Results 1177 to 1200 of 1437

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CANDLESTICK HOLDER. BRONZE WITH PATINA

Patinated bronze candlestick. The circular base rises to meet the base of the stem and is decorated with flowers, which are repeated throughout the rest of the candlestick. The stem features fluting that transforms into leaves towards the top, and the candle rests in a small vase with a flat tray to collect dripping wax. In addition to the patina, which resembles ceramic, the decorative elements stand out, some with a classical inspiration and others with a modernist flair. Weight: 2590 grs

· Size: 20x20x48 cms.
DECORATION

Ref.: AF007
CANDLESTICK HOLDER. BRONZE WITH PATINA.

Patinated bronze candlestick. The circular base features a decoration of moldings and fluting, the latter element being repeated on the barrel, which has been shaped into a circular stipe, and the vase that serves as a base for the candles. The brown patina of the bronze is reminiscent of stone, and the decorative elements of the candlesticks (strands of pearls, etc.) are inspired by classical antiquity, maintaining a very elegant, clean line. Weight: 1250 gr

· Size: 16x16x35 cms.
DECORATION

Ref.: AF003
CANDLESTICK HOLDER. BRONZE WITH PATINA.

Patinated bronze candlestick. A single-light candlestick with a circular base, cylindrical stem, and candle holder shaped like a classic vase. The entire surface is decorated with moldings separated by straight bands featuring various geometric elements, which are repeated symmetrically on the stem, halfway down. The bronze finish, with its ceramic-like color, is particularly striking. Weight 590 gr.

· Size: 10x10x21 cms.
DECORATION

Ref.: AF002
CANDLESTICK HOLDER. BRONZE WITH PATINA.

Patinated bronze candlestick. Green tone. The square base or washer provides stability to the cannon, which has been shaped into a smooth-shafted column with a noticeable widening at its base. Two concave moldings separate this shaft from the container that holds the candles. The decorative simplicity highlights the patina and the classical lines of the candlestick. Weight 1095 gr

· Size: 11x11x32 cms.
DECORATION

Ref.: AF006
CANDLESTICK HOLDER. BRONZE WITH PATINA.

Patinated bronze candlestick. The base washer displays a molded decoration, while the cannon rises from a pedestal topped with a large pearl and is shaped like a vase, its convex lines contrasting with the concave lines of the small vases holding the candles. The fluting, lines, and decorative elements are classical in origin. Weight: 750 gr.

· Size: 10x10x25 cms.
DECORATION

Ref.: AF004
PAIR OF CHIMNEY ANDIRONS, GILT BRONZE. FRANCE, 19TH CENTURY.

Pair of andiels in gilt bronze and iron. France, 19th century. The area closest to the fire has been left undecorated. The front features two cupids with butterfly wings, a common detail in the 19th century, as are the egg-and-dart motifs, shields, and vegetal elements that complete the figures. Forms inspired by classicism are typical of Neoclassicism and all decorative styles of the 19th century.

· Size: 25x20x10 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS

Ref.: Z3052
GILT BRONZE GUÈRIDON, FRANCE, NAPOLEON III, CA THIRD THIRD OF THE 19TH...

Gueridon display case in polychrome and gilded bronze, France, Napoleon III era, around the third third of the 19th century. The small circular table features a transparent glass top, revealing the upholstered interior, and a waist decorated with classically inspired garlands on a gold background. The table's single leg rests on three curved legs, adorned with openwork circles and terminating in claw-like feet. Its quality, simplicity of line, and decorative elements place the piece in France during the reign of Napoleon III (1808-1873).

· Size: 33x33x87 cms.
ANTIQUES

Ref.: Z3090
FRAME, POLYCHROMED AND GILT WOOD. 18TH CENTURY.

Polychrome and gilded wooden frame. Late 18th century. A rectangular frame with gilded rocaille on a red background and elements related to the Passion of Christ on shields in the corners and center of the longer sides: dice, nails, a purse (containing Judas's coins), a mallet and pincers, a cross with lances, and two whips. These motifs clearly indicate that it was created to highlight a religious painting depicting the Passion, likely in a private chapel, given the lack of relief and the work's strong Rococo influence.

· Size: 187x3x87 cms LUZ 51X154 cms.
ANTIQUES
MISCELLANEUS;FRAMES

Ref.: Z3627
MAHOGANY NEOCLASSICAL BED, 19TH CENTURY.

"Ship's" bed in carved mahogany wood, 19th century. The headboard and footboard, of the same height, are decorated with a circular molding, while the back, for the sake of harmony, follows the lines of the front, which is decorated with four columns flanking a central motif of scrolls and palms with a strong classical influence. It follows the lines of Neoclassicism, the main style of this century.

· Size: 218x152x128 para colch=n 135x195 cms.
ANTIQUES

Ref.: Z5054
DEVOTIONAL BRONZE PLAQUE 19-20TH CENTURY

19th-20th Century Unit price.

· Size: ud. 7,5x11,5 cms.
ANTIQUES
MISCELLANEUS;OTHER OBJECTS

Ref.: Z6494A
THREE BASINS FOUNTAIN; CARVEDSTONE.

Three-tiered fountain in carved stone.
Raised on a round pedestal, the fountain features three basins arranged in descending sizes from largest to smallest, each adorned with a lion's head on its front. A bulbous finial with architectural volutes crowns the piece. The work draws inspiration from Neoclassical models, which were heavily influenced by classical antiquity."

· Size: 110x110x210 cms.
DECORATION

Ref.: M0082
WHITE MARBLE OVAL PLAQUE. “CHILDREN FROM DIONYSUS’ RETINUE”.

Oval plaque in carved white marble. “Children of the retinue of Dionysus”. The three children are seated in a meadow. One holds a branch with bunches of grapes and vine leaves; the second has an arm draped over his shoulder and holds a cup; the third clasps his hands as he looks at his companions. Based on the objects they carry, they can be associated with the retinue of the god Dionysus, also known as Bacchus. This type of subject matter, drawn from classical mythology but not belonging to its main themes, was widely used in art, especially from the 18th century onward.

· Size: 95x5x80 cms.
DECORATION

Ref.: M0093
MARBLE BASE WITH COLUMN.

Cup with column in carved and turned veined marble Both elements were crafted from the same stone to lend uniformity to the piece. The substantial base, the baluster-shaped column, and the cup decorated with pronounced moldings reflect Mannerist and Baroque styles. These types of objects were widely used in the decoration of palaces and their gardens.

· Size: 35x35x130 cms.
DECORATION

Ref.: M0129
MARBLE VASE. AFTER CLASSICAL MODELS.

Classic-inspired cup in carved marble. The cup features a wide mouth curved outwards and is set atop a circular base. Its lines connect it to models from all artistic styles inspired by classical antiquity (Renaissance, Neoclassicism, etc.). This type of piece was used both for interior decoration in prominent residences and for exterior decoration in important gardens.

· Size: 50x50x61 cms.
DECORATION

Ref.: M0126A
MARBLE FOUNTAIN.

Tall, double-bowl fountain. Carved marble. A fluted circular base rests on a pedestal, supporting the fountain's larger basin, which, like the smaller one, is decorated with simplified volutes. Between them, a vase features a shell-shaped lower half and a smooth upper half. The upper finial displays a large, fluted pearl. While fountains are a feature already found in Babylonian gardens, this particular work is more closely related to Baroque models in its structure and to more contemporary styles in its lines.

· Size: 120x120x185 cms.
DECORATION

Ref.: M0048
PAIR OF TRAVERTINE COFFEE TABLE BASES.

Pair of table legs in carved travertine. Both identical, they are decorated with symmetrically arranged fleshy leaves, reminiscent of tropical plants rather than classically inspired acanthus. The prominence of the natural element in the work is close to aesthetic approaches that emerged in art from the 19th century onward. Travertine, or travertine marble, is a sedimentary rock widely used for interior and exterior decoration since the Roman Empire.

· Size: 40 x 9,5 x 46 cm
DECORATION

Ref.: M0015A
WALNUT THREE KEYS CHEST WITH WROUGHT IRONWORK, CASTILLE (SPAIN), 17TH ...

Town Hall chest made of walnut wood and wrought iron fittings. Castile, 17th century. Rectangular box with a flat lid, resting on four spherical legs and featuring a prominent lower molding reinforced with corner pieces. It has two handles with a central disc on the sides and, on its front, three bolts with decorated lock shields set against a fabric background, along with their respective keys. The keys have decorated shafts and rings with openwork circular elements. These chests are called "Town Hall" or "Council" chests because of their three locks, each secured with its own key. These chests were used in all kinds of organizations, religious or civil, to store valuables, documents, or money. Each key was given to a designated person, and all three had to be present to open the chest, thus preventing any potential temptation. They were a very common feature in the council chambers of towns and other villages, hence their name. Stylistically, it belongs to the Baroque period due to the robust lower molding and the dynamic effect of the legs and the various fittings. This type of chest was already in use during the Gothic period and, given its popularity, continued to be common in cabinetmakers' and carpenters' workshops for many centuries. Sometimes they were made of iron, and, in very few cases, three keys were used to lock a silver chest (such as the one containing the body of Saint Isidore in Madrid). In many places, like La Rioja, it served as a municipal archive, following laws derived from a decree of June 9, 1500, by which the Catholic Monarchs compelled the councils of their territories to build town halls, prisons, and maintain a chest for privileges and deeds. Despite their abundance in the past, few examples have survived because they fell into disuse and were replaced. Compare with that of the Council of Villafranca de la Marisma (Los Palacios y Villafranca, Seville), that of Valdipiélago (León), that of Matapozuelos (Valladolid), that of the Cabildo of Buenos Aires of Argentina (18th century, following earlier models), etc.

· Size: 152x67,5x76 cms.
ANTIQUES

Ref.: Z3404
WOODEN BED WITH GILT BRONZE.

Bed with bronze accents At the foot of the bed are a series of bronze appliqués formed by vegetal scrolls, garlands, and egg-and-dart moldings. The headboard is topped with a basket of flowers flanked by two putti. The four posts are crowned with vases of flowers. All these elements are of classical inspiration and contrast with the dynamic lines of the footboard and headboard. This combination is characteristic of 19th-century furniture and, due to its popularity, continued to be used afterward.

· Size: 212x225x215 cms.
DECORATION

Ref.: E458
WALNUT AND MARBLE TOP CHEST OF DRAWERS. 19TH CENTURY.

Walnut wood chest of drawers with marble top. 19th century. A rectangular chest of drawers on four legs with chamfered corners, divided into two sections by a thin molding: the upper section features a single drawer highlighted with molding, and the lower section has three drawers, all with two handles and a key lock. The lines of the piece are reminiscent of English "chests of drawers," chests of drawers that emerged around the 17th century and influenced some important European manufacturing centers. In the 19th century, it was very common to choose styles and examples from the past to create works more in keeping with the times.

· Size: 56x125x94,5 cms.
DECORATIVE ANTIQUES

Ref.: Z5816
WHITE MARBLE BIRDBATH.

Bird feeder in carved white veined marble. The circular basin in white marble and two bronze birds with a green patina. Similar objects were widely used in major gardens, and are particularly characteristic of Victorian English courtyards.

· Size: 30x30x10 cms.
DECORATION

Ref.: V3011
MARBLE SCULPTURE. “PAIR TIGERS”.

Pair of carved marble sculptures. “Tiger”. Inspired by oriental models. Set on a base that resembles earth thanks to sgraffito work, the tigers are depicted roaring. The stripes on their bodies are left in relief, as are the hairs on their faces; however, their whiskers and noses are simply engraved into the marble surface. Clear influences from Tibetan and Indian examples are evident in the figure, which stands out for its magnificent combination of textures and the expressiveness of the animal.

· Size: 63x20x47 cms.
DECORATIVE ANTIQUES
SCULPTURE

Ref.: Z1128
WHITE MARBLE VASE. AFTER CLASSICAL MODELS.

Cup in carved white marble. Inspired by classical designs. The cup, with its wide, concave mouth, features carved decoration based on classically inspired architectural motifs: egg-and-dart reliefs, beveled rectangles, and lines at the base. This type of design was widely used in the main gardens of the Renaissance period.

· Size: 52x52x52 cms.
DECORATION

Ref.: Z1685
RUSTIC WOODK SIDE CABINET

Rustic sideboard in solid wood. Iron lattice gates

· Size: 35x145x85 cms.
DECORATION

Ref.: AJ430
PORCELAIN VASE WITH TWO HANDPAINTED SCENES. AFTER MODELS FROM THE MANU...

Glazed porcelain vase with an interior scene. Inspired by Sèvres models. The interplay of tones between the vase's enamel and the gilded appliqués allows the two scenes on its fronts to take center stage. These depict two interiors of a house belonging to a wealthy bourgeois family, in the style typical of such works in the early 19th century. The classical elements that decorate the piece link it to works from the same century by the Manufacture Nationale de Sèvres (France).

· Size: 30x25x79 cms.
DECORATION

Ref.: S2552

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Results 1177 to 1200 of 1437

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