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The bronze figure depicts a woman holding a large, thirteen-branched candelabrum. The base consists of a pedestal decorated with a floral garland, supported by lion's paws.
· Size: 60x60x252 cms.
DECORATION
Ref.: V7001A
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Bronze table leg with four lions. Based on models derived from Roman trapezoids (Pompeii, etc.). The four lion heads are positioned back to back, resting on a powerful feline paw, the transition between them adorned with volutes and vegetal motifs. The artist drew inspiration for this work from finds in Ancient Rome, known from museums (Metropolitan Museum, 13.115.1) or from references in books specializing in classical art (such as Franz Sales Meyer's A Handbook of Ornament).
· Size: 85x85x77 cms.
DECORATION
Ref.: V4077
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Seated offerer. Bronze. 20th century, following Art Deco models. Bronze sculpture of a young lady seated with her legs crossed and both arms raised to hold an oval tray. Her clothing (exotic, detailed, and accentuating her figure) and the pose of the piece, reminiscent of a dancer, link it to European Art Deco works. Weight: 26 kg.
· Size: 40x38x90 cms
DECORATION
Ref.: V3053
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Bronze fountain. "Crying child". Lost-wax casting. This curious bronze piece depicts a naked child crying inconsolably at the sight of a toad on his knee. The figure is highly expressive; the child's face reflects panic and anguish, and he is foreshortened as if trying to get away from the animal. The piece rests on a circular marble base.
· Size: 31x61x60 cms.
DECORATION
Ref.: V4009
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Young Psyche. Bronze, stone. Following models by Auguste Moreau. A patinated bronze sculpture on a circular stone base depicts a young girl with butterfly wings, following a common iconography for Psyche (a Roman deity considered the personification of the soul) in 19th-century art. This work shows strong similarities to works associated with Auguste Moreau (1834-1917) that employ the same iconography. Weight: 16.5 kg.
· Size: 28x22x66 cms.
DECORATION
Ref.: V4042
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Palanquin with children. Bronze, marble. Bronze figure on a marble base depicting five children with an oversized palanquin or litter, positioned as if they were having an accident. The influence of 19th-century French models (Louis Gossin, etc.) is clear in both the subject matter and the composition. Weight: 19 kg.
· Size: 50x28x32 cms.
DECORATION
Ref.: V3094
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Bronze sculpture “Cupid”. Inspired by models by Auguste Louis Mathurin Moreau (1834-1917). Marble base. Lost-wax casting. The figure of the child is identified by its wings and the bow it displays. Cupid appears semi-nude, with his quiver at his feet and a tree stump behind him. The work is based on models created by a member of the renowned Moureau family. Mathurin first exhibited at the Paris Salon of 1848, and in 1897 he received a Medal of Honor. His work, rooted in that esteemed family style, exhibits a number of distinctive characteristics that are still present in this sculpture.
· Size: 28x28x66 cms
DECORATION
Ref.: V2524A
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Lost-wax bronze casting. Model by Auguste Moreau. Patinated bronze sculpture of two children together, the boy holding flowers. This piece follows the designs of Auguste Moreau (1834-1917), a renowned French sculptor known especially for his delicate and naturalistic works within the Art Nouveau movement, of which he was a leading figure. He created busts, figures, and small sculptures, and his designs were subsequently adopted by many other bronze casters due to the artist's success and the quality of his pieces.
· Size: 25x25x52 cms.
DECORATION
Ref.: V4024
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Bronze lamp base, “Lady with vase of roses”. The figure stands on a stepped circular pedestal topped by an Ionic column. The young woman is depicted placing a vase of roses on the column, which is surmounted by a translucent glass torch that conceals the light source.
· Size: 30x30x80 cms.
DECORATION
Ref.: V3029
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Bronze sculpture, “Cabrial Horse”. Lost-wax casting. On a rectangular base resembling earth stands the figure of a horse, positioned with both forelegs raised and only partially harnessed. This type of sculpture was very common in the 19th century, especially in England, and it is these models that serve as inspiration for this work.
· Size: 44x21x54 cms.
DECORATION
Ref.: V4080
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Bronze, “Two young people caressing each other”. Lost-wax casting. The two figures stand on a round base. The girl holds the boy's head in both hands, while he embraces her with one arm, carrying a basket in his left. A tree stump places the scene within an idealized natural setting. This work is based on models created by Auguste Moreau (1834-1917), son of Jean-Baptiste Moreau, known for his meticulous style and his affiliation with Art Nouveau.
· Size: 23x23x43 cms.
DECORATION
Ref.: V4025
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Lost-wax bronze casting. Model by Auguste Moreau. Marble base Patinated bronze depicting two children together, the boy holding flowers. This piece follows the designs of Auguste Moreau (1834-1917), a renowned French sculptor known especially for his delicate and naturalistic works within the Art Nouveau movement, of which he was a leading figure. He created busts, figures, and small sculptures, and his designs were subsequently adopted by many other bronze casters due to the artist's success and the quality of his pieces. Weight: 20 kg
· Size: 27x27x58 cms
DECORATION
Ref.: V2526A
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Bronze sculpture, “Cupid”. Inspired by models by Auguste Louis Mathurin Moreau (1834-1917). Lost-wax casting. The figure of the child is identified by its wings and the bow it displays. Cupid appears semi-nude, with his quiver at his feet and a tree stump behind him. The work is based on models created by a member of the renowned Moureau family. Mathurin first exhibited at the Paris Salon in 1848, and in 1897 he received a Medal of Honor. His work, rooted in that esteemed family style, exhibits a number of distinctive characteristics that are still present in this sculpture.
· Size: 27x22x55 cms.
DECORATION
Ref.: V2524
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Cupid in bronze and marble base, after models by August Moreau. On a round base stands the figure of Cupid, the god of love. The bronze sculpture, with the iconographic attributes corresponding to this figure from classical mythology, was created based on models by Auguste Moreau (1834-1917). This French sculptor studied at the École des Beaux-Arts in Paris and first exhibited in 1861, achieving great success at a very young age for his works, characterized by their exquisite refinement and intricate designs and poses. Weight: 11.2 kg.
· Size: 27x20x63 cms.
DECORATION
Ref.: V4049
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Bronze sculpture “Lady leaning on a column”. On a prominent circular pedestal with a marble base stands the figure of the young woman, dressed in the classical style. She rests one hand lightly on an Ionic column, up which a flowering plant climbs. The sculpture is reminiscent of models used by Henri-Louis LeVasseur (1853-1934), specifically his work entitled "Le Poesie," which was frequently used as inspiration even after the sculptor's death.
· Size: 30x30x54 cms.
DECORATION
Ref.: V4099
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Bronze sculpture, “Lady with Amphora”. The base of the figure (with its curved profile) rests on prominent lion's paws adorned with vegetal motifs. The young woman is seated, resting a large amphora on one knee. Rococo influences are evident in the figure's base and posture, while classical influences are apparent in the presence of the krater.
· Size: 33x22x49 cms.
DECORATION
Ref.: V4041A
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Cylindrical bronze base. With a smooth shaft, it features only a base with a molding at the bottom and two straight ones at the top. The piece stands out for its purity of line, and the lack of decorative elements will further emphasize the object placed on the pedestal. Weight: 21 kg.
· Size: 30x30x73 cms.
DECORATION
Ref.: V3066
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Bronze sculpture. “Worried Girl”. Lost-wax casting. Marble base. The girl stands on a base resembling earth, which also features a tree stump and some roses. Her hand raised to her face, her worried expression, and the gesture of extending her skirt lead the viewer to believe that she may have lost the flowers she was carrying or that something has happened to the garment. The influence of 19th-century French bronze sculptures is clear in the forms, lines, and vocabulary used. Weight 5 kg.
· Size: 19x16x38 cms.
DECORATION
Ref.: V4019
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Centerpiece, “Hercules as Atlas”. Bronze and marble. The circular base is decorated with a string of pearls and scrolls. On it, two semi-nude children hold the light marble cup of the centerpiece. Thanks to the lion's head hanging from one side, the bearer can be identified as Hercules. The work clearly shows classical inspiration, as well as the influence of 19th-century French bronzes.
· Size: 30x30x32 cms.
DECORATION
Ref.: G2018
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Bronze sculpture. “Musketeer with jug”. Lost-wax casting. Marble base. On the rectangular base stands the figure of the Musketeer, seated with a jug at his feet and holding another in his hand. The emblem on his chest, the sword at his side, and his hat are the details that clearly identify him. This type of figure was very common in France, given that the corps was responsible for escorting the monarch from its creation in 1622.
· Size: 21x13x30 cms.
DECORATION
Ref.: V4016
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Bronze sculpture, “Cupid”. Lost-wax casting. Marble base. The god of love in classical mythology is distinguished by the quiver of arrows on his back and by his butterfly wings, rather than the more common feathered wings. This theme was very common in 19th-century French bronzes (recall, for example, those by the Moreau family).
· Size: 17x17x45 cms
DECORATION
Ref.: V6018
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“Dancer with Bells”. Bronze cast using the lost-wax method. Standing on a circular base is the figure of a young woman, dressed in a short skirt and adorned with bells, holding a torch aloft and with a tambourine at her waist. These small sculptures, with circus or festive themes and a certain oriental flair, were very common in Europe throughout the 19th century, with French examples being particularly important and used as models across the continent for their quality and originality.
· Size: 17x17x51 cms.
DECORATION
Ref.: V2299
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“Boy”. Bronze with polychrome finish. A polychrome bronze figure on a circular base depicts a humbly dressed child. The piece is reminiscent of European works (France, Vienna, etc.) from the late 19th or early 20th century, both in the material chosen and in the subject matter, size, composition, and level of detail.
· Size: 17x17x42 cms.
DECORATION
Ref.: V3006
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Pair of candlesticks. “Man and woman”. Lost-wax casting. Marble base. These anthropomorphic candlesticks are noteworthy for several details. Both figures are in similar poses and attire, but the young woman's height is emphasized by a classically inspired dolphin on which she rests one foot, while the man adopts a posture characteristic of female figures rather than traditional male figures. Although this work can be linked to the 19th-century French tradition of bronze figures, these details bring the pieces closer to more contemporary artistic approaches.
· Size: 13x13x39 cms.
DECORATION
Ref.: V4051
