ANTIQUES

DECORATION

DECORATIVE ANTIQUES

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BRONZE MORTAR WITH INSCRIPTION. SPAIN, 1846.

Mortar with inscription. Bronze. Spain, 1846. A bronze mortar with an everted mouth and a truncated conical body that tapers continuously to the base. The piece bears an inscription (“soi de don Gregorio goia ano 1846”) in capital letters with spaces between them, and two areas with lines flanking the text at the top and bottom, referring to the owner of the mortar and the year it was made. Compare, for example, with the large pharmacy mortar in the Calella Municipal Museum-Archive (with an inscription, ribs, and human heads as handles), a large mortar in the Museum of Hispanic Pharmacy at the Complutense University of Madrid, etc.

· Size: 25x25x30 cms.
ANTIQUES
MISCELLANEUS;MORTARS

Ref.: Z5727
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NAPOLEON III BEDROOM SUITE, CA SECOND HALF OF THE 19TH CENTURY.

Napoleon III bedroom, second half of the 19th century. The bedroom comprises a single-door wardrobe with a mirror, a dressing table/desk with three drawers in front and three more behind a door, in addition to the two under the mirror, a ship-style bed, and a four-drawer bedside table. All the decorative elements of the set are reminiscent of classical antiquity, clearly indicating that the pieces belong to the Napoleon III style, as it reached its peak in France during his reign (1852-1870). Wardrobe 110x46x260 (interior with 5 shelves, interior drawer, and exterior drawer) Chest of drawers 108 x 52 x 101 + 115 Bedside table 44x32.5x100 Bed 210 x 135 x 128 for a 115 x 190 mattress. Maple wood, pine wood interiors, stained moldings
ANTIQUES
FURNITURE

Ref.: Z5277
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COMMODE WITH THREE DRAWERS AND MARBLE TOP.

Chest of drawers with three drawers and marble top. Set on four baluster legs, the chest of drawers features three drawers at the front: two decorated with a rectangle formed by a fine gilt metal molding, with fittings and a horseshoe shield made from vegetal motifs, and a third, hidden at the top, adorned with scrolls. The sides are also divided into two sections, the lower one with a square in a different shade of wood, and the upper one with scrolls. The marble top follows the lines of the chest of drawers.

· Size: 150x60x92 cms.
DECORATION
FURNITURE;CLASSIC

Ref.: E456
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TALL BOY COMMODE WITH WRITING DESK. WOOD, METAL.

Tall Boy style desk with writing surface. Wood, metal This piece of furniture is inspired by 19th-century English models of the type known as "tall boy" due to the height and arrangement of the drawers. It has 10 exterior drawers and 6 interior drawers. Root wood veneer.

· Size: 101x50x190 cms
DECORATION
FURNITURE;CLASSIC

Ref.: D001
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WRITING DESK WITH FIFTEEN DRAWERS IN WALNUT COLOURED WOOD.

Desk with fifteen drawers. The desk features a semicircular upper structure that houses the drawers, leaving a writing surface in the center and a horizontal area for placing objects. The front has more drawers, decorated like the others with frieze and gilt metal fittings. The piece rests on four smooth, pilastered legs with casters, decorated using the same technique as the drawers.

· Size: 150x75x110 cms.
DECORATION
FURNITURE;CLASSIC

Ref.: D082
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WRITING DESK WITH THIRTEEN DRAWERS.

Desk with thirteen drawers. The desk stands on pilastered legs with casters. The drawers are arranged as follows: three at the front, with locks, the central one larger than the side ones; two on the sides, at the beginning of the semicircular structure that defines the top surface; and six arranged in two sections in this curved area, located between two small doors. The decoration gives prominence to the wood, consisting of thin lines on the drawer fronts, panels, and doors, and very discreet gilt metal fittings.

· Size: 150x75x107,5 cms.
DECORATION
FURNITURE;CLASSIC

Ref.: D091
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VICTORIAN DRESSING TABLE. MAHOGANY, METAL, GLASS. ENGLAND, 19TH CENTUR...

Victorian dressing table. Mahogany wood, metal, glass. England, 19th century. A mahogany dressing table with carved legs, its front legs turned like banded columns and topped with vase-like shapes. It features a drawer at the front and a recessed upper section with three drawers on each side and a closed compartment in the center, beneath a rectangular mirror. The mirror is enhanced with openwork vegetal decorations on the sides and a small crest of architectural motifs at the top. The Victorian style, popular during the reign of Queen Victoria of Great Britain in the second half of the 19th century, was widely used in the country and had a significant influence abroad. The clean lines highlight the high-quality wood grain and reflect a long tradition in English furniture, which is generally characterized by fewer decorative elements than its French counterparts.

· Size: 52x120x75 cms.
ANTIQUES
FURNITURE

Ref.: Z6691
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MAHOGANY NEOCLASSICAL BED, 19TH CENTURY.

"Ship's" bed in carved mahogany wood, 19th century. The headboard and footboard, of the same height, are decorated with a circular molding, while the back, for the sake of harmony, follows the lines of the front, which is decorated with four columns flanking a central motif of scrolls and palms with a strong classical influence. It follows the lines of Neoclassicism, the main style of this century.

· Size: 218x152x128 para colchòn 135x195 cms.
ANTIQUES
FURNITURE

Ref.: Z5054
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SILVER TWO-HANDLED CUP. WITH HALLMARKS. 17TH-18TH CENTURIES.Y

Bernegal or glass or wine tasting. Silver. 17th-18th centuries. With contrast markings. A silver-colored Bernegal coin with a circular foot, a body that widens towards the top, and two flat, S-shaped handles with a flared central section. It has hallmarks on the handle (unidentified) and an engraved mark on the base. Both bernegales and tembladeras were very common types in 17th-century Spanish Baroque silverware, and remained popular into the following century, mainly in areas far removed from the major centers of silversmithing. Also known as wine glasses, these types of drinking cups were used on special occasions (ceremonies, etc.), hence their material and decoration. They were objects of secular use, although it was not unusual or exceptional for them to be donated or commissioned for use in churches or liturgical settings. Compare this piece with two cups or bowls from the Monterrey Palace Collection in Salamanca (one Parisian, made around 1750, and the other from Salamanca) decorated with gadroons and two raised S-shaped handles; with the bowl from the Metropolitan Museum, made in London in 1680 from the Irwin Untermyer collection (very similar in form to the present one); or with the pair of bowls by Antonio López Díaz (made in Jaén and dated 1758/1772) from the Valencia de Don Juan Institute in Madrid. Weight: 162 grams.

· Size: 14x11x9 cms.
ANTIQUES
MISCELLANEUS;SILVER

Ref.: Z6022
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VERAWOOD AND MARQUETRY EDUARDIAN CREDENZA, BEGINING 20TH CENTURY.

Edwardian sideboard in rosewood and fruitwood marquetry, early 20th century. Four turned legs support the sideboard, which consists of a niche beneath two drawers flanking another space, and a top decorated with mirrors and architectural lines. The surface features a series of plant motifs, scrolls, and vases made of fruitwood marquetry, whose light tones contrast with and stand out against the dark tone of the sideboard. The Edwardian style takes its name from King Edward VII of England (early 20th century), and was characterized by achieving the modernization of medieval styles, elements taken from Georgian, etc.

· Size: 137x42x205 cms.
ANTIQUES
FURNITURE

Ref.: Z6209
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PAIR OF PORCELAIN VASES.19TH CENTURY.

Pair of vases. Glazed porcelain. 19th century. A pair of vases with circular bases, cylindrical bodies in the center, long necks, and mouths that open outwards, decorated with pink bands, gilded rims, clusters of flowers, and two genre scenes (humble figures dancing in rural landscapes; on the other side, similar scenes). They are displayed on metal feet decorated with openwork elements and claw-shaped feet topped with classically influenced vegetal motifs. Markings are present on the base.

· Size: 24x24x62 cms
ANTIQUES
MISCELLANEUS;CERAMIC

Ref.: ZF0884
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DESK. WOOD, METAL. 20TH CENTURY, AFTER ANTIQUE MODELS.

Desk. Carved wood, metal. 20th century, following antique models. A six-legged desk with casters, crafted from wood with a lemon-toned finish and marquetry in various shades on the legs, fronts, drawers, and doors (featuring vegetal motifs, ribbons, scrolls, etc., with a classical influence). It has five drawers beneath the leather-finished tabletop, enhanced by a second section with three doors and a total of eight drawers. Stylistically, it follows 19th-century models, closely resembling the French school.

· Size: 150x78x108 cms.
DECORATION
FURNITURE;CLASSIC

Ref.: D133
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LOUIS XVI STYLE SETTEE. GOLDEN WOOD. UPHOLSTERY IN NEED OF RESTORATION...

Louis XVI style sofa. Gilded wood. Upholstery needs restoration or replacement. Sofa on turned pilasters and a waist adorned with floral motifs, the decoration of the legs repeated on columns at either side. The lines and decoration of this piece show inspiration from Louis XVI furniture, a French style also known as "Style à la grecque," inspired by Antiquity and dating approximately between 1760 and 1789.

· Size: 181x70x102 cms.
ANTIQUES
FURNITURE

Ref.: Z5379
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MODERN ORNAMENTAL MIRROR.

Golden cornucopia-shaped mirror, 20th century A rectangular mirror with a wide frame, formed by wings, a crest, and a lower finial with decorative motifs inspired by classical tradition (scrolls, vases, garlands, etc.). It draws inspiration from the well-known and highly prized cornucopias used in the 18th century to decorate and enhance the lighting of palace interiors. Stylistically, it can be related to 19th-century examples of Rococo influence.

· Size: 83 x160 x 7 cms.
DECORATION
FURNITURE;CLASSIC

Ref.: Z5167
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FOLDING TABLE. WALNUT WOOD AND WALNUT ROOT. 19TH CENTURY.

Extendable book table. Walnut and walnut burl. 19th century. This extendable dining table, known as a "book table" due to its folding mechanism, reaches three meters in length. It features turned, baluster-shaped legs topped with metal casters for easy movement. The table is crafted from a combination of walnut and walnut burl, showcasing the striking grain of these woods. Some details of the piece are reminiscent of Victorian examples from Northern Europe.

· Size: 121x65x76 cms.
ANTIQUES
FURNITURE

Ref.: Z5858
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THREE RECTANGULAR PANELS WITH RELIGIOUS FIGURES AND PUTTI, RENAISSANCE...

Three rectangular panels with reliefs in carved wood. 16th century. All three feature figurative decorative motifs arranged within rectangles defined by plain moldings: the longest has three (the side ones show two seated children flanking a shield and holding knotted cloths, while the central one depicts Saint Matthew and Saint John writing, identifiable by their Tetramorph symbols); the shorter ones show two figures from the Church (Fathers, Prophets). Stylistically, they reflect the characteristics of Renaissance art and would have formed part of the drawers of some piece of furniture.

· Size: 25x145; 25,5x144; 24,5x68,5 cms
ANTIQUES
MISCELLANEUS;OTHER OBJECTS

Ref.: Z6581
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SILVER GLASS WITH TRAY. 18TH CENTURY.

Rinse basin. In silver, in its natural color. Barcelona, 18th century. With contrasting marks and ownership initials. A container with a small circular foot features simple, flat lines, as well as a space at the base of the interior space in which the glass fits, which has the same elegant shapes in its contours. In general, the territories of the Crown of Aragon recovered during the 18th century, which influenced their silversmithing. Barcelona's silversmithing saw a resurgence in importance, reaching levels not seen since the Gothic period. As in the rest of Spain, the Rococo style dominated during the reign of Charles III (1760-1788). At court, which had already embraced Neoclassicism around 1735-1740, this style appeared around 1770 and, after coexisting with Rococo for a few years, gradually became dominant from 1780 onwards. Barcelona quickly adopted this new style and apparently became one of the main centers on the Iberian Peninsula. However, the frequent changes in hallmarks, the common use of confusing symbols on pieces, and the lack of surviving works and studies hinder a detailed analysis of this center and its silversmiths. The hallmarks on the piece place it in Barcelona, in the workshop of a silversmith whose mark is “F. Tur”, possibly (Turquet). Weight: 582 grams.

· Size: 18x18x9 cms.
ANTIQUES
MISCELLANEUS;SILVER

Ref.: Z6871
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FLEMISH BRONZE MORTAR, 17TH CENTURY

Flemish mortar. Bronze. 17th century. It features a brand. A mortar with a circular base and an outward-curving mouth formed by the two upper bands. The body exhibits a slight entasis and is decorated with figurative relief motifs. In addition to a series of moldings on its outer surface, two male protomes (heads with mustaches and non-human features) and a band with various elements (scrolls, leaves, quadrupedal monsters) are visible at the bottom. Note also a circular "seal" (or so it appears) with the letters (HLB / RA/TE) surrounding an emblem flanked by vegetal elements and placed on three oval objects. Compare the present example with those by P. van den Ghein in the Royal Carillon School Museum “Jef Denyn” in Mechelen (although earlier), a 17th-century example in the Pharmacy Museum of Berlin (Germany), another in the Pharmacy Museum of the Complutense University of Madrid (Spain), etc. Weight: 4.6 kg.

· Size: 17x17x14 cms.
ANTIQUES
MISCELLANEUS;MORTARS

Ref.: ZF1258
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”FRAILERO” CHAIR. WOOD, LEATHER. SPAIN, 17TH CENTURY.

Pair of friar's chairs. Walnut wood, leather, metal. Spain, 17th century. Armchairs with high arms and backs, of the type known as "frailero" (friar's chair), feature studded leather on the seat and upper back, low stretchers connecting the front and rear legs, and medium stretchers or side rails (the front one carved and cut to create geometric patterns) joining the two front and two rear legs, and simple armrests with scroll finials. Originally of Italian origin, the frailero armchair became one of the most common pieces of Spanish furniture after its introduction in the 16th century, being characteristic of that century and the 17th, and experiencing a revival in the historicist movement of the 19th century. Because it was such a deeply rooted tradition in Spain, these models continued to be produced.

· Size: 69x55x107 cms.
ANTIQUES
FURNITURE

Ref.: Z5070
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SILVER INCENSE BOAT (NAVICULAE). SANZ DE VELASCO, JUAN ANTONIO. VALLAD...

Naveta. Silver. SANZ DE VELASCO, Juan Antonio. Valladolid, Spain, 18th century. With contrasting marks. It shows repairs at the base and losses in the cresting. Boat. Silver. SANZ DE VELASCO, Juan Antonio (1720-1778). Valladolid, Spain, 18th century. With hallmarks. Boat with a circular base raised towards the foot by a series of stepped moldings. Its body is decorated with a cresting on the rim and an engraved composition of vegetal elements and volutes (on a background of stippled luster, a finish also used in the decorative motifs), a gadrooned element on one side, and a volute at the opening end. The hallmarks on the base place the piece's manufacture in Valladolid (note that it is the so-called "cutting mark," which some experts date to before the appointment of Antonio González Téllez as a certified assayer). The other hallmark present is that of Juan Antonio Sanz de Velasco (1720-1778), who served as a certified assayer in the city between 1743 and 1774/8. Apart from other surviving works by the master (many in private Spanish collections), the silver altar frontal of the Virgin of Sagrario (Valladolid Cathedral) stands out. It was crafted by the Valladolid silversmiths Juan Antonio Sanz de Velasco and Miguel Fernández Yáñez de Vega, who completed in the last third of the 18th century a work begun in 1693 by the silversmith José de Aranda. The shape of the piece is typical of this type of vessel for storing incense (in fact, the name naveta comes from "nave," meaning ship) dating back to the Middle Ages (e.g., the naveta in the Chapel of the Constables in Burgos Cathedral by Juan de Valladolid, from the 15th century), with variations in form and decorative elements depending on its origin, style, etc. Compare this piece with works preserved, for example, in the Diocesan and Cathedral Museum of Valladolid, another from the Museum of Navarre originating in Mexico and dated between 1634 and 1666, another from the 18th century in silver in its natural color from the Cathedral of Tuy (with a very different base), etc. Weight: 348 grams.

· Size: 16x10x9,5 cms,
ANTIQUES
MISCELLANEUS;SILVER

Ref.: Z5448
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GILT BRONZE AND WHITE MARBLE CLOCK GARNITURE IN LOUIS XVI STYLE, 19TH ...

Gilded bronze and white marble garniture in the Louis XVI style, 19th century. Composed of two vases on pedestals and a clock. The vases are identical: a polygonal base rests on four circular legs, supporting a low, fluted column decorated with two strings of pearls at its base. Above this is a tall-stemmed vase adorned with two handles shaped like plant stems. The clock sits on four legs, a semicircular base with a floral frieze, four columns, and another semicircular plaque. Distinguished by two intertwined flowering branches, it has a white dial with Arabic numerals, Louis XVI-style hands, and is topped by a vase. The clock's pendulum, shaped like a sun, emerges between the columns and decorative chains. The French style known as Louis XVI is characterized by its inspiration from classicism and spans approximately from 1760 to 1789. In the 19th century, numerous artistic movements from the past were revived, among which the aforementioned style stood out due to its inspiration, very much in line with the Neoclassicism of the time.

· Size: Reloj: 19x9x40 cms. Copas: 19x15x21 cms.
ANTIQUES
MISCELLANEUS;CLOCKS

Ref.: Z6190
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ORNAMENTAL MIRROR WITH CREST, 18TH CENTURY.

Cornucopia with prominent crest in carved and gilded wood, 18th century. A cornucopia with a rectangular mirror inside, its frame adorned with simple moldings (some concave, some straight, and some convex) without exaggerated movement, and on the outside, delicate garlands of flowers. The prominent upper crest stands out, composed of rocaille, curved moldings, flowers, and a vase. This work is of great interest because, while the simple lines mentioned above are more characteristic of Neoclassical styles, other elements (rocaille, concave and convex moldings, movement, decorative exuberance, etc.) are characteristic of the Rococo style. Both artistic styles coexisted in 18th-century Spain. It requires cleaning and minor restorations.

· Size: 96x35x185 cms
ANTIQUES
FURNITURE

Ref.: Z5301
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BRONZE “WOUNDED FIGHTING BULL”.

Bronze sculpture, “Wounded Bull”. Signed “F. Bonilla Villalba” on the base. On a wooden base stands the figure of a bull after the final stages of the bullfight, depicting the banderillas and the kill, as evidenced by the elements used in both: three banderillas and the sword. Thanks to the artist's exceptional skill, one can appreciate both the moment when the bull is about to die and bellows, and the blood flowing from its wounds. The drama is heightened by the unique treatment of the animal's hide.

· Size: 55x27x40 cms.
ANTIQUES
SCULPTURE

Ref.: Z6180
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SILVER “TEMBLADERA” (CUP). JUAN MONTERO, SALAMANCA, SPAIN, 18TH CENTUR...

Trembladera. Silver. Juan Ignacio Montero, Salamanca, 18th century. With contrast markings. Silver trembler in its natural color, smooth on the outside, decorated with two inverted "S" shaped handles adorned with external spikes. At the base of the piece are four hallmarks (flanking the hallmark line), which place the piece's creation in Salamanca (note the bull), with the involvement of Juan Ignacio Montero; two other hallmarks are also present, but they were not made. Juan Ignacio Montero was a silversmith and hallmarker, and the hallmark seen here appears to date from surviving works dated between 1759 and 1779, such as a reliquary altarpiece in the Parish Church of San Lorenzo in Segovia (by Manuel Cardeñosa, dated 1767). He is known to have served as a hallmarker in Salamanca between 1758 and 1781 and to have been active until 1779. He used a hallmark that included dates for the year, although sometimes the same mark was used in several years. Weight: 70 g.

· Size: 10x7x5 cms.
ANTIQUES
MISCELLANEUS;SILVER

Ref.: Z6251

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