 grams.
· Size: 6,7x0,6x11 cms.
ANTIQUES
Ref.: ZF117116
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Devotional plaque, Immaculate Conception. Bronze. Spanish school, 19th century. Bronze devotional plate with a washer at the top and a rectangular shape that presents a relief on the front. In this you can see the Virgin Mary on a crescent moon, surrounded by light and joining her hands in a gesture of prayer, and with the Franciscan cord (eight knots) around it, linking this medal to the Franciscan Order. Four winged heads of angels appear in the corners. It is a frequent iconography and representation on devotional plaques and medals since the Baroque (similar examples are preserved by institutions such as the Lázaro Galdiano Museum, etc.). Weight: 191 grams.
· Size: 6,5x0,6x10,4 cms.
ANTIQUES
Ref.: ZF117119
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Devotional plaque, Saint Peter in tears. Bronze. Spanish school, 19th century. Devotional plaque made of bronze with a rectangular shape that has a washer at the top and a frame of smooth moldings around a figurative relief. A Christian theme known as “Saint Peter in Tears” or “The Repentance of Saint Peter” is shown, being the moment in which the Apostle laments for having denied Christ three times (hence the rooster on the column). Apparently, the piece shows a common iconography in a group of Castilian devotional plaques made since the end of the 16th century and throughout the 17th century, based on an intaglio print (simplified and inverted) by Lèonard Gaultier (ca.1561 - ca.1635 ), and which was edited by Jean Leclerc (1560 - ca. 1622). The Museum of Fine Arts of Valencia preserves a piece similar to the present one. Weight: 152 grams.
· Size: 7,1x0,8x11,4 cms.
ANTIQUES
Ref.: ZF117123
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Devotional plaque, Holy Children Justo and Pastor. Bronze. Spanish school, 19th century. Bronze devotional plate with a rectangular shape that has a ring at the top and a frame of smooth moldings highlighting a figurative composition in relief. Two male figures appear, dressed in the ancient manner, standing, with palms and a knife on the ground. These are the two Children Martyrs Justo and Pastor, patron saints of Alcalá de Henares (Madrid). The composition is the usual one for a series of plaques: compare with the bronze plaque dated between 1576 and 1700 with the same theme and very similar iconography from the Lázaro Galdiano Museum in Madrid, two in the Marés Museum in Barcelona (18th century), etc. . Weight: 137 grams.
· Size: 6,9x0,5x10,9 cms.
ANTIQUES
Ref.: ZF117124
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Devotional plaque, San Telmo or Sanct'Elmo. Bronze. Spanish school, 19th century. Saint Pedro González became bishop of Palencia, later entering the Order of Preachers. He is known as Saint Elmo and is considered the patron saint of sailors, having been confused with Saint Erasmus of Formia (Sanct'Elmo). In the present case, Saint Pedro González usually appears with the Dominican habit, while Saint Erasmus usually appears dressed as a bishop but with an allusion to his martyrdom in one hand. Weight: 163 grams.
· Size: 6,5x0,8x10,8 cms.
ANTIQUES
Ref.: ZF117125
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Devotional plaque, Holy Bishop. Bronze. Spanish school, 19th century. Rectangular devotional plate with a ring at the top and smooth moldings enhancing a figurative relief. You can see a male figure with a halo, carrying a bishop's staff, and is accompanied by a book and a tiara (located on the ground), and a sun emerging from a corner. Iconographically, it presents details in common with devotional plaques of San Antonio and Santo Domingo de Guzmán. Weight: 170 grams.
· Size: 6,7x0,9x10,7 cms.
ANTIQUES
Ref.: ZF117127
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devotional plate; San Vicente Mártir, or of Huesca or of Zaragoza, or of Valencia. Bronze. XIX century. Oval bronze plate with a circular element at the top and a frame to enhance the relief inside, which shows a young man, dressed as a priest, with the Palma del Matirio, a cross behind his back and a stone or wheel or millstone. These elements identify him as Saint Vincent of Huesca, also called Saint Vincent the Martyr, Saint Vincent of Zaragoza and Saint Vincent of Valencia, martyred at the beginning of the 4th century placed on a cross in a cross, skinned, put on a grill, thrown into a dungeon where he died, and his body was thrown into the Turia River in a hide tied with a millstone. Weight: 185 grams.
· Size: 7,5x0.5x11,5 cms.
ANTIQUES
Ref.: ZE273
