Results 97 to 120 of 1574

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”LE CANNARD FEMELLE OU LA CANE” (FEMALE DUCK). COLOUR ENGRAVING, FRAME...

“Le Cannard Femelle ou La Cane” (Pata). Framed color engraving. Wood, paper, etc. 20th century. Entitled “The Female Duck” (“cane” is the French name for the female duck), this engraving is inspired by common works from the 18th century, usually made with the intention of illustrating a scientific book but also devoting the attention that deserves a work of art (note the details, the background, etc.).

· Size: 32,5x5x42 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4764D
”LA SARCELLE, MÂLE” (MALE DUCK). COLOUR ENGRAVING, FRAMED. WOOD, PAPER...

“La Sarcelle, mâle” (male duck). Framed colour engraving. Wood, paper, etc. 20th century. In French, the term “sarcelle” refers to certain small-sized surface ducks. This engraving is inspired by common works from the 18th century, usually made with the intention of illustrating a scientific book but also devoting the attention that a work of art deserves (note the details, the background, etc.).

· Size: 32,5x3x42 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4764E
”LE DINDON” (MALE TURKEY). COLOUR ENGRAVING, FRAMED. WOOD, PAPER, ETC....

“Le Dindon” (The male turkey). Framed colour engraving. Wood, paper, etc. 20th century. In French, the male turkey is known as “dindon”, but note that another bird appears a little further in the background. This engraving is inspired by common works from the 18th century, usually made with the intention of illustrating a scientific book but also devoting the attention that a work of art deserves (note the details, the background, etc.).

· Size: 32.5x3x42 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z4764F
SOLDIER AND PEOPLE. OIL ON CANVAS. 20TH CENTURY.

Figures with a soldier. Oil on canvas. 20th century. In this oil painting, a series of humble figures of all ages are placed to the right, and a soldier on horseback with his back to the viewer (a detail that, together with his posture, prevents any possibility of a heroic sense in the work); in the background, ruins with rocks occupy most of the canvas, leaving an opening to the horizon and a light of dawn to the left. Both in the types and in the composition and the ruins, the influence of ancient Flemish models in the painting is clear.

· Size: 101x81 cms
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PAINTINGS

Ref.: Z4862
PAIR OF FRAMED MINIATURES

Pair of 19th century miniatures. “Portrait of a Lady” and “Portrait of a Gentleman”. With illegible signature. Carved and gilded wooden frames. Pair of miniature portraits, representing a lady and a gentleman from the 19th century, surrounded by magnificent carved and gilded wooden frames, of Baroque inspiration, based on curled acanthus leaves. Miniature painting, especially portraits, developed in Europe from the 16th century onwards. These were mainly paintings fitted into objects such as medallions, table clocks or small boxes. They were produced using a wide variety of techniques, such as oil on copper, tin or ivory, washes on parchment or cardboard and, from the 18th century, watercolours on ivory. This delicate art was lost from the second half of the 19th century, in parallel with the development of photography.

· Size: 3,5 x 3 cm; 19 x 15 x 3 cm (marco).
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5108
FRAMED LITHOGRAPH. CLOWN WITH AVSIPA

· Size: 52x2,5x65 cms. INT 37x50 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820-28
CLOWN WITH WASP. LITHOGRAPHY. 20TH CENTURY.

Tennis player with sunflower. Lithograph. 20th century. Color image of an elegantly dressed gentleman, three-quarter view, smiling, presenting a large flower in his lapel and a case for what appears to be a racket.

· Size: 52x2,5x65 cms. INT 37x50 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820-29
GIRL WRITTING ON A FENCE. LITHOGRAPHY. 20TH CENTURY, AFTER FRANCES BRU...

Girl writing on a fence. Lithograph. 20th century, following models by BRUNDAGE, Frances. Frances Isabelle (Lockwood) Brundage (United States of America, 1854-1937), was an illustrator greatly appreciated for her endearing children's illustrations on postcards, valentines, calendars, etc., which were published by Raphael Tuck & Sons, Samuel Gabriel Company and Saalfield Publishing, and several children's classics (novels by Louisa May Alcott, Johanna Spyri, the story of Robin Hood, etc.). This work is inspired by a Valentine's card published by Raphael Tuck & Sons, and it was so well received that postcards inspired by it were even published in Spain.

· Size: 52x2,5x65 cms. INT 37x50 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820-31
INTERIOR. OIL ON CANVAS. SIGNED. COLLADO, PEDRO (SPAIN, 1874-1954).

Interior. Oil on canvas. Signed and with illegible inscription. COLLADO, Pedro (Valladolid, 1874-1954). Pedro Collado, a teacher of figures such as Félix Cano Valentín, has a body of work preserved mainly in private Spanish and Latin American collections. Stylistically, the work can be linked to pieces of humble interiors typical of the painter's time, differing from many of them in the mastery in the use of light, in composition, etc.

· Size: 55x4x68 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A18
RURAL SCENE. OIL ON CANVAS. SIGNED. LÓPEZ MURIAS, ISIDRO (TÉTOUAN, MOR...

“Rural scene”. Oil on canvas. Signed (bottom left corner). LÓPEZ MURIAS, Isidro (Tetouan, Morocco, 1939). Isidro López Murias trained at the School of Arts and Crafts in Palencia and the Faculty of Fine Arts in Madrid, earning his first distinctions in 1953 and 1954. He has exhibited his work in Pamplona, Palencia, Santander, Burgos, Valladolid, Madrid, Ávila, Segovia, Murcia, New York, Barcelona, Bilbao, San Sebastián, etc.; and it can be found in numerous private collections (Spain, France, Italy, etc.) and in various institutions (Museum of Navarra, Royal Academy of Fine Arts of San Fernando in Madrid, collection of the Parliament of Navarra, Rodríguez-Acosta Foundation in Granada, etc.).

· Size: 65x4x50 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A19
LANDSCAPE. OIL ON TABLEX, FRAMED. 20TH CENTURY.

Landscape. Oil on panel. 20th century. Mountainous landscape executed using a very loose technique, with a clear predominance of colour and brushstrokes (marked, with variations in the material load, moved) over the drawing, practically absent from the composition, also playing with light and shadows and the way in which these influence the subject shown. The influence of certain novelties brought by the pictorial avant-gardes that began to emerge from the end of the 19th century (Impressionism, etc.) is clear.

· Size: int 32x23 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A20
LANDSCAPE. WATERCOLOR, FRAMED. SPANISH SCHOOL, 1907.

Rural landscape. Watercolor. Spanish School, 1907. Signed and dated (upper right). Framed landscape showing a view of a watercourse with buildings at its side following a composition and aesthetic with elements derived from the avant-garde movements that emerged in Europe from the end of the 19th century.

· Size: 52x4x44 cms. int 31x23 cms
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A21
PALENCIA, GATE OF MONZON. OIL ON CANVAS. SPANISH SCHOOL (A. RODRÍGUEZ)...

View of Palencia, Monzón Gate. Oil on canvas. Spanish School (A. Rodríguez), 19th century. It has damage. Landscape showing a town or city wall in the foreground and a tower with a bell gable in the background on the right, accompanied by houses, etc. This type of scene and its workmanship (brush strokes, colours, fondness for ruins, etc.) were common in 19th century European schools, in line with a series of postulates and tastes that arose, in large part, thanks to pictorial Romanticism. The image shows the Puerta del Monzón in the walls of Palencia, with the city's cathedral in the background, in a way very close to how it could be seen in 19th century paintings and in engravings such as a lithograph from volume 9 of the series “Memories and beauties of Spain” (Lithograph "Puerta de Monzón (Palencia)". Taken from nature by FX Parcerisa; lithographed by S. Isla. Lit. by J. Donon, [1861]).

· Size: 62x4x45 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A24
STILL LIFE WITH SEA BREAM, VALLADOLID (SPAIN), 1943. OIL ON CANVAS. SI...

“Still Life with Sea Bream”, Valladolid, 1943. Oil on canvas. Signed and dated in the lower right corner; titled, with author and located on the back. VIVERO, Asterio (Valladolid, 1899-1975). Still life on a flat background showing a sea bream, accompanied by lemons, a glass, a tray and other elements. Asterio Vivero Soba was a Spanish painter, a disciple of Luciano Sánchez Santarén and teacher of his son Luis Vivero Salgado, a member of the Academy of Fine Arts of the Immaculate Conception of Valladolid.

· Size: 50x4x42 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A32
PEOPLE GATHERING FOOD. OIL ON CANVAS. SIGNED. PARAISON WESNER.

“Characters picking fruit”. Oil on canvas. Signed in the lower right corner. Paraison Wesner. Enhanced by the composition in an oval, the three figures are placed practically on top of each other due to this choice and the lack of space that it entails. The three characters appear as if they were harvesting the fruits that appear in the basket in the foreground, adding a certain treatment of the pictorial avant-garde of the 20th century to the scene.

· Size: 48x3x60 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A35
REINOSA GATE, AGUILAR DE CAMPOO. OIL ON CANVAS. RENESES SANAHUJA, MARÍ...

Spanish: Reinosa Gate, Aguilar de Campoo. Oil on canvas. Signed, dated and titled in the lower right corner. The painting shows a view of one of the gates of the city of Aguilar de Campoo (Palencia), specifically the one called Reinosa or Burgos Gate. María Reneses, best known for her watercolours, trained at the School of Arts and Crafts in Madrid, where she has already won awards. She founded the Spanish Association of Watercolourists (AEDA) and was a member of its Board of Directors. She took part in National Exhibitions, Biennials and various National Competitions organised by the AEPE and other institutions, and was a regular at the Autumn Salons, attending those from 1949, 1952 to 1965, 1967 to 1971, 1973, 1977 to 1981, 1976 and from 1983 to 1989. She won the Third Medal for Watercolour at the Autumn Salon in 1956, First Medal at the 1964 Salon, etc. Her work has been shown in solo exhibitions in Madrid, Barcelona, one at the National Museum in Madison (Wisconsin, United States of America), etc. For more than twenty years, she sponsored a prize named after her at the Autumn Salons, a prize especially designed for young watercolourists. Works by this painter are held in important private collections and institutions such as the City Council of Seville…

· Size: 40x3x47 cms. int 26x33 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A41
RURAL LANDSCAPE. DRAWING, FRAMED. SIGNED F. CARRASCAL.

Rural view. Drawing, framed. Signed towards the bottom (F. Carrascal). Rural landscape with churches and other human buildings that show no other sign of life or habitation than these and some roads and fields. Also striking is the lighting treatment that the subject receives and the chosen technique. The influence of various contributions from the pictorial avant-garde of the 20th century is clear.

· Size: 39x34 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A47
FRAMED DRAWING. 20THC ENTURY (1976).

Framed charcoal drawings. 20th century (1976). Signed and dated (top right). Sheet showing a series of very varied notes or sketches (two human figures below, groups of people above) made in charcoal. Stylistically, the influence of certain avant-garde movements of the 20th century can be clearly seen in compositions, treatments, themes, etc.

· Size: 81x5x65 cms. int. 58x41 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A50
LANDSCAPE, AGUILAR DE CAMPOO. OIL ON CANVAS. POSSIBLY, LÓPEZ MURIAS, I...

Landscape of Aguilar de Campoo. Oil on canvas. Possibly, LÓPEZ MURIAS, Isidro (Tetouan, Morocco, 1939). Titled on the back. Signed (front, lower right). Isidro López Murias trained at the School of Arts and Crafts in Palencia and the Faculty of Fine Arts in Madrid, earning his first distinctions in 1953 and 1954. He has exhibited his work in Pamplona, Palencia, Santander, Burgos, Valladolid, Madrid, Ávila, Segovia, Murcia, New York, Barcelona, Bilbao, San Sebastián, etc.; and it can be found in numerous private collections (Spain, France, Italy, etc.) and in various institutions (Museum of Navarra, Royal Academy of Fine Arts of San Fernando in Madrid, collection of the Parliament of Navarra, Rodríguez-Acosta Foundation in Granada, etc.).

· Size: 35x2x29 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z5820A73
OIL ON PANEL "STILL LIFE" SIGHT. ANTONIO GOMEZ GIMENO

GÓMEZ GIMENO, Antonio (Spain, late 19th – early 20th century). "Still life". Oil on canvas. Signed in the lower left corner. Measurements: 38 x 45.5 cm; 47 x 55.5 cm (frame). Painter of landscapes, costumbrist scenes and still lifes, Antonio Gómez Gimeno developed a language clearly influenced by the Impressionists, which he may have learned during a stay in France. He is currently represented in various private collections.

· Size: 46x38 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z6191
FOUR LANDSCAPES SET.

Set of four landscapes in oil. Each one shows a different landscape, all with the presence of human figures, animals and buildings and clothing reminiscent of the fashion of northern Europe around the 18th century, or even before. In two of them there are buildings reminiscent of classical times (the bridge with the sculpture and that kind of arch), but as if they had been conceived by someone who had not seen these elements in reality. Although it may be thought that the landscapes are intended to represent Italy, since this country was the destination chosen by many young people on the Grand Tour (boom between the mid-17th century and the 1820s) Price per unit.

· Size: 45x35 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z6514
GENERAL PRIM IN THE TETUÁN BATTLE. OIL ON CANVAS. 19TH CENTURY, AFTER ...

General Prim at the Battle of Tetouan. Oil on canvas. 19th century, based on the model by SANS CABOT, Francisco. Requires restoration. Oil on canvas inspired by a painting made in 1865 by the painter Francisco Sans Cabot (Barcelona, 1828-Madrid, 1881) which is kept in the National Art Museum of Catalonia (catalogue number 010618-000; according to other sources it is in the Palace of the Captaincy General of Barcelona) and depicts General Prim (Juan Prim y Prats, Reus, 1814-Madrid, 1870) second of Catalan volunteers and the Alba de Tormes battalion, crossing the trenches of the Tetouan camp in 1860, in the context of the African War or First Moroccan War (1859-1860).

· Size: 159x179 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: Z6573
THE COURT OF CLEOPATRA AND SALOMON AND THE QUEEN OF SHEBA. AFTER OBERH...

“The Court of Cleopatra” and “The Queen of Sheba before Solomon”. Framed illustrations. Based on the model of OBERHAUSER, Emanuel. Early 20th century. The work entitled “The Court of Cleopatra” is a photogravure inspired by a work by Emanuel Oberhauser (note the “signature” and the inscription below the image) published by Louis Wolf around 1906 (indicated above the image), and later coloured. The one entitled “La Reine de Saba rendant visita à Salomon” is based on another painting by the same master as the previous one, and is another photogravure also published by Louis Wolf, surely at a similar date, and also coloured.

· Size: 119x1,5x84 cms.
DECORATIVE ANTIQUES
PAINTINGS

Ref.: ZA6649
FRAMED LITOGRAPH, DOMUS AUREA. CARLO ROMANO, AFTER FRANCESCO SMUGLEWIC...

Framed lithograph, fresco from the Domus Aurea of Nero (Rome). Engraved by Carlo Romano, based on a design by Francesco Smuglewicz. Painted lithograph showing a frame of grotesques with vegetal elements and mythological creatures in the corners and a seated male figure in the centre of the composition, perhaps Bacchus given the presence of vine leaves. The work follows a design by Francesco Smuglewicz, made from frescoes found in the 18th century in the Domus Aurea of the Roman Emperor Nero.

· Size: 92x3x86 cms
DECORATIVE ANTIQUES
PAINTINGS

Ref.: ZE418

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