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Candlestick with chain and clips. Silver. F. Roca, Barcelona, around the first half of the 19th century. With hallmarks and engraving marks. Silver candlestick in its colour with an openwork bowl raised on two small legs (inside there is a vase-shaped piece to hold the candle) and a flat handle (curved towards the end, area where the third leg is located), decorated with two bands of pearls on the sides (a motif that also appears on the edge of the bowl) and from the end of which emerges a chain that ends in some tweezers (which are placed on a piece soldered to the bottom of the handle). The piece has two engraving marks and other hallmarks under the bowl. The latter place the work in Barcelona, by F. Roca, a silversmith active in the city during the second half of the 18th century and the beginning of the 19th century. Weight: 185 grams.
· Size: 23,5 x 8,5 x 7 cms.
ANTIQUES
MISCELLANEOUS;SILVER WORKS
Ref.: Z6734
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Base. Carved and polychrome wood. Spanish school, 17th century. Rectangular base, made of carved and polychrome wood in grey tones, which has been decorated with a series of mouldings and toruses, some smooth and others enhanced with a fine relief of plant elements and garlands with a clear classicist influence. The piece is finished off with a spike to secure the sculpture that is placed on it. Weight: 6.4 kg.
· Size: 37x25x44 cms , altura base 23 cms
ANTIQUES
Ref.: ZE346
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Peace-bearer. Bronze. 16th century. Bronze peace-bearer with an S-shaped handle on the back made of the same material and a decoration in light relief on the front showing, beneath an architectural composition with a clear classicist influence (a semicircular arch with a scallop shell inside and scrolls outside, two pillars with vegetal decoration and a base with heraldry), the Virgin Mary with the Child, accompanied by two angels and placed on a pedestal on which a legend can be seen (AVEREGINA/CELOUM?, in allusion to the Marian antiphon Ave Regina Caelorum, typical of the time of Lent).
· Size: 6.5x3x11 cms
ANTIQUES
Ref.: ZF0866
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Niche. Gilded and polychrome pine wood. Spain, 17th century. A niche made of carved and gilded pine wood, decorated with mouldings, a scallop shape and plant elements on the upper part, which shows a clear classicist influence, common in some Spanish Baroque schools of the 17th century. This type of piece usually formed part of an altarpiece, and was normally used to house sculptures.
· Size: 47x14x66 cms
ANTIQUES
Ref.: ZF0954
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Guang Yu, Zhang Fei and Liu Bei. Watercolor. China, early 20th century. Framed painting showing three male figures, with a text on the right side. The one reading and sitting on a throne covered with tiger skin, stands out above all for his beard, but also for his rich clothing. The two characters are situated Standing, they also wear rich (although somewhat less) clothing, and one carries a halberd or spear while another carries an object in his hands. Guang Yu was a military general under Lui Bei during the late Eastern Han Dynasty and the Three Kingdoms Period of ancient China, and his life and achievements were so extolled and glorified that he was deified during the Sui Dynasty, emphasizing his exploits further in the Romance of the Three Kingdoms and becoming one of the main examples of loyalty and righteousness, receiving worship even today and receiving names such as "Emperor Guan" or "Lord Guan". Together with Zhang Fei shared a brotherly relationship with Lui Bei, and accompanied him on some of his early exploits. Weight: 9 kg.
· Size: 95,5x2x134 cms.
ANTIQUES
Ref.: ZF1075
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Portrait of ancestors or family. Watercolor. China. Early 20th century. Painting with four richly dressed figures (two male and two female) seated on thrones or chairs dressed in rich cloths, located in an interior, attended by two servants (small in size, at the front of the work), and with an altar with several pieces of great value in the background of the composition. This type of work was very common in oriental art of certain schools, in line with the value placed on the ancestors of prominent families. Weight: 11.2 kg
· Size: 90x3,5x130 cms.
ANTIQUES
Ref.: ZF1076
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Box or casket with royal monogram. Mahogany wood, metal. Spain, 19th century. It has slight damage. Rectangular box with a flat lid and a keyhole on the front, decorated with metal applications on the corners, edges, handles, etc. Below the keyhole there is a fleur-de-lis. The lid has a central motif with fleur-de-lis and a crowned M, and alternating crowned castles and lions in the corners. This emblem (and the fact that it is accompanied by lions and castles, alluding to Castilian heraldry) is reminiscent of the royal monograms that all members of the royal family apparently had in the past to mark their belongings. In this case, it is possible that it refers to Maria Cristina of Bourbon-Two Sicilies (Palermo, 1806-Sainte-Adresse, 1878), wife of Ferdinand VII and regent during the minority of Isabel II. However, we must remember Maria Cristina of Habsburg-Lorraine or of Austria (1858-1929), wife of Alfonso XII. The emblem of Maria de las Mercedes de Orleans and Bourbon (Madrid, 1860-1878), wife of Alfonso XII, used to appear with two capital “Ms”.
· Size: 78x31x24 cms.
ANTIQUES
Ref.: ZF1170
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18th century ponderal weight. Bronze. Incomplete bronze ponderal, with the container vessel and two of the smaller ones, all cold decorated with incised and stamped motifs, simple edges on the small vessels and more complex borders on the container vessel. Nested cup weights are a set of cup-shaped weights that fit precisely inside each other. A complete set is one that retains all its original cups. The largest, called the keeper, consists of an upper lid with a handle and a closure, and weighs exactly the same as the sum of all the others. The second in descending order weighs half as much as the keeper, and the same as the sum of the rest. This proportionality is maintained until the last weight, called the disk or last piece, which is usually solid and closes the set. This principle remained unchanged until the introduction of the decimal metric system.
· Size: 11x12x12 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z3034
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Frame. Carved wood. 17th century. It has faults. Rectangular frame made of carved wood that still retains part of its original polychromy. As was usual in various European schools since the Renaissance (particularly the Italian one, but also the Spanish one, for example), it is decorated with a series of smooth mouldings of different widths, arranged leaving a smooth strip.
· Size: Ext 175x95 cm Int: 1.55x74 cms.
ANTIQUES
Ref.: Z6224
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Quaking glass or wine-tasting glass. Silver. 18th century. One handle is missing. A vessel known as a catavinos or tembladera (as it has no foot) made of silver in its colour with a flat handle curved in the shape of an “S” decorated with simplified plant elements, and a line of mortise-shaped pieces (gallon-shaped shapes) on the edge enhanced by a smooth band. Towards the inside it has strings of pearls and dots, and a cross on the bottom. Bernegales and mortise-shaped pieces were frequent in Spanish silverware in the 17th century, usually being relegated to centres of somewhat less importance in the 18th century. Compare with pieces such as the silver bernegal from the last third of the 17th century in the Lázaro Galdiano Museum (perhaps from the Portuguese school; inventory 3916), or the one dated between 1640 and 1665 from the same museum (inventory 3910), or the one by José Jiménez de Illescas (inventory 3915, dated 1715-1725) in the same institution. Weight: 101 grams.
· Size: 12x10x4 cms.
ANTIQUES
Ref.: ZE367
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Silver spice rack. Stefano Olivero, Italy. Possibly 19th century. Silver spice rack raised on simple legs, located at the chamfered ends of the piece, decorated on the outside with garlands and other architectural elements of classicist influence in light relief. Weight: 198 grams.
· Size: 5,5 x 8,5 x 6,5 cm
ANTIQUES
Ref.: ZF0006
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Sold
Saint Joseph with the Child Jesus. Polychrome wood. Spanish School, 19th century. Polychrome sculpture depicting Saint Joseph dressed in a tunic and cloak, standing, holding the Child Jesus by the hand, who appears wearing a short tunic and holding a Latin cross to his chest, following the iconography and composition common in the Spanish school of the 19th and 20th centuries (compare with examples from Olot, etc.).
· Size: 25x16x56 cms.
ANTIQUES
Ref.: ZF1400
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Table clock. Bronze. 1990s, modeled after August Moreau. In working order. Table clock with a raised base and gilt-bronze legs following 19th-century models and a white dial with Roman numerals for the hours. It is topped with a bronze child figure modeled after Auguste Moureau (1834-1917), a French sculptor especially known for his delicate and naturalistic works, part of the Art Nouveau movement, a style of which he was a leading exponent. He made busts, figures, and small sculptures, and his designs were later adopted by many other bronze sculptors due to the artist's success and the quality of his pieces. Weight: 22 kg.
· Size: 35X22,5X64 cms
ANTIQUES
Ref.: ZF1410
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Peace-bearer. Bronze. 16th century. Bronze peace-holder with an asymmetrical “S” handle on the back, which features a slightly raised decoration on the front framed in an architectural composition decorated with elements of classical influence (a scallop shell at the top, plant elements in the upper area, columns with decorated shafts, architrave, base with semicircular arches, etc.), which has a heraldic shield in the centre of the lower area. Under a winged angel's head, the central theme of the peace-holder is presented: Lamentation over the body of the dead Christ, with the cross in the background, Mary with Christ, flanked by two figures. The heraldic shield is very similar to that of the House of Mendoza used by Íñigo López de Mendoza y de la Vega, 1st Marquis of Santillana, and progenitor and head of the Ducal House of Infantado (which also features it).
· Size: 7,5x4x12 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: ZF0541A
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Monk's armchair. Walnut wood, leather. Spain, 16th century. Armchair with arms and high backrest of the type known as “friar's chair”, which has leather with studs on the seat and upper part of the backrest, very low chambranes joining the front legs with the back ones and middle chambranes or side rails (the front one carved with a relief of floral motifs flanking an empty heraldic shield in the round) joining the two front legs and the two back ones, and simple armrests, with the fluted fronts following architectural influences. The friar's chair, initially of Italian origin, became one of the most common pieces of Spanish furniture since its introduction in the 16th century, being characteristic of this and the 17th century and being recovered again in the historicist movement of the 19th century. Being such a deep-rooted tradition in Spain, this type of model was never stopped being created. Requires restoration.
· Size: 65,5x53x109 cms.
ANTIQUES
Ref.: Z0706
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Pair of frames. Wood, stucco. 19th century. Pair of rectangular frames made of carved and gilded wood decorated with a series of mouldings of different widths, some smooth and flat, others smooth and curved and two decorated with elements of classicist influence in light relief.
· Size: 42x5x34,5 cms . int 22,5x14,5 cms.
ANTIQUES
Ref.: Z2240
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Three-part silver spice rack. 19th century. Spice rack made up of three bodies with lowered edges so that they fit together and join together in a semi-oval with a chamfer at the top, decorated with simple lines, as befits a 19th century work influenced by Neoclassicism. This type of spice rack is reminiscent in concept of the so-called “tower” examples, made in the Renaissance, but much more simplified. Weight: 150 grams.
· Size: 5x5x5,5 cms.
ANTIQUES
Ref.: Z3035
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Pair of Dutch style candlesticks. 18th century Bronze. Electrified as lamps. Pair of Dutch style candlesticks converted into lamp bases. They have a turned structure, typical of refined baroque.
· Size: 55x55x79 cms.
ANTIQUES
MISCELLANEOUS;OTHER OBJECTS
Ref.: Z6491
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Cutlery set. Porto, Portugal, 19th-20th centuries. Silver. With hallmarks and engraving marks. Silver cutlery set consisting of six spoons and six forks, each decorated on the handle with a different composition for each type of cutlery. The spoons have scrolls and plant elements, topped with scallops, reminiscent of Rococo; the forks have a composition with a neoclassical influence. Weight: 900 g.
ANTIQUES
MISCELLANEOUS;SILVER WORKS
Ref.: ZE100
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Cameo with gold mount (9 kts); brooch. Victorian period, ca. 1860. Cameo with an openwork die-cut mount in 9 kt gold, decorated with a symmetrical composition of contrasting “Cs”, simplified volutes and scallop-shaped forms at the equator of the piece (on both sides). The cameo itself, made in Cassius Cypraea (and therefore of the type known in the 19th century as “coralino”), presents a scene from classical mythology: on the left is Aurora, accompanied by a winged child with a torch (Phosphor, the morning star) and preceding the chariot of the Sun with four horses, which is surrounded by the Hours and driven by Apollo. Note the compositional and iconographic similarity between the scene and the fresco painted by Guido Reni between 1613 and 1614 at the Casino dell'Aurora Pallavicini (Rome, Italy), entitled “L'Aurora”, which was also often used as inspiration for works on different supports throughout the 19th century. Weight: 20.29 gr.
· Size: 6,5x5,5x1 cms.
ANTIQUES
Ref.: ZE101
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Pair of door knockers. Wrought iron. 16th century. Pair of door knockers made of wrought iron and composed of two nails with a ring to fix to the wood and a shape similar to a horseshoe attached to them. The latter, flat, is decorated with geometric engravings of lines and circles along its surface. Compare with pieces such as the 16th century Gothic knocker from the Lázaro Galdiano Museum (Madrid), Catalan pieces, etc.
· Size: 16x1,5x16 cms.
ANTIQUES
Ref.: Z0208A
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Lectern. Wrought iron. Baluster 17th century; rest 20th century. A wrought iron lectern with three twisted S-shaped legs with a disc in the centre, a balustraded base with different sections and a top with straight stripes. This central axis consists of different sections (solomonic and balustraded, joined by a piece of discs and other mouldings), and its lines are characteristic of ironwork of the period (compare, for example, with the Choir Grille of the Cathedral of Valladolid, currently in the Metropolitan Museum of New York, and note its differences). Weight: 22 kg.
· Size: 42x48x155 cms.
ANTIQUES
Ref.: ZF0581
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Spice rack. Silver. Spain, Cordoba, second half of the 18th century. With contrast marks. Silver spice rack in its colour with a truncated cone-shaped body, a sinuous lower edge resting on legs with scrolls and plant motifs, a semi-spherical bowl without divisions, a lid with a dome-shaped hinge and decorated with plant elements in high relief. The lid features a rose surrounded by a line of dots that create waves. The hallmarks place the piece's production in Córdoba, verified by Damián de Castro and by the hand of Juan Sánchez Soto (probably Cristóbal's son and brother), in the second half of the 18th century. Typologically, this is a spice rack belonging to a somewhat peculiar tradition or model, common in Córdoba and Madrid but also present in Gerona, Antequera, etc. Weight: 87 grams.
· Size: 7,5x6x5 cms
ANTIQUES
Ref.: ZF0982
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Spice rack. Silver. Cordoba, 18th century. With contrast marks. Silver spice rack in its colour with a truncated cone-shaped body, a sinuous lower edge resting on volute legs with osier and floral motifs, a hemispherical bowl, a lid with a dome-shaped hinge, and decorated with plant elements in high relief. The hallmarks it presents identify it as an 18th century Cordoban work, by the hand of Juan de Luque y Leyva or Leiva (1721-1779/80), who was an official marker of the city between 1772 and 1779/80. Typologically, it is a spice rack belonging to a somewhat peculiar tradition or model, frequent in Cordoba and Madrid but also present in Gerona, Antequera, etc. Weight: 68 grams.
· Size: 7x7x4,5 cms
ANTIQUES
Ref.: ZF0983
