Results 289 to 312 of 1377

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PAIR OF WALL BRACKETS. BRONZE, PORCELAIN. FRENCH SCHOOL, CIRCA LATE 19...

Pair of wall pedestals. Gilt bronze, porcelain. French school, towards the end of the 19th century. A pair of small wall-mounted shelves made of gilt bronze decorated with relief elements of clear classical inspiration (architectural motifs, scrolls, fluted moldings, garlands of roses, ribbons, etc.), following common trends in the 19th-century French school. Each shelf features three glazed porcelain plaques decorated in colors and forms typical of the Sèvres factory (Manufacture nationale de Sèvres): two with a medallion of flowers and a blue border (all four are different), and a larger one in the center with a medallion depicting a female portrait (both are different: one shows a young woman with a frame of gilt flowers; the other shows a lady with her hair covered and a plain gilt frame). Note that the backs of these medallions and plaques are unmarked and have some imperfections not visible on the front. As is typical of this type of decorative piece from the French school, other similar examples exist, varying in the porcelain medallions and the number of porcelain plaques on the bases. Weight: 1.87 kg and 1.86 kg.

· Size: 27x10x18,5 cms.
ANTIQUES
MISCELLANEUS;CERAMIC

Ref.: ZF1524
MARBLE FOUNTAIN.

Three-tiered fountain. Carved marble.
A fountain crafted from veined marble, featuring a central axis with balustraded profiles and elegant floral and vegetal reliefs that visually organize the three basins (smaller in diameter towards the top, culminating in a large pearl finial), each decorated with fine reliefs along its rim. This type of fountain draws inspiration from examples of ancient garden architecture, incorporating modern touches, and can be used alone or as part of a small pool or pond."

· Size: 65x65x120 cms.
DECORATION

Ref.: M0081
FLOWERPOT ON PEDESTAL. PORCELAIN.

Flowerpot on a pedestal. Porcelain. The circular planter features a wavy, gilded rim and a painted garland and scene on each side: both are idealized bucolic landscapes with a series of classically inspired figures. The circular pedestal resembles a smooth-shafted column flanked above and below by capitals and resting on feline legs, and its front displays a painted decoration of the same type as those already mentioned. The work was inspired by 19th-century Neoclassical models.

· Size: 29x29x110 cms.
DECORATION

Ref.: S3096
CEILING LAMP. BRONZE, CLASS.

Lamp. Bronze, glass. This classicist-style ceiling lamp features a central glass panel bordered in bronze and adorned with ram's heads, from which two arms emerge, each ending in a flower-shaped glass shade. It is attached to the ceiling by bronze pieces decorated with putti, garlands, scrolls, architectural elements, and other motifs, clearly reflecting the influence of 19th-century neoclassical designs.

· Size: 91x91x110 cms.
DECORATION

Ref.: E515
TRIPLE ARCH IN CARVED WOOD

India. 19th Century

· Size: 400x20x260 cms.
DECORATION

Ref.: AB070
CUPBOARD. WALNUT, METAL. FRANCE, 19TH CENTURY.

Sideboard. Walnut wood, metal. France, 19th century. A carved walnut sideboard with two upper doors decorated with reliefs (diamonds, triangular panels, symmetrical plant motifs, etc.), a central section with two turned vase-shaped pieces flanked by discs, and a lower section with two doors (columns on either side, geometric and plant motifs in low relief) positioned beneath two small drawers flanking a lockable compartment. The metal fittings feature plant and architectural elements reminiscent of classical architecture. This type of furniture was common throughout 19th-century Europe, blending Neoclassical details with Baroque and Renaissance influences.

· Size: 140x60x237 cms.
DECORATIVE ANTIQUES

Ref.: Z0536
PINE WOOD CUPBOARD. SPAIN, 17TH CENTURY.

Cupboard. Pine wood. Spain, 17th century. A two-section cupboard made of carved pine, with fluted legs, a lower section decorated with simple panels (like the sides) on the two lockable doors, and an upper section with an exterior latticework panel. The upper section is a single open space, while the lower section has a shelf that divides it in two. The decoration links the piece to common forms of traditional Spanish cabinetmaking.

· Size: 104x60x175 cms.
ANTIQUES
FURNITURE

Ref.: Z0634
WALNUT SHOP COUNTER BOARD. LATE 19TH CENTURY-EARLY 20TH.

Countertop. Walnut wood. Late 19th-early 20th century. Shop counter board made of walnut wood and worked in a curve at one of its ends.

· Size: 59x3,5x385 cms
DECORATIVE ANTIQUES
MISCELLANEUS

Ref.: Z0996
MARBLE SCULPTURE. “PAIR TIGERS”.

Pair of carved marble sculptures. “Tiger”. Inspired by oriental models. Set on a base that resembles earth thanks to sgraffito work, the tigers are depicted roaring. The stripes on their bodies are left in relief, as are the hairs on their faces; however, their whiskers and noses are simply engraved into the marble surface. Clear influences from Tibetan and Indian examples are evident in the figure, which stands out for its magnificent combination of textures and the expressiveness of the animal.

· Size: 63x20x47 cms.
DECORATIVE ANTIQUES
SCULPTURE

Ref.: Z1128
R.DOMINGO 1901. \'ARTILLERY MANEUVERS\'

DOMINGO FALLOLA, Roberto (Paris, 1883 – Madrid, 1956). “The Load”, Paris. Watercolor on paper. Signed and located in the lower right corner. Domingo trained in Paris with his father, the painter Francisco Domingo Marqués, and later at the San Fernando Royal Academy of Fine Arts, where he was a student of Antonio Muñoz Degraín. He participated in national and international exhibitions, winning a third-place medal at the National Fine Arts Exhibition of 1908, a second-place medal in 1910, and a first-place medal in 1915. He also held exhibitions in Rome and London. A genre painter, he specialized in bullfighting themes, which brought him great fame and prestige. Roberto Domingo's work is represented in the Prado Museum, the Granada Museum of Fine Arts, the Provincial Museum of Cádiz, the Municipal Museum of Madrid, the bullfighting museums of Las Ventas in Madrid, La Maestranza in Seville, Valencia, and Viana de Cega (Valladolid), the Larrés Castle Drawing Museum (Huesca), and the Havana and Hemingway Museums in Cuba, among many others.

· Size: 42x51 cms. int: 30.5x22.9 cms
ANTIQUES

Ref.: Z4092
ORNAMENTAL MIRROR WITH CREST, 18TH CENTURY.

Cornucopia with prominent crest in carved and gilded wood, 18th century. A cornucopia with a rectangular mirror inside, its frame adorned with simple moldings (some concave, some straight, and some convex) without exaggerated movement, and on the outside, delicate garlands of flowers. The prominent upper crest stands out, composed of rocaille, curved moldings, flowers, and a vase. This work is of great interest because, while the simple lines mentioned above are more characteristic of the Neoclassical style, other elements (rocaille, concave and convex moldings, movement, decorative exuberance, etc.) are characteristic of the Rococo style. Both artistic styles coexisted in 18th-century Spain. It requires cleaning and minor restorations.

· Size: 96x35x185 cms
ANTIQUES
FURNITURE

Ref.: Z5301
BRONZE “WOUNDED FIGHTING BULL”.

Bronze sculpture, “Wounded Bull”. Signed “F. Bonilla Villalba” on the base. On a wooden base stands the figure of a bull after the final stages of the bullfight, depicted with the banderillas and the sword, as evidenced by the elements used in both: three banderillas and the sword. Thanks to the artist's exceptional skill, one can clearly see both the moment when the bull is about to die and bellows, and the blood flowing from its wounds. The drama is heightened by the unique treatment of the animal's hide.

· Size: 55x27x40 cms.
ANTIQUES

Ref.: Z6180
GENERAL PRIM IN THE TETUÁN BATTLE. OIL ON CANVAS. 19TH CENTURY, AFTER ...

General Prim at the Battle of Tetuán. Oil on canvas. 19th century, following a model by Francisco Sans Cabot. It requires restoration. Oil on canvas inspired by a painting made in 1865 by the painter Francisco Sans Cabot (Barcelona, 1828-Madrid, 1881) which is kept in the National Art Museum of Catalonia (catalog number 010618-000; according to other sources it is in the Palace of the Captaincy General of Barcelona) and represents General Prim (Juan Prim y Prats, Reus, 1814-Madrid, 1870) followed by Catalan volunteers and the Alba de Tormes battalion, crossing the trenches of the Tetuán camp in 1860, in the context of the War of Africa or First War of Morocco (1859-1860).

· Size: 159x179 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z6573
WALNUT BOARD 400x6x114 cms

· Size: 400x6x114 cms. ancho menor 80 cms.
DECORATIVE ANTIQUES
MISCELLANEUS

Ref.: Z5634B
SWAN, TABLE BASE. MABLE AND BRONZE. 20TH CENTURY.

Swan, table base for glass. Marble and bronze. 20th century. A bronze table base in the shape of a swan taking flight from a water surface, set on an oval base of dark marble. The figure, in some details, is more reminiscent of 19th-century examples found, for instance, on French Empire-era clocks, than of more typical 20th-century works.

· Size: 97x110x71 cms
DECORATIVE ANTIQUES
FURNITURE

Ref.: ZF0657
MARTYRDOM OF SAINT STEPHEM. OIL ON CANVAS. 17TH CENTURY, AFTER AEGIDIU...

Saint Stephen. Oil on canvas. 17th century, after an engraving by Aegidius Sadeler (inspired by Jacopo Palma). The figure of the Saint appears in the foreground, with his arms raised to heaven; to the viewer's left, the martyrdom of Saint Stephen is depicted, under the celestial apparition of Christ and God the Father; on the other side, some buildings and spectators are shown. Both the composition and the figures reveal an influence, direct or indirect through other paintings, of an engraving by Aegidius Sadeler II (1570-1629) based on a Martyrdom of Saint Stephen by Jacopo Palma the Younger (1548-1628).

· Size: 67x6x83 cms. int 43x58 cms
ANTIQUES
PAINTINGS

Ref.: ZF0760
BRONZE BULL. AFTER BENLLIURE, MARIANO (1862-1947).

Bull. Bronze. Following a model by BENLLIURE GIL, Mariano (Valencia 1862-Madrid, 1947). Mariano Benlliure was a Spanish sculptor, a precocious talent in both painting and sculpture. He trained in Valencia, Madrid, Paris, Rome, and other cities, and his name gained some renown when he settled in Madrid in 1887, winning a First Medal at the National Exhibition that year. His comfortable financial situation allowed him to lead a vibrant social life, meeting prominent figures of the time. He produced numerous religious, secular, and funerary works (in Cabra, Madrid, Seville, Navarre, etc.), and his work is preserved in important private collections and institutions.

· Size: 84x39xx54 Base 74x39
DECORATIVE ANTIQUES
SCULPTURE

Ref.: ZF0871
POWDER HORN. SPAIN, 19TH CENTURY.

Powder flask. Engraved shaft, rope, cork. Spain, 19th century. A powder magazine made from a cow horn and decorated on the outside with a series of figurative, geometric, and vegetal engravings and inscriptions highlighted with dark or black ink or dye. The decoration is arranged in horizontal bands, with some elements highlighted by "frames" of crossed lines. Latin crosses, floral elements, a coiled snake, several human figures (note especially the male figures at the top, with firearms), quadrupeds, birds, fish, and inscriptions in capital letters (names such as Manuel, intertwined initials, etc.) are clearly visible. Also known as "cuernas" (horns), these types of vessels were usually made not by skilled and specialized workers, but by shepherds, cattle herders, and others, who decorated them with their own names, elements important to their region or to themselves, or motifs with a long tradition in a particular area. Compare this to the one by Pedro Doncel, dated 1855 and kept in the Olivenza Museum (Spain), or the one from 1883 in the Costume Museum of Madrid (Spain).

· Size: 27x8x7 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS

Ref.: ZF1286
MUSTAR POTS AND SPICES BOWLS. SILVER, REGENT PLATE,GLASS. 20TH CENTURY...

Mustard and spice jars. Silver, "regent plate", glass. 20th century. Incomplete. With contrast marks. A collection of sixteen pieces (tubular salt shaker, three spice racks, mustard jars) bearing hallmarks. Some are English (from Birmingham, by AL Davenport Ltd, established around 1927, GJ Myatt & Co. Ltd., Arthur Willmore Pennington –established 1901–, S. Blanckensee & Son Ltd.; Goldsmiths' & Silversmiths' Company –established in London in 1880–; etc.), while others combine glass (both clear and transparent) with metal elements. Stylistically, they are inspired by traditional designs. Weight: 900 grams

· Size: 7x5,5x6,5 cms
ANTIQUES
MISCELLANEUS;SILVER

Ref.: ZF1374
PAIR OF BRONZE CANDLE HOLDERS. 16TH CENTURY.

Pair of candlesticks. Bronze. 16th century. A pair of bronze candlesticks with a raised, circular base enhanced by projecting, smooth moldings, a central axis decorated with discs, and a bulbous upper section. They belong to the type known as "spool candlesticks" and were common in certain European schools; for example, they can already be found in Spanish Gothic pieces, becoming very common thereafter. Over the following centuries, details such as the proportions of the base, its lines, and the upper finial were varied, adapting them to the taste of each period.

· Size: 14x14x13,5 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS

Ref.: ZF1474
HARD STONE AND METAL BOX. POSSIBLY ITALY, 19TH CENTURY

Box. Hard stones, metal, textile. Possibly Italy, 19th century. A square box or casket with a flat lid and supported by four circular legs, decorated on the lid and sides with marquetry plaques of hard stones depicting floral and animal motifs, and lined with textile inside. Both in form and decoration, it closely follows Italian models that were very common throughout the 19th century. Weight: 2.7 kg

· Size: 22,5x22,5x13 cms.
ANTIQUES
FURNITURE

Ref.: ZF1515
MARQUETRY DUTCH COMMODE ON LEGS.

Comfortable Dutch marquetry. Four legs support the chest of drawers, which has four drawers (each with a lock and two gilt metal handles) and a top shelf. The three drawer fronts and the top feature floral marquetry in light woods against a walnut background. The colors, themes, and decorative techniques are characteristic of traditional Dutch furniture.

· Size: 88x47x87 cms
DECORATION

Ref.: D010
COMMODE. ROOT WOOD, WOOD, METAL.

Chest of drawers veneered in burl wood, with gold-plated metal handles Rectangular chest of drawers with spherical legs, made of wood with a burl wood finish on the exterior and gold-tone metal hardware and latches. Its clean lines and composition are reminiscent of English designs. It has five drawers at the front.

· Size: 120x50x90 cms
DECORATION

Ref.: D042
BED FRAME. WOOD. 20TH CENTURY, AFTER ANTIQUE MODELS.

Bed. Carved and turned wood. 20th century, following antique models. Bed frame consisting of a headboard and footboard made of carved and turned wood, creating architectural and plant motifs of classical reminiscence with elements of baroque influence (Solomonic forms), following common examples in certain areas of Spain as well as in Portugal.

· Size: 149x187 cms. para 130x190 cms.
DECORATION

Ref.: V200

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