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Bronze sculpture. “Bull”. Lost-wax casting. Marble base. The figure of the animal, facing forward, rises from the oval base. These small bronze sculptures were highly valued in the 19th century, especially in France. From that time onward, animal sculpture (whether wild or domestic) was considered one of the main subjects for this medium. Weight: 10.5 kg
· Size: 35x31x17 cms.
DECORATION
Ref.: V24133
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Bronze sculpture. “Girl with goat”. Inspired by models by Affortunato Gory (1895-1925). Lost-wax casting. Marble base. The young woman sits with her legs stretched out in front of her, reaching up to grasp the goat's horns, which appear poised to fight. It is based on the work "The Girl and the Goat" by Affortunato Gory, an Italian sculptor trained at the Accademia di Belle Arti in Florence under Augusto Rivalta, who moved to Paris at the beginning of the 20th century to complete his training with Antoine Basset. His work is characterized by the frequent use of young women, children, and the occasional historical figure, and by the combination of marble with bronze and ivory in some of his pieces.
· Size: 21x40x15 cms.
DECORATION
Ref.: V2141
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Cup in patinated bronze and marble. Lost-wax casting. The cup rises from a square base supported by scrolls and decorated with vegetal motifs. It consists of a stem and handles adorned with bronze masks and leaves, and a pinkish alabaster bowl. The work's classical inspiration is evident both in the combination of materials and the decorative elements employed. Weight: 7.7 kg
· Size: 27x39x42 cms.
DECORATION
Ref.: G2013
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Bronze sculpture. “Kneeling Girl”. Inspired by models by Auguste Moreau (1834-1917). Lost-wax casting. Marble base. On a bronze base given the appearance of earth, the figure of a young girl kneels next to a plant. The girl's arms are outstretched to face level, and she is looking to one side in an attitude of surprise. The work is based on models by the French sculptor Auguste Moreau, who debuted at the Paris Salon in 1861, where he exhibited frequently until 1913. He was well known for his pastoral works and allegorical pieces, and for his realistic and graceful style.
· Size: 22x18x28 cms.
DECORATION
Ref.: V4018
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A bronze figure on a circular base depicts a humbly dressed child holding a teapot and raising his hand to his mouth as if to shout or hawk his wares or services. The piece is reminiscent of European works (France, Vienna, etc.) from the late 19th or early 20th century, both in the material chosen and in the sculpture's subject matter, size, composition, and level of detail. The inscription on the base (P. Dubois) refers to the sculptor Paul Dubois (France, 1829-1905), whose works inspired this sculpture (especially one in particular, very similar to this one).
· Size: 17x17x42 cms.
DECORATION
Ref.: V2283
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Bronze sculptures. “Boy and girl with goose”. Lost-wax casting. Marble base. Both figures stand on circular bases. The girl has a basket hanging from her arm and a goose at her feet, while the boy helps her by carrying something in his arms. This type of bronze sculpture derives from 19th-century French models, both in its subject matter and in its idealized treatment of peasant life.
· Size: 10x10x22 cms.
DECORATION
Ref.: V3090
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Centerpiece in bronze and glass. Lost-wax bronze casting. It has a cup shape, with a base made of four bamboo canes joined by a cord and decorated with flowers and leaves, a clear glass container, and two handles with leaves curved inwards. While the shape corresponds to a very old prototype of centerpieces, the prominence of the plants and the presence of bamboo bring the work closer to more recent approaches related to Romanticism and the 19th century.
· Size: 22x37x26 cms
DECORATION
Ref.: G2012
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“Boy with Mandolin”. Bronze. Standing on a stepped circular base is the figure of a semi-nude boy, holding a piece of paper in one hand and extending the other in a singing gesture, his body moving in time with the movement. The expressiveness and detail of the piece demonstrate the quality of the sculpture. At the boy's feet is a musical score entitled "Improvisateur." Note the influence of well-known and highly regarded models, especially the works of Auguste Moreau. Weight 4 kg (France, 1834-1917).
· Size: 44x25x15 cms.
DECORATION
Ref.: V2342
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Bronze sculpture. “Water Carrier Boy”. Inspired by models by Auguste Moreau (1834-1917). Lost-wax casting. Stone base. Standing on a rock formation is the figure of a child, carrying a large jug balanced on his hip and holding the rope around its mouth. The work is inspired by that of Auguste Moreau, son of the painter Jean Baptiste Moreau, known for his pastoral scenes and allegories, and for his graceful, realistic style.
· Size: 16x13x29 cms.
DECORATION
Ref.: V4053
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Bronze sculpture. “Boy carrying a shell”. Lost-wax casting. Standing on a circular base is a young man holding an enormous seashell in both hands. These small sculptures were highly prized, reaching their peak in 19th-century France. The models that inspired this work derive from this center.
· Size: 14x17x20 cms.
DECORATION
Ref.: V2528
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Oval table mirror frame in bronze. The space for the mirror is highlighted with a string of pearls. The frame has a dynamic profile due to its curves, counter-curves, and volutes. The decoration consists of vegetal elements, drapery, garlands of flowers, scrolls, and mascarons, some engraved and some in relief. The inspiration for the piece is clearly Renaissance motifs, while the pronounced movement of its profiles is more characteristic of 18th-century Rococo. Weight: 2 kg
· Size: 23,5x20x40 cms.
DECORATION
Ref.: V2532
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Bronze tabletop mirror frame. Inspired by Art Nouveau designs (ca. 1900). While the interior shape, very similar to a heraldic shield, links to academic prototypes, the prominence of the stems that form the outer profile of the frame, the curved lines they draw, the flowers and the interlaced finish (which remotely resembles the Celtic) speak of influences from models derived from Art Nouveau, a style characteristic of around 1900 and also known as "Modern Style". Weight: 2.2 kg
· Size: 25x14x35 cms.
DECORATION
Ref.: V2531
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Magnificent bronze sculpture "Cat playing with kitten" Beautiful bronze sculpture depicting a highly realistic scene featuring two cats, a mother cat and her kitten, on a circular marble base. Weight: 2.4 kg.
· Size: 15x16x15 cms.
DECORATION
Ref.: V24085
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Bronze sculpture “Deer”. Lost-wax casting. The animal is positioned with one of its front legs slightly raised and its head and ears pointing upwards. While deer have been a common subject in small bronze sculptures since the Renaissance, their naturalistic treatment and the prominence given to them in this work aligns them more closely with contemporary approaches. Weight: 2.35 kg.
· Size: 24x8x24 cms.
DECORATION
Ref.: V2627
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Birds on a branch. Bronze. A bronze sculpture depicting a curved branch with leaves and flowers upon which a number of birds are perched in various positions. The piece's aesthetic treatment departs from the more realistic finish typical of Neoclassicism and is closer to the influences of 20th-century artistic trends.
· Size: 17x7x7 cms.
DECORATION
Ref.: V3119
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Bronze sculpture. “Heron”. Lost-wax casting. Marble base. The heron is depicted in the usual pose chosen for these birds: with its wings slightly spread, walking, and its head held high. The representation of animals in small bronze sculptures became a fully-fledged genre in 19th-century France, from where the trend spread. Whether domestic or wild, exotic or European, they were notable for their realism, and this work belongs to that tradition.
· Size: 15x12x26 cms.
DECORATION
Ref.: V24136
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Bronze sculpture. “Two Swans”. Inspired by models by Milo (1955-). The two swans are depicted swimming on a bronze surface worked to resemble water. The naturalism and detail of the birds are particularly noteworthy. The work is inspired by models of the Portuguese sculptor Miguel Fernando López, known as Milo, highly regarded for his works of animals and nudes, as well as his approaches incorporating avant-garde influences.
· Size: 26x19x16 cms.
DECORATION
Ref.: V24082
